Elgar
Ólafsson, LPO, Gardner, RFH review - spirit of delightMonday, 30 January 2023
This concert was advertised as the completion of an Elgar symphony cycle, though in the absence of the reconstructed Third, that meant the second of two. Both were planned with interesting concerto couplings. The First Symphony was presented with... Read more... |
Prom 59, The Dream of Gerontius, Clayton, Barton, Platt, LPO, Gardner review - most sure in all its waysThursday, 01 September 2022
Asked which work suits capricious Albert Hall acoustics best, I’d say Elgar’s The Dream of Gerontius, partly due to the choral billows – this year there’s been an extra thrill about massed choirs – but also because the Kensington colosseum... Read more... |
Classical CDs: Symmetrical storms, basset horns and a happy workshopSaturday, 27 August 2022
Jacqueline du Pré: The Complete Warner Recordings (Warner Classics)There’s something both humbling and miraculous that a great musician’s recorded output can be squeezed into a neat box. Most of the material in Warner Classics’ latest... Read more... |
Prom 39, Hartwig, BBCSO, Oramo review - bright and breezy followed by a curate's eggTuesday, 16 August 2022
Two quirky concertos – one for orchestra, though it might also be called a sinfonietta – and a big symphony: best of British but, more important, international and world class. Sakari Oramo and the BBC Symphony Orchestra sounded glorious throughout... Read more... |
Gillam, Brodsky Quartet, Manchester Camerata, Buxton International Festival 2022 review - a freshness in classic ElgarWednesday, 20 July 2022
It’s an ill heatwave that brings nobody any good, and Buxton International Festival’s decision to move its highlight concert, by Manchester Camerata with Jess Gillam and the Brodsky Quartet as their guests, from the Buxton Octagon to St John’s... Read more... |
Prom 2, Walker, Sinfonia of London, Wilson review - sensuousness and subtlety in excelsisMonday, 18 July 2022
Had Claudio Abbado conducted the Berlin Philharmonic in a major Elgar orchestral work – and to my knowledge he never saw the light about the composer’s due place among the European greats – it might have sounded something like last night’s “Enigma”... Read more... |
Classical CDs: mediation, survival and the conquering of shynessSaturday, 11 June 2022
Karel Ančerl: Live Recordings (Supraphon)Karel Ančerl’s nascent conducting career was interrupted by World War II, Ančerl and his family being sent to the Theresienstadt camp in 1942. Two years later, he and his family were sent to Auschwitz.... Read more... |
Dandy, BBC Philharmonic, New, Bridgewater Hall, Manchester review - energy and fierce attentionMonday, 16 May 2022
Saturday’s concert by the BBC Philharmonic was in large measure about the Mahlers – Gustav and Alma. The former’s First Symphony formed the substantial second part of the programme: Frau Mahler was the inspiration of the piece that opened the... Read more... |
RSNO, Davis, Usher Hall, Edinburgh review – warm Elgar, chilly Vaughan Williams, red hot playingSaturday, 26 February 2022
“You’ll have to forgive me”, said Sir Andrew Davis at the start of this concert’s second half, “but I’m going to sit down.” As he lowered himself onto his podium stool, he let it slip that this was the first concert he had conducted in more than two... Read more... |
Williams, City of London Sinfonia, Southwark Cathedral review - a British Isles cornucopiaFriday, 29 October 2021
A year ago, the City of London Sinfonia’s quietly different concerts in Southwark Cathedral were a lifeline in the twilight of semi-lockdown; I’ll never forget how we treasured the last, on 17 November, knowing that everything would be closed again... Read more... |
Connolly, Middleton, Leeds Lieder online review - epic voyage on a luxury vesselTuesday, 27 April 2021
Some lockdown-era recital programmes have doled out miserly short measures, as performers gallop through a brief, rushed hour (or less) of music as if afraid to tax the online patience of their disembodied audience. If this final concert in Leeds... Read more... |
Kanneh-Mason, CBSO, Gražinytė-Tyla online review - muted celebrationsThursday, 19 November 2020
“This year was supposed to be so very different” said Stephen Maddock, Chief Executive of the City of Birmingham Symphony Orchestra when he spoke to theartsdesk earlier this year. Talk about an understatement. The CBSO has hardly been alone in... Read more... |
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