Elgar
Last Night of the Proms, Barton, BBCSO, Oramo review – woke not brokeSunday, 15 September 2019
The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. In the second half,... Read more... |
Prom 53: Connolly, Gregory, Tappan, BBCSO & Chorus, Davis review - citizens of the world uniteFriday, 30 August 2019
Let's be clear: this was a Prom of world-class works by English composers, not a conservative concert of English music. Politically speaking, Elgar was one of the few on the right, but how different inwardly, speaking through the poet Arthur O’... Read more... |
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. He has a... Read more... |
Bronfman, LPO, Jurowski, RFH review - weight and witMonday, 29 April 2019
Vladimir Jurowski is always a conductor for making connections, so one wonders why Brahms's Second Piano Concerto wasn't the first-half choice in this programme from the start (the advertised original had been the much stormier No 1). The sleight-of... Read more... |
Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothesSaturday, 27 April 2019
Among the greatest violin concertos in the repertoire, the Elgar is far too rarely performed. One of the reasons is its huge dramatic scale and almost hour-long duration – Sakari Oramo wisely programmed it here with Dvořák’s relatively modest... Read more... |
Soltani, LPO, Gardner, RFH review – disciplined and dynamic accountsMonday, 25 March 2019
No successor has yet been named to Vladimir Jurowski as Principal Conductor of the London Philharmonic, so it is interesting to note that Edward Gardner is making several appearances with the orchestra this season. The two conductors are similar in... Read more... |
Akhnaten, English National Opera review - still a mesmerising spectacleTuesday, 12 February 2019
You start off fighting it. Those arpeggios, the insistent reduction, simplification, repetition, the amplification of the smallest gesture into an epic. Then something happens. Somewhere among the slow-phase patterns pulsing on ear and eye, you... Read more... |
Classical CDs Weekly: Joe Cutler, Elgar, SepturaSaturday, 12 January 2019
Joe Cutler: Elsewhereness (NMC)The titles drew me in. Karembeu’s Guide to the Complete Defensive Midfielder is a great name for a piece, Joe Cutler tangentially inspired by the great French footballer’s passing skills to create a brilliant ten... Read more... |
Our Classical Century, BBC Four review - enthusiasm and delightFriday, 16 November 2018
Jerusalem! This fact-studded story of 20th century British music told us that the nation's unofficial national anthem, Hubert Parry’s setting of William Blake’s poem, originated in 1916 as a commission from the “Fight for Right” movement. Officials... Read more... |
Fialkowska, BBCSO, Nesterowicz, Barbican review – a cliche-free night in PolandSaturday, 03 November 2018
National feeling – in music, as anywhere else – depends on choice, not blood. This BBC Symphony Orchestra concert at the Barbican to mark the centenary of Poland’s rebirth as a nation never felt remotely like a feast of aural jingoism. In fact, its... Read more... |
Hallé, Elder, Bridgewater Hall, Manchester review – pictorial, dramatic powerFriday, 26 October 2018
Sir Mark Elder’s first concert in the Hallé Thursday series for 2018-19 was on clearly mapped Hallé territory – Richard Strauss and Elgar. They have a reputation, and a tradition, of playing these composers’ music very well. They’ve already recorded... Read more... |
theartsdesk at the Three Choirs Festival - religion, passion and Nordic fakeryTuesday, 31 July 2018
Not to be outdone by the Proms, the 2018 Three Choirs Festival in Hereford burst into action on Saturday with a major choral work, the Mass in D, by music’s most famous suffragette, the majestic figure of Dame Ethel Smyth. Dame Ethel embodies... Read more... |
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