thu 25/04/2024

England

The Witches, National Theatre review - fun and lively but where's the heart?

The National Theatre these days seems to be going from hit-to-hit, with transfers aplenty and full houses at home. And there's every reason to expect that this fizzy adaptation of Roald Dahl's 1983 creep-out, The Witches, has the West End and...

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Album: Joe Jackson - Joe Jackson Presents Max Champion in What a Racket!

Lord love a duck, Elsie, music ’all’s ’avin a bleedin’, whatchamacallit, comeback, innit? The release of Joe Jackson’s 19th studio album Joe Jackson Presents Max Champion in What a Racket! a week after Madness’s Theatre of the Absurd...

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Saltburn review - an uneven gothic romp

This seems to be a season for films majoring on bisexuality, with the awards round encompassing Ira Sachs’s Passages, Bradley Cooper’s Maestro and Emerald Fennell’s Saltburn, a story of high-class high jinks in a modern twist on Evelyn’s Waugh’s...

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Peter Doherty: Stranger In My Own Skin review – close-up on chaos

Pete Doherty’s notorious tabloid image as Kate Moss’s junkie rock star boyfriend blessedly faded following that relationship’s end, stopping short of Amy Winehouse territory. Katia deVidas’s documentary focuses on that addiction through his...

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Powell and Pressburger: the glueman cometh

The shop assistant turned World War Two Land Army girl Alison Smith, clad in a summer dress on the sabbath, steps through a glade onto a hilltop track above the village of Chillingbourne in Kent. It’s the same road once taken by medieval...

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Mates in Chelsea, Royal Court review – silly rather than satirical

As Christmas looms, ’tis the season for comedy. And even the traditionally austere Royal Court feels obliged to join in. So here we go again with the same team — writer Rory Mullarkey and director Sam Pritchard — who brought the colourfully...

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Powell and Pressburger: Battleships and Byron

Michael Powell and Emeric Pressburger made a glorious run of movies from The Spy in Black (1939) to The Small Back Room (1949). Yet the duo’s reputation went into steep decline in the 1950s, and they began to encounter difficulty in...

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Typist Artist Pirate King review - shine on, Audrey Amiss

The stories told by writer-director Carol Morley are poignant reclamation projects that demonstrate empathy for lost or troubled souls but don’t flinch from difficult truths.In the documentary The Alcohol Years (2000), Morley’s subject is her...

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Lyonesse, Harold Pinter Theatre review - a step backwards for #MeToo

Penelope Skinner’s new play is one of the most eccentric things I’ve seen in a long time. It’s undoubtedly entertaining, with an engagingly bonkers attempt by Kristin Scott Thomas to navigate an almost impossible role, perched between victim,...

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Michael Powell interview - 'I had no idea that critics were so innocent'

Michael Powell fell in love with his celluloid mistress in 1921 when he was 16. It’s a love affair that he’s conducted for 65 years. At 81, he’s not stopped dreaming of getting behind the camera again. At Cannes this year he hinted at plans to make...

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Dear England, Prince Edward Theatre review - still a winner in its new West End home

It was interesting, in the same week that the England football team trounced Italy 3-1 in a Euros qualifier, to see Dear England again, the National Theatre smash that has just embarked on a West End run at the Prince Edward Theatre.One of the three...

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The Reckoning, BBC One review - Savile saga that doesn't tell the whole story

The problem with star casting is that the viewer can’t escape what it is: a very well known face pretending to be another very well known face. So Steve Coogan’s portrayal of Jimmy Savile in The Reckoning is both a fine impersonation of the...

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