thu 10/10/2024

family relationships

Top of the Lake, BBC Two

Jane Campion's much-anticipated series is set amid hauntingly beautiful scenery on New Zealand's South Island, which in its remoteness seems to shake its head gently at the antics of the sparse human population. The people themselves are like a...

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Stories We Tell

"When you are in the middle of a story it isn't a story at all, but only a confusion," writes Margaret Atwood in Alias Grace, and it's these words that open Stories We Tell, fellow Canadian Sarah Polley's fourth film. This is Polley's first...

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Stuck in Love

People genuinely care about words in Josh Boone's directing debut, Stuck in Love, and that's as might be expected from a film that went by the name of Writers when it premiered in Toronto last autumn. So the first thing to be said is that this...

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Dances of Death, Gate Theatre

There are two dances to unheard music in Howard Brenton’s pithy Strindberg reduction. One spells trouble for the interloper between the vampire couple who suck the blood of others to sustain their 30-year hell of a marriage; the other, in the rarely...

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Love and Marriage, ITV

They say that you’re not supposed to judge a book by its cover, but I began to grow bored with Love and Marriage about halfway through the opening credits. What seemed like endless pairs of smiling, photogenic couples swung onto the screen against a...

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Shameless, Channel 4

They say that the most important part of any drama is the journey that it takes its leading characters on. Whatever events have taken place - and after 139 episodes and nearly a decade, this show has had a lot of them - you can expect them to have...

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The Big Wedding

You gotta love Diane Keaton all the way from Annie Hall to Something's Gotta Give, but even her natural effervescence can't enliven The Big Wedding, a starry celluloid venture that is landing in cinemas briefly on its way presumably to an...

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Relatively Speaking, Wyndham's Theatre

The pronouns have it in Alan Ayckbourn's career-defining comedy of spiralling misunderstandings, which has arrived on the West End 46 years after first hinting at the formidable talent of a dramatist who could make of many an "it" and "she" a...

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The Match Box, Tricycle Theatre

What must it be like to lose a child to random violence? The great Irish dramatist Frank McGuinness, who has tackled mythic violence on a number of occasions in previous work, has now delivered a devastating portrait of modern-day loss and revenge...

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Our Children

It’s likely that how Our Children culminates is no secret. Director Joachim Lafosse is well aware of that, and the film’s opening moments take place in the aftermath of the shocking conclusion of what’s about to unfold. Nonetheless, Our Children is...

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The Eye of the Storm

Family dramas don't come much fruitier than The Eye of the Storm. Fred Schepisi's film adaptation of Nobel laureate Patrick White's 1973 novel will speak most potently to those for whom the (far superior) Amour was too po-faced by half. An...

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Sundance London 2013: Emanuel and the Truth About Fishes

Fearlessly smart, honest and philosophical, Emanuel and the Truth About Fishes is the striking, sometimes breathtakingly beautiful second film from Italian-American writer-director Francesca Gregorini. It marries moments of sweeping surrealism with...

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