feminism
The World's Wife, Wales Millennium Centre, Weston Studio review - the power and frustration behind the throneMonday, 16 October 2017
How many dead female composers can you name? Tom Green, the composer of this stunning one-woman show, could initially only think of five (I managed thirteen while waiting for the show to start, but then I’ve been around somewhat longer than he has,... Read more... |
Princess Ida, National Gilbert & Sullivan Opera Company review - sparkling comedy, wobbly setsFriday, 01 September 2017
I’ve said it before and I’ll say it again: you have to be pretty silly to take Gilbert and Sullivan seriously. But even sillier not to. And positively heroic to revive the pair’s 1884 three-acter Princess Ida: the show which – updated to a... Read more... |
DVD/Blu-ray: The Love of a WomanFriday, 01 September 2017
In Jean Grémillon's final fiction film The Love of a Woman, Marie Prieur (Micheline Presle) arrives on the Breton island of Ushant to replace the tiny settlement's aging Dr Morel (Robert Naly). While showing Marie her new digs and surgery, Mme Morel... Read more... |
No More Boys and Girls, BBC Two – baby steps lead to great leaps for childrenThursday, 17 August 2017
Whether it’s the £400,000 that separates Mishal Husain from John Humphrys, or the 74 million miles between the metaphorical markers of Venus and Mars, there is a gulf between the genders. Despite legislation to enforce equality, the reality is... Read more... |
Apologia, Trafalgar Studios review – Stockard Channing shines bright as a 1960s radicalFriday, 04 August 2017
The 1960s were “hilarious”, says one young character in this revival, starring Broadway icon Stockard Channing, of Alexi Kaye Campbell’s 2009 family drama at the Trafalgar Studios. How so? “Oh you know, the clothes, the hair, the raging idealism.”... Read more... |
Sarah Hall: Madame Zero review – eerie tales of calamity and changeSunday, 16 July 2017
Five thousand miles away from her native Lake District, I first understood the eerie magnetism of Sarah Hall’s fiction. As a regional judge for the Commonwealth Writers Prize, I’d travelled to join the jury’s deliberations in Sri Lanka. I was keen... Read more... |
John Man: Amazons review - the real warrior women of the ancient worldSunday, 25 June 2017
As Wonder Woman hits screens worldwide, the publication of a book that explores the myth and reality of the Amazon seems timely. The latest of John Man’s works of popular history is opportunistic enough to end with a fascinating account of the... Read more... |
Anatomy of a Suicide, Royal Court review - devastatingly brilliantMonday, 12 June 2017
Dorothy Parker’s take on suicide is called “Resumé”: it goes, “Razors pain you; Rivers are damp; Acids stain you; And drugs cause cramp. Guns aren’t lawful; Nooses give; Gas smells awful; You might as well live.” Although this seems to cover the... Read more... |
Inversion review - acutely observed drama of Tehran family strifeSaturday, 20 May 2017
Inversion may not be the catchiest of titles, but in the case of Iranian director Behnam Behzadi’s film its associations are multifarious. On the immediate level it refers to the “thermal inversion” that generates the smogs that engulf his location... Read more... |
Medea, Bristol Old Vic - formulaic feminism lets Greek classic downFriday, 12 May 2017
Greek tragedy provides an unending source of material for the stage: in no other theatrical form have the labyrinths of human nature been so deeply explored: the rich tapestry of archetypal family conflicts, driven by instincts that force helpless... Read more... |
Lady Macbeth review - memorably nastyThursday, 27 April 2017
The Scottish play’s traces are faint in this bloody, steamy tale of feminist psychosis. Based on Nikolai Leskov’s Dostoevsky-commissioned novel Lady Macbeth of Mtsensk, its 1865 setting is transferred from Tsarist Russia to Northumberland.... Read more... |
Low Level Panic, Orange Tree TheatreWednesday, 22 February 2017
The 1980s were a great decade for British women playwrights. During those Thatcher-dominated years, Caryl Churchill produced two world-class masterpieces – Top Girls and Serious Money – while a host of other playwrights, such as Timberlake... Read more... |
