Finland
Hough, Philharmonia, Rouvali, RFH review - where the wild things areFriday, 27 September 2024This autumn, the Philharmonia’s “Nordic Soundscapes” season promises music suffused with the epic vistas, and weather, of high latitudes, along with reflections on the climate crisis as it threatens the traditional bonds between nature and culture.... Read more... |
Music Reissues Weekly: Shadowplay - Touch and Glow, Eggs & PopSunday, 25 August 2024Some pointers suggest how Finland’s Shadowplay might sound. They took their name from a Joy Division song. Their key founder member was Brandi Ifgray – born Visa Ruokonen. He had been in the final line-up of first-generation Finnish punk band Ratsia... Read more... |
Album: Tarja - Dark ChristmasWednesday, 13 December 2023In Finland Tarja Turunen is an institution. There, she’s regarded as a kind of heavy rock-flavoured fusion of Sarah Brightman and Maria Carey. She first came to prominence as the multi-octave singer for symphonic metal kingpins Nightwish but, since... Read more... |
Fallen Leaves review - deliciously dry Finnish romcomSaturday, 02 December 2023Fallen Leaves is Aki Kaurismäki’s 20th film, the one the Finnish director made after he said he’d retired from cinema in 2017 and frankly, if you didn’t like his earlier films, you shouldn’t bother with this one. But if you’re a fan (and I am... Read more... |
Music Reissues Weekly: Osmo Lindeman - Electronic WorksSunday, 29 October 2023For Finnish composer Osmo Lindeman, the decision to pursue electronic music was made in 1968 during a visit to Poland. He had recently started using graphical notation for the scores of his compositions and was having problems getting conductors and... Read more... |
Enemy of the People, Channel 4 review - murder and corruption in the age of digital mediaWednesday, 09 August 2023Presented to you by Channel 4’s industrious Walter, Enemy of the People is a punchy Finnish drama which makes some smart and timely observations about life in the age of digital money and poisonous social media.It’s the story of an ambitious and... Read more... |
Innocence, Royal Opera review - timely, layered drama with almost incidental musicTuesday, 18 April 2023To create a sensitive and original music-drama around the subject of a school killing is a colossal achievement. Director Simon Stone, set designer Chloe Lamford and novelist Sofi Oksanen’s cutting libretto make Innocence seem like a masterpiece. I... Read more... |
Batiashvili, Philharmonia, Shani, RFH review - Nordic mystery, Alpine tragedyFriday, 09 December 2022Sibelius and Mahler so often figure as the irreconcilable chalk and cheese of turn-of-the-century orchestral writing that it can be a salutary experience to hear them together on one bill.For sure, the Finn – whose Violin Concerto Lisa Batiashvili... Read more... |
Total Immersion: Sibelius the Storyteller, Barbican review - a feast of sagas and psychic masterpiecesTuesday, 11 October 2022If there’s a dud or a dullard among Sibelius’s 116 official opus numbers, I haven’t heard it. Yet catching even many of the outright masterpieces live in concert isn’t easy; the brevity that can show us a world in under 10 minutes makes some... Read more... |
Girl Picture review - Finnish coming-of-age drama offers nothing newMonday, 03 October 2022What is it with pushy Finnish mums and their acrobatic teenage daughters? Just weeks after the release of the Gothic fantasy Hatching, which focused on a gymnast having a Cronenbergian breakdown under pressure from her influencer mother, comes... Read more... |
Master Cheng review - slight but soothing Finnish-Chinese romanceThursday, 10 March 2022There’s a long tradition of foodie romances proving art-house cinema hits – think of Babette’s Feast, Tampopo, and Chocolat. Sadly, it’s unlikely that Master Cheng, a gentle and very slow Finnish-Chinese coproduction about a chef from Shanghai... Read more... |
Philharmonia, Rouvali, RFH review - the really big orchestra is back for cosmic StraussFriday, 01 October 2021Two suns, two moons, two Philharmonia leaders sharing a front desk, two aspirational giants among Richard Strauss's symphonic poems bringing the number of players, in the second half, to 134. Who’d have thought we’d be witnessing such phenomena when... Read more... |
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