wed 26/06/2024

French cinema

Souvenir review – Huppert does deadpan like Buster Keaton

Isabelle Huppert isn’t just here for the nasty things in life. Her rape non-victim in Elle was one of the most iconoclastic performances even she’s given, enigmatic yet emotionally rich, rooted and moving. She won’t get nearly as much attention for...

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theartsdesk Q&A: Claude Barras and Céline Sciamma on My Life as a Courgette

If one were to stop at the title, My Life as a Courgette – from the French Ma vie de Courgette and unsurprisingly renamed for those insular Americans as My Life As a Zucchini – could be too easily dismissed as a juvenile or childlike frivolity. And...

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DVD/Blu-ray: Spotlight On a Murderer

After Eyes Without a Face, came this. Georges Franju is largely known for the grisly, surreal horror of his second feature, about a mad surgeon grafting stalked young women’s faces onto his disfigured wife. His all but forgotten follow-up, Spotlight...

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DVD/Blu-ray: Madame de…

Initially, Madame de… feels as if it might wear out its welcome. What seems a wearisome exposition on how privileged people with too much time on their hands fill their hours with vacuity gradually turns into an incisive discourse on the power of...

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Frantz review - François Ozon in sombre mood: it works

François Ozon’s Frantz is an exquisitely sad film, its crisp black and white cinematography shot through with mourning. The French director, in a work where the main language is German, engages with the aftermath of World War One, and the moment...

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Heal the Living review - 'lots of emotion, not enough life'

Three teenage boys meet at dawn. One of them, blonde and beautiful Simon (Gabin Verdet), jumps out of his girlfriend’s window and rides his bike through the dark Lyon streets to meet the others in their van. They drive almost silently to the beach,...

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10 Questions for Director Olivier Assayas

Olivier Assayas was born into French cinema, as the son of screenwriter Jacques Remy, but his three acclaimed decades as a director have followed a mazy course. His latest film, Personal Shopper, continues his potent collaboration with Kristen...

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Elle review - sexual violence, black humour and satire

As Elle’s director Paul Verhoeven put it, “we realised that no American actress would ever take on such an immoral movie.” However, Isabelle Huppert didn’t hesitate, and has delivered a performance of such force and boldness that even the disarming...

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It’s Only the End of the World

French-Canadian director Xavier Dolan leaves the time and place of It’s Only the End of the World (Juste la fin du monde) deliberately unclear: “Somewhere, a while ago already” is the only clue offered by its opening titles. An adaptation of the...

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DVD/Blu-ray: Indochine

The end of empire has rarely looked more cinematically beguiling than in Régis Wargnier’s Indochine, the visually lavish 1992 drama written for Catherine Deneuve, who gets the film’s epigraphic line about “believing that the world is made of things...

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DVD/Blu-ray: Theo & Hugo

Olivier Ducastel and Jacques Martineau have described the budget on which they made their latest film Theo & Hugo – the French directors have been collaborators, as well as partners, since the mid-1990s – as a “pirate” one, its restrictions...

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LFF 2016: Elle/Paterson

Paul Verhoeven directing Isabelle Huppert as a woman seemingly unfazed by a violent rape sounds a recipe for outrage. Elle (★★★★) , though, provokes in subtle, lingering, sometimes comic ways. The rape of Michele (Huppert) mostly happens off-screen...

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