fri 29/05/2020

funk

Arena: The Changin' Times of Ike White, BBC Four review - musical mystery becomes personal

The most obvious comparison for The Changin’ Times of Ike White (BBC Four) is 2012’s Searching for Sugar Man, with its story of a potential star having vanished into thin air at the brink of fame and fortune. The documentary began in the usual way...

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New Music Lockdown 6: David Gilmour, Taylor Swift, Prince, Bat For Lashes and Blossoms

As the music industry slips into the rhythm of lockdown, so the spigot slowly becomes untapped and events, livestreams and similar start to flow more steadily. This week a host of big names are up to a bunch of different stuff, all worth checking....

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Album: Hayley Williams - Petals for Armor

The music of monstrously successful emo-pop sorts Paramore is globally massive but is far from everyone’s cup of angst-lite. There is something polished and squeaky clean about them, Teflon fluoro-goth with an off-putting whiff of decent boy/girl-...

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Album: Baxter Dury - The Night Chancers

“I’m not your fucking friend,” intones Baxter Dury as recent single “I’m Not Your Dog” begins. As opening salvos go, it’s right up there with the best of them, full of sneering hostility and fiery intent. As an introduction, it’s a writer’s hook –...

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Album: Sink Ya Teeth - Two

Norwich is not the first place most people think of as a hub of riveting music but it’s where female duo Sink Ya Teeth hail from. Consisting of bassist Gemma Cullingford and singer Maria Uzor - with both throwing synth into the pot where necessary...

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Album: Huey Lewis and the News - Weather

Huey Lewis and the News were an unlikely mid-Eighties phenomenon. Their Sports album was a mega-success for a band already approaching early middle age. Their Fifties feel, given a contemporary polish and boosted by association with cinematic...

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Album: Field Music - Making a New World

“Only in a Man’s World” is a snappy pop-funk nugget with an Eighties feel. There’s a kinship with Peter Gabriel and “Once in a Lifetime” Talking Heads. Its lyrics though are something else. They begin by asking “Why should a woman feel ashamed?” and...

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My Baby, Concorde 2, Brighton review - Dutch three-piece deliver trance dance power

“Trance boogie,” states My Baby frontwoman Cato van Dijck before submersing herself in the rising tribal rhythm of “Sunflower Sutra". Trance boogie is, indeed, what My Baby do. The song is decked with floating flecks of glissando guitar from...

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Is this Jimi Hendrix’s greatest posthumous release? Producer Eddie Kramer talks about a legendary live album

This week, one of the finest gems in the entire Hendrix catalogue finally sees the light of day in its full unedited glory – Songs for Groovy Children comprises all four sets from the Band of Gypsys New Year’s Eve 1969-70 residency at the Fillmore...

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Herbie Hancock, Barbican EFG London Jazz Festival review – the musical chameleon is still searching at 79

When it comes to the true jazz legends capable of filling concert halls with faithful fans, whom jazz festival programmers can put on as headliners, the choice is dwindling. Herbie Hancock is one and he does; his Barbican concert is one of the big...

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CD: Santana – Africa Speaks

You hear a lot about living legends, but there aren’t actually that many around – at least not since the first half of 2016. Carlos Santana, however, definitely fits the bill. From his early days stealing the show at Woodstock alongside drummer...

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CD: Fujiya & Miyagi – Flashback

Over the past two decades, Brighton’s Fujiya & Miyagi have managed, without fanfare or fuss, to amass an enviable back catalogue of linear, krautrock driven grooves dresses in slinky, drop-shouldered pop melodies. It’s a formula that has...

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