funk
Joe Muggs
Berlin's electronic music world has been traditionally been very white. Sometimes, as with the inward-looking minimal techno of the 2000s, it could feel painfully so. Obviously a city can't really help the nature of its demographic, but monoculture is rarely healthy for the development of living club scenes – and it certainly needn't be that way. Techno, the city's life-blood over decades, has always been at heart about the interplay between the European avant-garde and black American music, and back in the Nineties, many of Detroit's techno originators held musical residencies or even lived Read more ...
Joe Muggs
Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants fused with the avant-garde experiments of Europeans who were first getting their hands on synthesisers and drum machines, went on to change the world. It seeded the UK's rave explosion, jungle, drum'n'bass and all the electronic experiments that came after. It created a futurist aesthetic, which managed to be somehow both optimistic and dystopian, Read more ...
Barney Harsent
The EU referendum isn’t the only thing causing polarised opinion over European issues. The question of what constitutes Balearic Beat looms large over the music community. For some, it’s a fixed point, namely celebrated DJ Alfredo’s record box in the mid-80s. For others it’s built on more shifting sands, a sentiment DJ and author Bill Brewster summarises with trademark élan: “Balearic Beat today is the same as it was in 2011, 1999 and 1984. It’s shit pop records and brilliant EBM records. It’s everything and nothing.”International Feel record label boss and producer Mark Barrott’s take is Read more ...
Joe Muggs
Prince Rogers Nelson was the most gloriously disruptive presence in popular culture from the very start to the very end. Everything about him was off kilter and wrong: it's not for nothing that the first major biography of him was called The Imp of the Perverse. His songs were full of deranged filth, skewed social comment with a conspiratarian edge, had a very individualist take on Jehovah's Witness spirituality and mysticism, and all manner of personal cyphers and in-jokes. He was a constantly self-creating work of art of the most esoteric and incomprehensible sort – yet for all that he Read more ...
peter.quinn
With everything they touch seemingly transforming into artistic gold, shapeshifting US collective Snarky Puppy are currently on a roll. Following their 2014 Grammy win for Family Dinner Volume One, they’ve since chalked up ‘Best Jazz Group’ in the 2015 Downbeat Readers Poll, plus a Grammy nomination in the ‘Best Contemporary Instrumental Album’ category for last year’s Sylva. This purple patch looks set to continue with the arrival of Family Dinner Volume Two.Serving up another appetizing smorgasbord of songs that range from the hyperventilated funk of “I Remember” (take a bow, LA duo Knower Read more ...
Joe Muggs
Questions of what is authentic and what is retro get more complicated the more the information economy matures. Music from decades past that only tens or hundreds of people heard at the time it was made becomes readily available, gets sampled by new musicians, and passes into the current vernacular. Modern musicians play archaic styles day in day out until it becomes so worn into their musculature that it reflects their natural way of being. Tiny snippets of time that were once meaningless become memes that are shared and snared into the post-post-modern digital tangle.And in the thick of all Read more ...
peter.quinn
From fulsome, modally inflected string lines (“Sintra”) to the funkiest of New Orleans brass grooves (“Atchafalaya”), this first major label album from Grammy-winning, NYC-based collective Snarky Puppy, paired here with Holland's crack Metropole Orkest under their principal conductor Jules Buckley, is a brilliantly arranged and artfully executed tour de force.Penned by Snarky Puppy bassist and bandleader, Michael League, while on tour with the band, each of the album's six movements was inspired by a different forest he has spent time in, from the swamps of Louisiana and giant redwoods Read more ...
Matthew Wright
Jazz-funk organ trio Wild Card have been slowly building a reputation for smoking funk tunes and grooves you could lose a pantechnicon in for some years now. Led by French guitarist Clément Régert, with organist Andy Noble and drummer Sophie Alloway, they perform with quite a range of guests, both instrumentalists and singers, which keeps the atmosphere of their repertoire fresh and varied. Their rise to prominence has accelerated recently with the release of their third album, Organic Riot, which has been garnering rave reviews internationally. It was launched last night at Jazz Café POSK, Read more ...
Barney Harsent
Last month, Theo Parrish released his album, American Intelligence, on vinyl and CD. Now it’s available on digital, but make sure you’ve got room on your hard drive – it’s long. Seriously, marathons have been run quicker than the two hours and three minutes here.Things start well. “Drive” is a long, straight road of a track with all exits barred by stuttering cymbals. It’s compelling stuff, but Parrish, having created an audio autobahn, sticks to 70 all the way – presumably trying to pace himself. “Life Spice” is next and the sample, which sounds like it was cut on a slant, is more in keeping Read more ...
Barney Harsent
There is a tradition in oral storytelling of individual embellishments and flourishes, of one tale taking many forms – the more it is told, the finer the detail. Characters are added and the narrative extended. In this way, stories stand up to near endless repetition for they always have something new to offer us, there is always something new to learn.Sadly, The Story of Funk: One Nation Under a Groove is not one of these stories. As soon as the titles had rolled, we were told, again, how James Brown invented the funk. We heard, for the umpteenth time, of Sly Stone’s daring pairing of funk Read more ...
peter.quinn
It's day five of the EFG London Jazz Festival, and Snarky Puppy's show at the Roundhouse has sold out weeks in advance. And, as the crowd sings the gorgeous main theme of “Thing of Gold” in perfect unison, one of the reasons for the band's huge success becomes apparent. Yes, there's brilliant musicianship, spirited improv, blazing energy and the kind of impressively vast textures that only a band this size can achieve. But there's something else, which trumps all of these things. There's melody. And the kind of melody that tends to stick in your auditory cortex for days on end.“Kite”, Read more ...
peter.quinn
Michael League is the Grammy Award-winning bassist, composer, producer and bandleader with NYC-based jazz-funk-fusion band Snarky Puppy. Formed in Denton, Texas, in 2004, Snarky Puppy is comprised of a collective of over 30 musicians. In addition to touring and recording, the band is committed to music education, holding over 100 clinics, workshops, and masterclasses in the US, Canada, the UK, France, the Netherlands, Germany and Belgium.Snarky Puppy released their debut album, The Only Constant, in 2006. Following the band's fifth album, Tell Your Friends (2010), League launched his own Read more ...