fri 16/05/2025

Globe

The Knight of the Burning Pestle, Sam Wanamaker Playhouse

If it's possible to have rather too much of a frolicsome thing, consider by way of example The Knight of the Burning Pestle, a giddily self-conscious 1607 romp from Francis Beaumont that would be more fun if it were at least a full scene or two...

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The Duchess of Malfi, Sam Wanamaker Playhouse

A candlelit theatre is one thing. A theatre when those candles are so close you could lean in and blow them out, where a good line sets them flickering in gusts of audience laughter is quite another. We’ve been spoilt by the Globe for almost 20...

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The Lightning Child, Shakespeare's Globe

Having boundaries actually sets us free. So Neil Armstrong's wife argues. She is dogmatically keen to stop her husband rocketing off to the moon in the first scene of The Lightning Child – a groundbreaking show in so far as it's the first musical to...

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Blue Stockings, Shakespeare's Globe

Could you choose between love and knowledge? Between a life of acceptance and affection, and one of self-improvement and learning? These are the questions that Jessica Swale's new play Blue Stockings poses again and again.For the women who provided...

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Gabriel, Shakespeare's Globe

If there’s a more thinly written, loosely structured and hammily acted play than Samuel Adamson’s panorama of Purcell’s London, then I have yet to endure it. Baffling, because this is the writer who brought us Southwark Fair, a lively depiction of...

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Macbeth, Shakespeare's Globe

This is the directorial debut of Eve Best, better known as a talented classical and comedic actress, who was last at Shakespeare's Globe appearing as Beatrice in a superb Much Ado About Nothing opposite Charles Edwards's Benedick.Best's reading...

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A Midsummer Night's Dream, Shakespeare's Globe

Midsummer’s Eve may still be a month away and the evenings more bracing than balmy, but despite a serious chill still in the air the Globe Theatre yesterday proved yet again that it exists in its own microclimate. It’s a theatre and a company made...

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The Tempest, Shakespeare's Globe

A thunder sheet booms, a didgeridoo hums distantly, a model ship rears and pitches its way forward through the waves of groundlings and suddenly we find ourselves washed up on the shores of the Globe for another season. All eyes may be on the newly...

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Richard III, Shakespeare's Globe

“Would you enforce me to a world of cares?” croons Rylance’s Richard III, lingering tremulously over his question, the picture of world-sick piety and reluctance. As the groundlings cheer an ecstatic affirmative, Shakespeare’s most compelling...

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The Taming of the Shrew, Shakespeare's Globe

The Taming of the Shrew celebrates its own rumbustious, raucous (mis)behaviour, so why shouldn't Shakespeare's comedy be granted a production that follows suit? From an opening gambit involving bodily fluids sprayed in the direction of the...

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Simon Schama's Shakespeare, BBC Two

With every new series, as he edges closer and closer to Dimbleby-ian National Treasure status, Simon Schama’s archly mannered drawl becomes more and more pronounced, his camp asides more central to his on screen persona. He is getting awful grand....

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Globe to Globe: Henry V, Shakespeare's Globe

Henry V is a play with so many layers, and such ambivalence, that it can suit a multitude of purposes. When Laurence Olivier made his film version in 1944, it was as a propagandist rallying cry, a reminder of what was at stake in a war that was far...

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