Greece
Paradise, National Theatre review - war, woe, and a glimmer of hopeFriday, 13 August 2021
Philoctetes, Odysseus, Neoptolemus: the men’s names in Sophocles’ Philoctetes are all unnecessarily long and weighed down by expectations. Poet Kae Tempest’s lyrical new adaptation for the National Theatre focuses on the chorus, spinning out the... Read more... |
Album: Balothizer - Cretan SmashSaturday, 07 November 2020
Wherever we might live, the contagious energy and urgency of rock reflect the mood of our times: it’s hardly surprising that musicians from all over our super-connected world should re-invent their traditions in a way that absorbs rock’s decibels... Read more... |
Theatre Unlocked 2: A starry premiere and musical revival alongside Greek tragedy where it beganThursday, 23 July 2020
Theatres will begin gently unlocking their doors as we head into August. In the meantime, a beleaguered community continues to find fresh and startling ways to sustain interest and excitement, whether that be the premiere of a new play starring... Read more... |
The Thread, Sadler's Wells Digital Stage review - Greek folk and contemporary uniteMonday, 20 April 2020
The latest Sadler’s Wells digital offering is 2019’s The Thread, a luminous collaboration between choreographer Russell Maliphant and Oscar-winning composer Vangelis (Chariots of Fire, Blade Runner) for the Athens-based production company Lavris. It... Read more... |
The Trip to Greece, Series Finale, Sky 1 review - bittersweet swansong for the cantankerous comradesWednesday, 01 April 2020
Could this mock-mythic journey, emulating the trek homewards to Ithaca of Homer’s hero Odysseus, really be the final series of The Trip (Sky 1)? Or will Steve Coogan and Rob Brydon see sense, and realise that they’ll never have as many free lunches... Read more... |
The Trip to Greece, Sky 1 review - jokes, jibes and indigestion in the footsteps of OdysseusWednesday, 04 March 2020
Rob Brydon and Steve Coogan have been taking their bickering TV trips for a decade, beginning in the north of England in 2010 before working their way around Italy, Spain and now Greece (on Sky 1). They say this will be the last time, but believe... Read more... |
The Mask of Orpheus, English National Opera review - amorphous excessSaturday, 19 October 2019
Advance publicity overstated the case for The Mask of Orpheus. "Iconic"? Only to academics and acolytes, for British audiences haven't had a chance to see a production since ENO's world premiere run in 1986. "Masterpiece"? Sitting there after the... Read more... |
Heartbreak Holiday, BBC One review - can it match up to Love Island?Wednesday, 21 August 2019
The BBC’s version of Love Island has familiar ingredients: ten 20-somethings, many with pale manicures and hair extensions, on an island, in this case Mykanos. It’s not to everyone’s taste. “All I see is water, I don’t see no nail shops,” observes... Read more... |
Marianne and Leonard review - the artist, his muse and collateral damageFriday, 26 July 2019
Nick Broomfield is never shy about inserting himself into his documentaries but here he has good reason: he was, briefly, a lover of Marianne Ihlen, Leonard Cohen’s muse (So Long, Marianne was originally called Come On, Marianne; Bird on the Wire... Read more... |
Captain Corelli's Mandolin, Harold Pinter Theatre review - smart stagecraft, skimpy scriptThursday, 11 July 2019
Better than the 2001 film but likely to disappoint devotees of the book, Captain Corelli's Mandolin onstage works best as a reminder of the identifiable stagecraft of its director, Melly Still. Playful, non-literal, and often endearingly physical (... Read more... |
Medea, Internationaal Theater Amsterdam, Barbican review - lacerating contemporary tragedyThursday, 07 March 2019
Hallucinatory theatre has struck quite a few times in the Barbican's international seasons. On an epic scale we’ve had the Shakespeare compendiums Kings of War and Roman Tragedies from Toneelgroep Amsterdam, newly merged with the city's... Read more... |
Ariadne auf Naxos, Longborough Festival review - appetising energy and witSaturday, 14 July 2018
Much as I love Strauss’s Ariadne in its final form, I have a sneaking nostalgia for the original version (attached to Hofmannsthal’s adaptation of Molière’s Le bourgeois gentilhomme), which had Zerbinetta and her companions popping up after the... Read more... |
