indie
Thomas H. Green
Ruarri Joseph is not a household name but in a Sliding Doors scenario, he might have been. Scottish, raised in New Zealand, and based in Cornwall, he signed to Atlantic in 2007, and had the same management as Damien Rice and David Gray. His output was, however, too early for the folk micro-boom engendered by Mumford & Sons, and his songs weren’t whiney enough for mass 21st century tastes in singer-songwriters. He’s consistently been making music, though, and his latest proves the fires are far from out.Seven years ago, Joseph focused his attention on a new project, William The Conqueror, Read more ...
Thomas H. Green
In 2012 Dexys returned with their fourth album, and first in 27 years, One Day I’m Going to Soar. It was a concept piece, original and funny, chewing over the volatility of love, containing wonderful set-pieces, most especially a trio of songs at its centre (“I’m Thinking of You”, “I’m Always Going to Love You” and “Incapable of Love”) which humorously excoriated the fickleness of romance.Their latest, is similarly constructed, albeit around a different theme. Anyone who connected with One Day I’m Going to Soar will likely find much to enjoy. Dexys mainstay Kevin Rowland gives us a suite of Read more ...
caspar.gomez
“This wasn’t the day to wear white suede boots,” says Django Django’s singer Vincent Neff, midway through the band’s Friday evening set.He’s not kidding.Mud can be worse (Glastonbury ’97, ’98, ‘07 & ’16). Wet weather can wreck the vibe (Nova ’12, Bestival ’08). Or even close festivals down (Camp Bestival ’18). But, in 33 years of partying in fields, Bluedot ’23 takes first prize for Most Rain-Sodden.Never mind. We held the line. And consistently saw some of the most characterful and accomplished live performances of the summer.THURSDAY 20th JULYAfter a six-hour journey from the south Read more ...
Helen Hawkins
The prologue to Greta Gerwig’s Barbie augurs well. A gaggle of young girls in a rocky desert are playing with doll-babies while enacting the mind-numbing drudgery of the early 20th century housewife. Then a new godhead arrives, a giant pretty blonde whose stilettoed feet turn slightly inwards. The girls go into a frenzy of old-doll-smashing, Also Sprach Zarathustra swells up and one girl throws her doll high in the air.But that’s more or less it for the oldster cinephiles in the audience. Still to come is a “Proust Barbie”, plus chatter about cognitive dissonance and existentialism, as you Read more ...
Thomas H. Green
Full disclosure. I actively dislike Blur and always have. Don’t get me started on why. That would last seven times as long as this review.In this game, though, at theartsdesk, if no-one will review an album, and it’s one we absolutely should review, either Joe Muggs or I will end up with it. In my defence, I gave Blur’s Think Tank a fair-minded review two decades ago. Even quite liked it for about three months. That’s the best I can muster. If you’re a devoted Blur fan, then, I’m definitely not the most reliable source. For the rest reading, I’ll do my best.Their ninth album, and first in Read more ...
Thomas H. Green
VINYL OF THE MONTHPere Ubu Trouble on Big Beat Street (Cherry Red)Respect to Pere Ubu. Most bands of this tenure (they’ve been around since 1975) with a leader, David Thomas, who’s 70-years-old, might fancy a triumphal tour playing their greatest (non-)hits or celebrating their seminal 1978 album The Modern Dance. Far from it, Trouble on Big Beat Street, is as forward-pushing and faintly unhinged as anything they’ve ever done. Or anyone else this month. Like the late, lamented Fall, age only prods Thomas to revel in possibility. The PR sheet quotes him, stating that the album is based on the Read more ...
Kieron Tyler
“Keeping Control” were the watchwords adopted by The Manchester Musicians’ Collective, an organisation founded in April 1977 to bring local musicians together and give them platforms. On 23 May 1977, it put on its first show – also the first live show by The Fall. Instantly integral to Manchester and its music, the Collective went on to put out two compilation albums, 1979’s A Manchester Collection and 1980’s Unzipping The Abstract.“Where Were You” was originally the title of December 1978’s second single by The Mekons, a Leeds-based band formed the year earlier by students attending the Fine Read more ...
Kieron Tyler
“There's a richness and a true depth here that places Jeopardy alongside (U2’s debut album) Boy as early Eighties tonics for ailing mainstream-rock. The Sound are on to a winner. There isn't one track here that isn't thoroughly compulsive. Overall it's a vastly impressive sound, with as much energy as I've heard on any record all year…the result is a form of sheer power-rock that doesn't make you blush or grimace.”In November 1980, Sounds’ Dave McCullough was enthusiastic about The Sound’s first album Jeopardy. But he had some reservations about whether they could cut through to become more Read more ...
caspar.gomez
TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once resided a blistered, reddened, atavist lizard id sits curled in upon itself, pulling levers. I need to write. I can barely recall how to use a spoon. Maybe I have Long Glastonbury? No time for mewling. Back in…THURSDAY 22ND JUNE 2023Shepton Mallet’s behind us. So’s the A361. We’re into the leafy lanes, bustin’ the pastoral with GN’R. Don Carlton and Read more ...
Thomas H. Green
Pete Fij and Terry Bickers are bathed in muted red light. They are sat side-by-side, Fij with an acoustic guitar, Bickers with a vintage 1970s CMI hollow-bodied electric. Behind them, oil wheel lighting gloops and bubbles gently, bespattered with glowing green circles cast by the stationary disco ball hanging high above them. “It’s surprising to see how much life you can fit into the back of a van,” sings Fij, dolefully, then adds, “It only took two trips.”The line, from the song “Broken Heart Surgery”, sums up part of the duo’s appeal, combining, as it does, a world-weary mournfulness with Read more ...
Thomas H. Green
Brit alt-indie outfit Django Django refuse easy categorisation and, as a result, during a decade-plus career, have never quite found their place with the wider public. Critical acclaim has come their way, and those who’ve kept an ear open know their catalogue contains gems (“First Light”, “Hail Bop” and “In Your Beat” spring to mind) as well as great remixes.Their fifth album is a 21-track monster, with multiple guests. An explicitly stated attempt to blast off in all directions, away from any usual working practices and templates, it’s mostly a success.Let’s get the classic music-journo- Read more ...
Thomas H. Green
Tony Kushner’s early 1990s play Angels in America is an epochal, mystical, political, state-of-the-nation address, revolving around the AIDs epidemic. By no means straightforward, its narrative runs the gamut from New York’s gay scene to God’s own sexual proclivities, via the ghost of executed Cold War spy Ethel Rosenberg, the fall of the Soviet Bloc and much else. At over three-and-a-half-hours long, it’s not for the fainthearted. Neither is the new concept album from Christine and the Queens, which is inspired by it.Described by its creator as “the second part of an operatic gesture that Read more ...