indie
Jonathan Geddes
It appears Rachel Chinouriri has a good memory. “I remember you!” she yelled excitedly to one fan early on, highlighting that she currently sits in a nice position – popular enough to be playing busy shows in decently sized venues, but at a level where she can still see the eager faces looking back at her.At one point those fans all had their eyes shut, after the British-Zimbabwean singer instructed everyone to close them and imagine they were in Hereford during the pastoral strum and hum of “Pocket”, one of the night’s most laid back moments. The fact the audience agreed so quickly with Read more ...
joe.muggs
Could melancholia be an elixir of creative youth? Or is it that sad people were never really that youthful, so age suits them? Certainly it seems that there was something in the water for so many of the foundational 80s indie bands who dealt in sadness, pain and existential angst that makes longevity suit them: The Jesus & Mary Chain, Dinosaur Jr., Throwing Muses, Ride, Slowdive just for starters have all somehow ambled into the 2020s on the creative form of their lives. And now the daddies of them all, The Cure, have clearly cottoned on and joined the forlorn party, because this album – Read more ...
Jim Bob
For a few months a couple of years ago, when you googled the name Jim Bob, although you’d get a lot of information about me, Jim Bob, the lead singer from 1990s UK indie punk heroes Carter The Unstoppable Sex Machine, the main image would be a picture of Donald Trump. I never fully understood why. I think it had something to do with the name "Jim Bob" being a thesaurus entry for "redneck".Anyway, here’s a chapter from my new book Where Songs Come From – The Lyrics and Origin Stories of 150 Solo and Carter USM Songs. It’s my first ever book of lyrics. I like to think of it as a memoir or Read more ...
Thomas H. Green
Grandiloquent indie-synth-pop outfit Bastille have been around for over a decade. Three of their four albums have been chart-toppers (the other one still made Top 5 and went Gold). They are no flash in the pan.Head honcho Dan Smith now presents a fifth album, &, that, he says, “feels like someone talking to you, rather than turning up the volume”. Returning to his pre-success solo incarnation, he’s trying a style of music mainly associated with thoughtful 1970s American singer-songwriters. Thing is, he just can’t help laying on the over-production.In the manner of, say, Al Stewart, Smith Read more ...
Kieron Tyler
Tess Parks’ fourth solo album is suffused with otherness. When lyrics are direct, they are destabilised by the etiolated, freeze-dried voice delivering them. “Sometimes it feels like everyone should be dancing, maybe I should be dancing,” she sings during “Koalas.” It does not sound as if Parks has the energy to dance.After a while, acclimatisation arrives and penetrating the album’s miasma-like atmosphere becomes possible. Nods to Mazzy Star and the solo Syd Barrett are evident (especially with “Koala”). There are also hints of early Chapterhouse, Recurring-era Spacemen 3, Nico and Judee Read more ...
Jonathan Geddes
The years may go by and the albums might change, but there are always a few constants with Public Service Broadcasting. There is the recorded message that precedes their arrival for one, a disembodied voice booming out to inform the crowd to put their phones away and not talk loudly. It’s greeted with wild cheers and mostly adhered to, which is welcome, because this was a gig rich with visual imagery that should be absorbed rather than simply observed. The stage set-up was inspired by Ameila Earhart's cockpit, footage of the aviator flickering on screens. Earhart provides the latest Read more ...
Thomas H. Green
VINYL OF THE MONTHHannah Scott Absence of Doubt (Fancourt Music)Sometimes a singer comes along who’s not stylistically my thing at all, but their voice has a quality that wrenches, reaches inside, beyond usual taste judgements. For me, a good example would be Kirsty MacColl who, excepting the hits, I came to later in life. There is a similarly direct potency to the voice of Suffolk-raised, London-based singer Hannah Scott. Hers is a crystal-clear instrument, beautiful in the classical sense, words crisply enunciated, but also riven with whatever it is in her life that’s made her who she is. Read more ...
Kieron Tyler
While it does get very cold in the north of Norway, it’s likely that Permafrost’s chosen name reflects a fondness for Howard Devoto’s post-punk outfit Magazine as much as it does their home country’s environment. “Permafrost” was a track on Magazine’s second album, 1979’s Secondhand Daylight. And, with respect to the title The Light Coming Through, the penultimate track on Magazine’s 1978 debut album was “The Light Pours Out of me.”The ostensible Magazine references point to aspects of where Permafrost are coming from. There is also a large dose of Faith-era Cure in play, along with smidges Read more ...
joe.muggs
Dan Snaith’s career has been a joyous thing to watch. Almost a quarter of a century the Canadian started out as Manitoba (soon renamed to Caribou) making a giddy mixture of dreamy ‘60s psychedelic pop, glitchy electronica and then cutting-edge dance music.Since then, much like his friend and contemporary Kieran “Four Tet” Hebden – latterly joined on their journey by Sam “Floating Points” Shepherd – he’s refined and tightened his sound, reaching bigger and bigger crowds, while impressively retaining the same fundamental character and inspirations. This is his 11th full album – eighth as Read more ...
Kieron Tyler
White Roses, My God isn’t a Low album. It couldn’t be. Mimi Parker, Alan Sparhawk’s wife and partner in Low, died in November 2022. And despite Low’s many musical twists and turns, Sparhawk’s public return to music sounds nothing like any of Low’s outings across their 13 studio albums, the first of which was issued in 1994.The opening track is “Get Still.” Its melodic bed comes from a keyboard line played on what sounds like a pre-digital synth: perhaps a Korg or a Mini-Moog. A glitchey beat provides underpinning. The vocal combines a treatment similar to that heard on Neil Young’s 1982 album Read more ...
Thomas H. Green
Real-life couple Graham Coxon and Rose-Elinor Dougall are both musicians of some profile in their own rights. The former, especially, for his work with Blur. Their band The Waeve is a relatively recent development but they’ve thrown themselves at it with verve since their appearance a couple of years ago.City Lights is their second album, a year-and-a-half after their first. Once again produced by James Ford, it’s a tonally bewildering collection with moments that shine. Mostly, it sounds like two talented and imaginative musical creatives having fun, sharing vocals, and revelling in what Read more ...
Kathryn Reilly
You don’t need me to tell you that this particular law enforcer has served up yet another meaty helping of genius. It’s what we expect. So here she is, over-delivering again on her 12th album. A salve for the soul, Joan Wasser’s delicious voice and masterful songwriting are woefully underexposed and appreciated. But, actually, that’s not a bad thing – let’s keep her secret for now.One of her many skills is how intimate her delivery is, how she makes you feel she is confiding just in you, baring her soul because she just knows you’ve shared the same experiences. She soldiers on Read more ...