Album: White Denim - 12

The sound of confusion

share this article

White Denim's '12': magpie-minded

White Denim’s literally titled 12th album opens with the fidgety “Light on.” Drawing a line between electronica and Tropicália, it exudes sunniness. “Econolining” and “Flash Bare Ass,” up next, are equally peppy, as bright and similarly accord with the idea of pop as a mix-and-match grab bag – albeit from an off-centre perspective.

After this, 12 is about left turns. No one style is embraced. Each track has its own character, distinct from what has come before. “Flash Bare Ass” – a wry commentary on forming relationships in the mobile-phone era – is followed by “Cat City #2”, a 40-ish seconds morsel akin to the soundscape sections of The Beach Boys’ Smile. Then: “Look Good” (shades of Prince’s funk), “Second Dimension” (nods to Stevie Wonder and electro-funk pioneers Zapp), "I Still Exist" (Hall & Oates), “Your Future as God” (Todd Rundgren were he revisiting harmony poppers The 5th Dimension). “Precious Child,” the album’s final track, enters smoky, jazz-ballad territory. While Seventies and Eighties soul are never far, 12 is disconcertingly magpie-minded.

It is also unlike any previous White Denim album. The guitars and hectic blam-blam-blam attack which defined the then Texas-resident band’s dance-edged, jazz-adjacent take on post-punk are largely gone. As are, seemingly, all band members except main-man James Petralli, who has recorded 12 on his own at his Los Angeles home. Guest musicians (including Midlake’s Jesse Chandler; Chicago indie duo Finom, on the Aerial Pink-ish/psych-era Prince-inclined “Swinging Door”) and vocalists (amongst whom is Texas soul singer Tameca Jones, heard on “Look Good”) have recorded their contributions remotely, and Petralli has then woven the results into each track. This is a new way of working for records credited to White Denim.

Taken on their own, any of 12’s 12 tracks (even the short “Cat City #2") work a treat. But overall, assembled as an album, what’s heard does not cohere. It sounds as if Petralli’s new way to make music hasn't bedded in. And as if this album is part of a journey to a destination which hasn’t yet been settled upon.

@kierontyler.bsky.social

Add comment

The content of this field is kept private and will not be shown publicly.
Name that you would like to appear as the author of the comment
It is unlike any previous White Denim album

rating

3

explore topics

share this article

the future of arts journalism

You can stop theartsdesk.com closing! 

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a great deal, and hope you do too.

To take a monthly subscription now simply click here.

Or
Why not take an annual subscription and save a third off our monthly price simply click here.

more new music

The London quartet have taken to playing large venues with ease, as this career-spanning set showed
The Lebanese-French musician's father was behind a unique musical innovation
The Philadelphia punk rockers continue to impress
A partial account of how Brit-punk absorbed an aspect of reggae
The Fez Festival Of World Sacred Music and the Fes Gathering bring the world together
Bristol band aren't happy but offer up the occasional sing-along
A new album is unveiled and old tunes are played for the last time
Decades of psychedelia and wonder packed into a puzzling construction
Neo-folk songs that are woozy and atmospheric but thoroughly engaging