indie
Kieron Tyler
Although it takes seconds to discern that Juniore are French, a core inspiration appears to be the echoing surf-pop instrumentals of Californian studio band The Marketts, whose 1963 single "Out of Limits" became their most well-known track. Add in – exemplified by Trois, Deux, Un’s fifth and sixth tracks “Amour fou” and “Grand voyageur” – the languid atmosphere of the early Françoise Hardy and the result is a form of Gallic retro-futurist garage-pop.Juniore are a Paris-based three piece and Trois, Deux, Un is their third album. There is more to this musical bricolage than the two most evident Read more ...
Jonathan Geddes
Beth Ditto protests too much. 'Do you feel young" she hollered early on, before adding "I don't", one of several references during the gig to her age now being 43. Yet the Gossip singer still displayed the glee and energy of a teenager at their first show, even if her band are now into the reunion phase of a career spanning over two decades. From the start she was sashaying across the stage with joy, a state possibly pumped up by the fact one of her favourite ever bands, the Yummy Fur, had supported on the night. She even donned a T-shirt of the cult Glasgow group for the encore, and Read more ...
Jonathan Geddes
Marie Ulven had not even stepped onstage and her fans were in raptures. Such was the level of excitement for her second night in Glasgow that sing-a-longs to Chappel Roan and Sabrina Carpenter were ringing out almost as soon as support act Nieve Ella had departed.Like Carpenter, Ulven was blessed with the backing of Taylor Swift through a support slot on the Eras tour, but as a live performer there is far less pop sheen and considerably more indie dancefloor sweat to her. From the start she was sprinting about the stage or running on the spot as if limbering up for a park run, and the Read more ...
Kieron Tyler
After the client has settled on the analyst’s couch, the lights are dimmed. Music sets the mood. A wordless vocal is accompanied by chimes. Cool saxophone breezes in. Sparse piano lines ripple like heat haze. Drums are understated, yet oddly insistent. The atmosphere is mysterious. Increasingly enflamed.Then, a voice begins speaking. It seems incorporeal; neither that of the analyst or the person seeking understanding. There is mention of mood swings which cannot be controlled, of an ancient love coloured by the sands of time. Gradually, as one track bleeds into the next, the speaker Read more ...
Kieron Tyler
Some pointers suggest how Finland’s Shadowplay might sound. They took their name from a Joy Division song. Their key founder member was Brandi Ifgray – born Visa Ruokonen. He had been in the final line-up of first-generation Finnish punk band Ratsia. Add in Shadowplay’s 1988 first album Touch and Glow’s cover version of Gang Of Four’s “Damaged Goods” and that would seem to nail it. Dark then, with the edge of punk.However, the back of Touch and Glow’s sleeve has a picture of the band which includes a trumpet player, someone at an upright piano and a double bassist. The only electric Read more ...
mark.kidel
We’re in deepest Dorset, on the edge of the village of Cranborne. The sun has just set. A cluster of thatched rooves, ancient looking barns and outhouses.It could be a set for Game of Thrones, a reconstruction of pre-industrial times. Groups of people huddle together, in festive mood. At the heart of this cluster of age-old looking structures, there’s a large round house, with an earth and turf roof, covered in grass and weeds. This is one of the most weird and wonderful performance venues in the UK, as iconic in its small way as the Pyramid Stage at Glastonbury.Twice a year, the Earth House Read more ...
Kieron Tyler
The musical equivalent of a firework display, the third album from Norwegian art-poppers Pom Poko is bright, energised and unstoppable. It is also considered; clearly the culmination of a careful creative process. Fusing the spontaneous and the structured can be tricky, but this is what the nimble Champion accomplishes.Heard without knowing anything about Pom Poko, Champion comes across as a new wave-influenced take on math rock were those responsible cocking an ear to Imperial-era Beyoncé. Pop, but pop which has been deconstructed and then reassembled.Opening cut “Growing Story” is along the Read more ...
Thomas H. Green
VINYL OF THE MONTHMike Lindsay Supershapes: Volume 1 (Moshi Moshi)Solo debut from Mike Lindsay, a founder member of tunng and also half of psychedelic duo LUMP. It’s a good thing when music is hard to describe. Opener “Lie Down” sets up the stall, a catchy but weird slice of poet-pop, wherein wonky dance rhythms, abstract jazz, lyrics about mundanity and shouts of the title phrase, including contributions from singer-songwriter Anna B Savage, add up to a wild frolic. With plenty of woodwind, lyrics about toast and Sunday roast, an inability to musically settle down anywhere “normal”, the Read more ...
joe.muggs
Beatrice “beabadoobee” Laus provides strong backup for the common argument that, particularly in the mainstream, genre is no longer particularly important. From the outset, she has consistently dissolved the mainstream/indie binary, and pulled from a grab-bag of big time and obscure influences across decades while maintaining a distinct songwriting personality of her own.In this regard she resembles The 1975 (whose label she is signed to, and who have previously lent songwriting and production to her work) and Taylor Swift (who she has supported on tour), although one might argue that she’s Read more ...
Kieron Tyler
Still Willing opens with “Upper Ferntree Gully,” a seven and three-quarter minute workout twice as long as most of the other nine tracks on Personal Trainer’s second album. A portmanteau piece, its most direct sections have the chug of vintage Pavement, some stabbing early Tame Impala guitar and chunks of Sonic Youth-like squall. Yo La Tengo also aren’t far.Personal Trainer are based in Amsterdam, and fronted by the Australia-born Willem Smit. As "Upper Ferntree Gully" takes its name from a suburb of Melbourne, the song presumably nods to his past. Equally probable is the surmise that the Read more ...
Kieron Tyler
Paint a Room is idiosyncratic, but it is an absolute joy. Accessible too. Permeated with a summery vibe, its 10 songs glisten like the surface of lake catching the setting sun’s rays. There’s a lightness, a buoyancy which instantly fascinates.Chris Cohen has fashioned an album which is jazzy yet cleaves to a sensibility placing it as a distant cousin to Allah Las at their best or the wispier side of early Tame Impala. There are flutes, brass, sax, coconut shell-type persuasion, guitars treated to sound watery and Cohen’s lazy, just-verging on off-key voice. Swooning album opener “Damage” Read more ...
caspar.gomez
SUNDAY 30th June 2024It’s late. But not really. Not by the standards of this place. Photographer Finetime and I are in Block9 in the South-East Corner. The so-called “naughty corner”. We take turns juggernauting quomble off a pinecone. Finetime’s right eyelid is twitching. This tic developed today. Nearby is a gigantic head. About the size of a large Victorian house. It’s at an acute angle to the ground. Instead of eyes it has a kind of welders’ mask blitzing white-noise light. Like the haunted, detuned television in the 1982 film Poltergeist.We all know what happened to the little blonde Read more ...