sat 21/12/2024

Italy

The Dante Project, Royal Ballet review - brave but flawed take on the Divine Comedy returns

Singular in its variousness, this is a three-act ballet that need some unpicking. No wonder those hooked on first acquaintance in 2021, like theartsdesk’s dance critic Jenny Gilbert, have been back to see it more than once.So long as you accept that...

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Un ballo in maschera, Chelsea Opera Group, Cadogan Hall review - Italianate vitality, if not much finesse

Eighteenth century Sweden is the nominal setting for A Masked Ball, but its essence is a unique mixture of Italian testosterone and French opéra-comique elegance. If this concert performance brought it closer to the indiscriminate vitality of early...

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Album: Melanie De Biasio - Il Viaggio

Il Viaggio is a form of soundtrack. Its lyrics, music and soundscapes are created in response to the journey referenced in the title. Though born and raised in Belgium, Melanie De Biasio’s paternal grandfather was Italian. After the Europalia arts...

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Blu-ray: The Driver's Seat

Liz Taylor’s blowsy late-period persona is finessed to its finest point in this 1974 Muriel Spark adaptation, boldly plugging into the mains of her fragile talent.Lise (Taylor) travels from Hamburg to Rome after a mental breakdown, sporting black...

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theartsdesk at the Ravenna Festival - invisible cities and possible dreams

Came for the music, returned for the theatre. I oversimplify: Riccardo Muti’s Roads of Friendship events, meetings of his Luigi Cherubini Youth Orchestra with players from other places – since 1997, they have included Sarajevo, Lebanon, Kenya, Iran...

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Blu-ray: Le Mépris (Contempt)

It’s an odalisque to arouse envy in Titian, Boucher, Ingres, or Manet.Filtered amber, white, and blue lights successively bathe Brigitte Bardot, crowned by that golden cloud, as she asks Michel Piccoli, her co-star and screen husband in Jean-Luc...

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Amanda review - too-intense Gen Z-er seeks a friend, boyfriend, anything

Needy, truculent, and aggressive, an in-your-face stick of intensity and guilt-inducing melancholy, privileged young Amanda in Carolina Cavalli’s downbeat comedy is the girl no one wants to end up talking to in the kitchen at parties. So...

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Operation Mincemeat, Fortune Theatre review - high-octane musical comedy hits the big time

It’s back yet again, Operation Mincemeat, a gift of a story that goes on giving. It surfaced as the 1956 film The Man Who Never Was, based on a 1953 book by Ewen Montagu, one of the MI5 types who came up with the 1943 plan of that name. Its latest...

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Book Club: The Next Chapter review - lacklustre dialogue, clichéd plot

I was once invited to join a book club by a bunch of friendly, clever women. But their conversation began with whether they liked the novel’s central characters enough to imagine having dinner with them and from there, descended into swapping tips...

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Villeneuve Pironi: Racing's Untold Tragedy, Sky Documentaries review - a macabre slice of motor racing mythology

Netflix’s hit show Drive to Survive has proved that F1 can grab ratings, but Villeneuve Pironi: Racing's Untold Tragedy (Sky Documentaries) is a more esoteric offering.It’s a story from the annals of early-Eighties Formula One, in which filmmakers...

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Berlusconi, Southwark Playhouse Elephant review - curious new musical satire

One wonders if Ricky Simmonds and Simon Vaughan pondered long over their debut musical’s title. Silvio might invite hubristic comparisons with Evita (another unlikely political leader), but Berlusconi feels a little Hamilton – too soon?...

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Rimini review - crooner without a conscience

The cartoonist Gerald Scarfe – or his equally mordant forebear George Cruikshank – couldn’t have drawn a seedier Eurotrash excrescence than the crooner, Richie Bravo, who dominates Ulrich’s Seidl’s Rimini.A hasbeen still purveying his Eighties-style...

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