Janáček
Lisa Halliday: Asymmetry review - unconventional and brilliantSunday, 04 March 2018Lisa Halliday’s striking debut novel consists of three parts. The first follows the blooming relationship between Alice and Ezra (respectively an Assistant Editor and a Pulitzer Prize-winning writer) in New York; the middle section comprises a... Read more... |
Lortie, BBC Philharmonic, Gardner, Bridgewater Hall, Manchester review – whipping up a stormSaturday, 13 January 2018Edward Gardner was back on familiar ground when he conducted in Manchester last night – his high-profile career began when he was appointed as the Hallé’s first-ever assistant conductor, early in Sir Mark Elder’s era – and his rapport with young... Read more... |
Classical CDs Weekly: Brahms, Janáček, George Martin, Dmitry MasleevSaturday, 13 January 2018Brahms: Clarinet Sonatas, Janáček: Sonata (arr. Brill) Shirley Brill, Jonathan Aner (piano) (Hänssler Classic)Brahms's pair of clarinet sonatas are the epitome of autumnosity, were such a word to exist. Pipe-and-slippers music, which isn't... Read more... |
Osud/Trouble in Tahiti, Opera North - swings and roundabouts in a surprising double-billThursday, 12 October 2017It was a topsy-turvy evening. Sometimes the things you expect to turn out best disappoint, while in this case the relatively small beer yielded a true "Little Great" of a production and the best singing in Opera North's latest double bill (subject... Read more... |
From the House of the Dead, Welsh National Opera review - elderly staging, music comes up freshMonday, 09 October 2017This week is Prison Week in the Christian Churches, and it would be nice, if fanciful, to think that WNO programmed their revival of Janáček’s From the House of the Dead with that in mind. More likely the thinking was that it fitted well enough into... Read more... |
‘A massive party full of treats and surprises’: Annabel Arden on six mini masterpieces at Opera NorthThursday, 14 September 2017The first day of rehearsals for The Little Greats was thrilling and terrifying in equal measure: the casts of six shows, the whole chorus, all the creative teams and management milling around and talking nineteen to the dozen in the big, reverberant... Read more... |
Proms at... & Prom 56 reviews: Multi-Story Orchestra / BBCSO, Hrůša - the best of all possible worldsMonday, 28 August 2017There we had it, in one extraordinary Proms day: the brave new world of contemporary classical music for all in a repurposed Peckham car park followed by the consolidation of the old order in all-Czech programming of remarkable originality and... Read more... |
'You are my hero, dear Jiří': Karita Mattila and others remember Jiří BělohlávekWednesday, 07 June 2017The first of Jiří Bělohlávek’s final three appearances in London, conducting his Czech Philharmonic in a concert performance of Janáček’s Jenůfa, came as a shock. The trademark grey curly hair had vanished. Clearly he had undergone chemotherapy, but... Read more... |
Best of 2016: OperaThursday, 29 December 2016It was the best and worst of years for English National Opera. Best, because principals, chorus and orchestra seem united in acclaiming their Music Director of 14 months, Mark Wigglesworth, for his work at a level most had only dreamed of (“from the... Read more... |
St Lawrence String Quartet, Wigmore HallWednesday, 14 December 2016John Adams, let's face it, was the reason many of us came to hear the St. Lawrence String Quartet. Their performances and recordings as dedicatees of his labyrinthine First String Quartet and Absolute Jest, in which the four players function as... Read more... |
Ehnes, Hallé, Elder, Heyward, Bridgewater Hall, ManchesterFriday, 11 November 2016Two things to note in Thursday’s Hallé performance at the Bridgewater Hall: the debut in the Manchester main series of their highly talented new assistant conductor, Jonathon Heyward, and another stride along the road towards the Hallé/Elder... Read more... |
Prom 45: The Makropulos Affair, BBCSO, BělohlávekSaturday, 20 August 2016Karel Čapek, the great Czech writer who pioneered some of the most prophetic dramatic fantasies of the early 20th century, thought Janáček was nuts to want to set his wordy play about a 337-year-old woman to music. He could not have anticipated what... Read more... |