jazz
marcus.odair
Inspired to take up the piano by his neighbours Bud and Richie Powell, Philadelphia’s McCoy Tyner made jazz history as a member of the early-1960s John Coltrane quartet before emerging as a leader at Blue Note records. If his voicings seem any less distinctive today, it’s only because they have been so influential. And though his attack may have mellowed a little, that famous haymaker left hand remains very much in evidence several years after he blew out the candles on his 70th birthday cake.
But as much as his technical ability, what was most remarkable last night – along with a dapper Read more ...
howard.male
Alarm bells went off when I learnt that Brian Eno was co-producer of Seun Kuti’s second album. The last thing the son of the legendary Fela Kuti needed was his personal brand of Afrobeat to be given a distancing sheen, or diluted by some space-age Enoesque sound effects. But it’s easy to forget that Eno isn’t only Mr Ambient – he also produced the groundbreaking Afrobeat-influenced work of Talking Heads in the late 1970s.Alarm bells went off when I learnt that Brian Eno was co-producer of Seun Kuti’s second album. The last thing the son of the legendary Fela Kuti needed was his personal brand Read more ...
Kieron Tyler
It’s an important year for Estonia. The Baltic nation celebrates 20 years of independence from Russia. Capital city Tallinn is European Capital of Culture for 2011. It’s also 10 years since their Eurovision win. theartsdesk is here for Tallinn Music Week, the third annual celebration of the country’s music. Integral to the national fabric, music was fundamental to the independence movement: the move to split from Russia was dubbed “The Singing Revolution”. Tallinn Music Week is more than bands playing and DJs DJing – this festival is laden with meaning.There’s no doubt that Estonia’s music – Read more ...
peter.quinn
It's not every night that an artist proposes locking the doors and having “one giant orgy of love”, but then Dee Dee Bridgewater has always had a singular take on things. This sold-out gig at Ronnie Scott's was one of those rare, did-that-really-happen-or-am-I-dreaming evenings where performer and audience reciprocally move into some kind of magical, harmonious alignment.The singer was performing material from Eleanora Fagan (1915-1959): To Billie With Love From Dee Dee Bridgewater, chosen as one of my Albums of the Year in theartsdesk's 2010 New Music Round-up and a worthy Grammy winner Read more ...
david.cheal
Beards, beards, beards: at the Roundhouse, they seemed to be everywhere, sprouting from the chins of hundreds of chaps in the audience. Perhaps, though, I was just looking out for them, what with the luxuriant growth on the face of the man they had all come to see: Iron & Wine, the artist otherwise known as Sam Beam, singer, songwriter and former film studies professor from the American south-east.Indeed, I think I had beards on the brain; skimming through his Wikipedia biography before the show, I thought I’d read that he “sometimes tours with a full beard”, when of course it says “ Read more ...
Peter Culshaw
Kurt Elling’s new one has the potential to push him out of the hermetic world of jazz insiderdom where he has been a big figure now for over a decade. It's produced with the right mixture of restraint and pizzazz by Don Was. Elling has sometimes been seen as the nearest thing to a successor to Frank Sinatra. His inventive ease dancing vocally over the strict metres, his charismatic ability to front a band, not to mention his sharp suits and his love of a killer melody are Sinatraesque.But like his fellow top American jazzers such as Brad Mehldau and Cassandra Wilson – both also in their Read more ...
peter.quinn
A jazz concept album exploring the historical origins of Europe. No, not the synopsis of a new Christopher Guest film – although how I'd love to see Fred Willard in that - but an ambitious, far-reaching new recording from sax maestro Courtney Pine. Except, Courtney doesn't play any sax at all. In one of several firsts, Europa hears him blowing up a storm through the delightfully rich, woody timbres of the bass clarinet, an instrument he fell in love with when he heard Eric Dolphy play on John Coltrane's seminal 1961 recording, Live at the Village Vanguard.Pine is a musician who is constantly Read more ...
peter.quinn
A recent Grammy nominee for his 2009 album Historicity, composer-pianist Vijay Iyer is one of an increasing number of young jazz artists who refuses to be corralled by genre. Iyer's work traverses a continuum that embraces everything from hip hop to orchestral music. Tirtha, his latest project, sees three great traditions seamlessly flowing into one another to create something vital and entirely personal.The album presents a fascinating three-way dialogue between jazz, Hindustani (north-Indian classical) and Carnatic (south-Indian classical) music. Also featuring tabla virtuoso Nitin Read more ...
graeme.thomson
It’s the convention to review concerts on the first night of a tour rather than the last, but in this case it transpired it was rather wise to make an exception. These two groups may make very different kinds of music, but in their questing desire to escape classification last night they seemed to share a certain esprit de corps which added to the sense of occasion.Their jaunt around the UK was a joint headline tour, requiring each group to alternate top billing. It fell to Portico Quartet to open last night, which meant a shorter set that perhaps didn’t allow them time to settle in and Read more ...
Adam Sweeting
When Treme debuted on HBO in the States, some excitable critics watched the pilot episode and instantly proclaimed it a masterpiece superior even to The Wire. David Simon, who created both shows, may have been delighted. Or on the other hand, he might have wondered how anybody could assess a complex, long-term portrayal of New Orleans in the aftermath of Hurricane Katrina so categorically on so brief an acquaintance.Now Treme is here, though at the moment sadly confined to the elite mini-monde of Sky Atlantic. Having watched the pilot, I felt ill equipped to deliver a definitive judgment of Read more ...
Thomas H. Green
There is a certain kind of Northern European songcraft that's difficult for we genre-crazed music journo sorts to categorise. The active components are a musical stew of late-night cabaret blues, oddball jazz-classical instrumentation, a smidgeon of Jacques Brel flavour, surreal lyricism and a quavering soprano female voice. At the forefront of this most miniscule of micro-genres would be Lonely Drifter Karen and Clare and the Reasons (although the latter hails from New York). Whatever we might call it, it's the polar opposite of rock'n'roll, it's often beautiful, and we can now add Read more ...
Peter Culshaw
I didn't realise how much I liked dirt. Especially New York dirt. I was going to do a rant about boutique designer hotels, which seem ubiquitous in Manhattan. Major case in point: the Gramercy Park Hotel, where I used to stay in the Nineties and Noughties. It was independent, a bit scruffy, with a great bar full of artists and rock'n'roll types and other degenerates, a perfect location and cost about a hundred dollars a night. Last time I looked it had been ponced up – fish tank in the reception, a Buddha, fancy doorknobs and good-looking but no doubt useless staff. Clean as a whistle. This Read more ...