jazz
Album: Shabaka - Perceive its Beauty, Acknowledge its GraceWednesday, 10 April 2024
Gal Beckerman’s 2023 book The Quiet Before makes a plea that if ideas, revolutionary or otherwise, are to grow, there needs to be a retreat from “our current cacophony”. And if there is one artist who is truly living out that principle in his... Read more... |
Vossa Jazz 2024 review - Norwegian festival embraces William Parker’s spaciness, Karin Krog’s classicism and much moreWednesday, 27 March 2024
“The name of this group is Mayan Space Station.” In spite of the billing as The William Parker Trio, their bassist – coolly introducing himself as “William Parker, bass” – is firm about the designation under which the three musicians on stage are... Read more... |
theartsdesk Q&A: Singer Dee C LeeSaturday, 23 March 2024
Dee C Lee was born Diane Sealy in London in 1961. She is best known for her 1985 hit “See the Day”, later covered by Girls Aloud, and for being in two of the Eighties' most notable pop acts, The Style Council and WHAM!. But she was also prolifically... Read more... |
Album: Sarah Jane Morris - The SisterhoodSaturday, 09 March 2024
Released yesterday to coincide with International Women’s Day, The Sisterhood will surely prove to be one of the brightest jewels in Sarah Jane Morris’s varicoloured discography.A labour of love which Morris has been contemplating for two decades,... Read more... |
theartsdesk on Vinyl 82: Human League, Hawkwind, Roberta Flack, Kid Acne, Photek, Rudimentary Peni and moreMonday, 04 March 2024
VINYL OF THE MONTHMito y Comadre Guajirando (ZZK)Mito y Comadre are Guillermo Lares and Shana Comadre, a Bogota-based pair of Venezuelans whose debut album is produced by Christian Castagno (a man who’s more likely to be found helming outings by... Read more... |
Album: Squarepusher - DostrotimeSaturday, 02 March 2024
Tom “Squarepusher” Jenkinson has covered a lot of ground over three decades, from dank cellar ambience to refined baroque composition, and from chirpy funk to monstrous noise. But his default mode is instantly recognisable: 170+ beats per minute... Read more... |
Northern Winter Beat 2024 review - Julie Byrne, Alabaster DePlume, Deerhoof and Mary Ocher triumph in DenmarkThursday, 08 February 2024
You’re here. I’m so happy you’re here. You’re alive. You’re doing so well. Living is so hard. We’re alive. Have you suffered? When we’re alive, we suffer. We suffer to be alive. You must have suffered.Paraphrasing Alabaster DePlume’s on-stage... Read more... |
Tony Kofi Quartet, 606 Club review - from good to greatThursday, 01 February 2024
Twenty years ago, the British-Ghanaian saxophonist Tony Kofi recorded the results of a venture as ambitious as it was potentially audacious: an album of transpositions for sax of music by the master of improvisational quirk and idiosyncratic... Read more... |
Album: Plantoid - TerrapathMonday, 29 January 2024
Terrapath is a prog-rock album with a large dash of jazz-rock fusion. When the styles were in their Seventies pomp, an album side could be occupied by one cut. Both sides might feature, at most, four, maybe five tracks. Yet Plantoid’s debut LP fits... Read more... |
Music Reissues Weekly: Mike Makhalemele & Winston “Mankunku” Ngozi - The Bull And The LionSunday, 14 January 2024
The Bull And The Lion was originally released in 1976 by Jo'burg, a South African label which opened-up for business in 1973 with a couple of singles and the first album by black singer Margaret Singana. Her debut LP was titled Lady Africa. The same... Read more... |
Albums of the Year 2023: Scott Dunn with Claire Martin and the RPO - I Watch You SleepSaturday, 23 December 2023
A flawless song list comprising Richard Rodney Bennett originals plus some of his favourite standards, stunning arrangements by conductor Scott Dunn, plus the mellifluous vocals of Claire Martin magically aligned in my Album of the Year, I Watch You... Read more... |
Albums of the Year 2023: Cécile McLorin Salvant - MélusineThursday, 21 December 2023
If Mélusine is encountered without knowing its background or themes it would still be remarkable. There is no need to know anything about what frames this journey through Chanson Française, electronica, jazz and show-tune sensibilities with lyrics... Read more... |
