jazz
Brian Eno - Pure Scenius, The Dome, BrightonMonday, 10 May 2010
It's 4.00 in the afternoon and Brighton Festival curator Brian Eno is fast-forwarding us to the future. Perched onstage behind an array of consoles, he tells us we're in for "something special for the end of term". The conceit is that the audience... Read more... |
Susheela Raman, Rich MixSunday, 09 May 2010
The political tectonic plates were re-aligning, the economic indicators were jittery, but the cultural kaleidoscope also shifted a bit last night with the unveiling of Susheela Raman’s new material from her yet untitled new album, which on this... Read more... |
theartsdesk in Chicago: Radical Invention in the Windy/Second CitySunday, 09 May 2010
On my previous trip to the Second City in 2009, the much-awaited Art Institute of Chicago extension wasn’t quite ready for visitors, but is now about to celebrate its first birthday, and it’s a treat. The Modern Wing adds 35 per cent more space to... Read more... |
Christine Tobin and Liam Noble, Lauderdale HouseFriday, 07 May 2010
A bad cover version can be a dangerous thing. Imagine, for example, that your first encounter with the brilliant Gershwins was Kiri Te Kanawa's egregious Kiri Sings Gershwin. This, potentially, could be so distressing that it might put you off... Read more... |
Freedom of the City, Conway Hall, LondonMonday, 03 May 2010
Eight hours of “improvised and experimental music” would not be on everyone’s list of Bank Holiday essentials, and the marathon programme that constitutes the first half of the two-day Freedom of The City festival could have proved daunting for even... Read more... |
Interview: Rokia TraoréTuesday, 27 April 2010
Rokia Traoré has always seemed most comfortable creating at trysting points, darting between different worlds without ever quite belonging to any one of them. The daughter of a Malian diplomat, as a child her favourite locations were airports, “this... Read more... |
Hypnotic Brass Ensemble, Scala LondonTuesday, 27 April 2010
It’s my habit as a music critic to take notes at shows such as this: nothing extensive, just words and phrases jotted down to jog the memory when it comes to writing the thing up afterwards. Looking back at my scraps of paper for this, the London... Read more... |
Fool’s Gold and Benin City, Camden Bar FlyTuesday, 27 April 2010
Fool’s Gold’s debut album brims over with the enthusiasm of a band who have discovered - primarily through African music - that there’s another way to play the electric guitar other than to just form workman-like bar-chords, stamp down hard on the... Read more... |
Nigel Kennedy greets theartsdeskSaturday, 17 April 2010Despite his "interesting" haircut and fondness for the undeleted expletive, violinist Nigel Kennedy is a man of exceptional taste and discernment. While recording his new jazz album Shhh! at Rockfield studios, he took time out to hail theartsdesk... Read more... |
Balkan Beat Box, DingwallsThursday, 15 April 2010
“I can’t fucking hear yer!” are not the welcoming words one expects to hear from a world music favourite, it has to be said. But the audience at Dingwalls don’t look like the usual world music crowd either. This Brooklyn trio have clearly crossed... Read more... |
Birthdays on the Tube: 3-9 AprilSunday, 04 April 2010
This week’s birthdays of musicians include a couple of disturbed geniuses, Billie Holiday and Joe Meek, underrated rock’n‘roller Carl Perkins, country legend Merle Haggard, as well as Doris Day, Pharrell Williams and bluesman Muddy Waters, whose... Read more... |
Abdullah Ibrahim, Barbican HallThursday, 01 April 2010
Like Hugh Masekela, pianist Abdullah Ibrahim first emerged as a member of The Jazz Epistles - that seminal, if short-lived, group who at the start of the 1960s were the first to offer a South African take on modern jazz. Both under the stage name... Read more... |
