Jewish culture
The Path to Heaven, RNCM, Manchester review - tragedy, truth, passionFriday, 22 June 2018
Adam Gorb’s The Path to Heaven, with libretto by Ben Kaye, is his longest work to date (almost two hours’ running time without interval) and on a story that could hardly be more tragic – the Holocaust. Its premiere at the Royal Northern College of... Read more... |
Effigies of Wickedness, Gate Theatre review - this sleek cabaret conceals desolation behind a smileThursday, 17 May 2018
The show’s subtitle – “Songs banned by the Nazis” – is a catchy one, and somewhere under the confetti, the stilettos, the extravagant nudity, the sequins and even shinier repartee that are wrapped around Effigies of Wickedness like a mink coat on... Read more... |
The Flying Lovers of Vitebsk, Brighton Festival review - a dynamic dedication to an artist's museThursday, 10 May 2018
They say that behind every successful man is a strong woman. The Flying Lovers of Vitebsk is as much – if not more so – the championing of the unsung hero in this story of the famous early modernist artist, Marc Chagall. His wife, Bella – early muse... Read more... |
Entebbe review – Seventies hijack drama remains groundedThursday, 10 May 2018
The freeing of a plane-load of hostages by Israeli forces at Entebbe airport in Uganda in 1976 produced an instant spate of movie versions. Raid on Entebbe starred Peter Finch and Charles Bronson, Victory at Entebbe offered gainful employment to... Read more... |
CD: Ezra Furman - Transangelic ExodusSaturday, 03 February 2018
Transangelic Exodus is a roller-coaster ride. Songs twist, turn, have sudden shifts in tempo, are punctuated by unexpected instrumental interjections, and come to a dead stop after which they resume their unpredictable course. Although Ezra... Read more... |
The Flying Lovers of Vitebsk, Kneehigh on tour review - sweetest musical ChagallianaThursday, 25 January 2018
Time flies so much more beguilingly in Daniel Jamieson and Emma Rice's 90-minute musical fantasia than it ever has, for me, in Bock and Harnick's Fiddler on the Roof – and the songs aren't bad, either. The inspiration here – and inspiration's the... Read more... |
Nicholas Blincoe: Bethlehem - Biography of a Town review - too few wise men but remarkable womenSaturday, 23 December 2017
Suitably enough, Nicholas Blincoe begins his personal history of the birthplace of Jesus with a Christmas pudding. He carries not gold, frankincense and myrrh but this “dark cannonball” of spices, fruit and stodge as a festive gift to his girlfriend... Read more... |
Menashe review - Yiddish-language film with a heart of goldThursday, 07 December 2017
On paper this film sounds so worthy: a widowed Orthodox Jewish father struggles to convince the Hassidic community elders that he can raise his young son alone after the death of his wife. But it’s the opposite of worthy on screen – Menashe is... Read more... |
The Melting Pot, Finborough Theatre review - entertaining moralsThursday, 07 December 2017
Israel Zangwill’s 1908 play The Melting Pot characterises Europe as an old and worn-out continent racked by violence and injustice and in thrall to its own bloody past. America, on the other hand, represents a visionary project that will “melt... Read more... |
Modigliani, Tate Modern review - the pitfalls of excessFriday, 24 November 2017
Modigliani was an addict. Booze, fags, absinthe, hash, cocaine, women. He lived fast, died young, cherished an idea of what an artist should be and pursued it to his death. His nickname, Modi, played on the idea of the artiste maudit – the... Read more... |
Dough review - well-intentioned bread-based comedy doesn't riseFriday, 02 June 2017
Oh dear, writing this review is a bit like being mean to a small cuddly animal. Dough has such very good intentions – characters separated by race, religion and age can find common ground in a bakery – it’s a shame that it doesn’t rise into a tasty... Read more... |
DVD/Blu-ray: German Concentration Camps Factual SurveyTuesday, 02 May 2017
This is an impeccably restored presentation of the 1945 feature-length documentary that was intended to be shown in German cinemas in order to counter any remaining support for Nazism. Backed by the British Ministry of Information, it was overseen... Read more... |
