thu 26/11/2020

London Film Festival

LFF 2020: Nomadland review - Francis McDormand gives a career-defining performance

Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America...

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LFF 2020: Another Round review – a glass half empty

In 2012, two great Danes, director Thomas Vinterberg and actor Mads Mikkelsen, teamed up for the powerhouse drama The Hunt, about a teacher victimised by his community when wrongly accused of abusing a pupil. For their reprise, Mikkelsen again...

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LFF 2020: Supernova review – Stanley Tucci and Colin Firth shine as couple on the road

Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both...

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LFF 2020: One Night in Miami review - Kemp Powers's play makes the leap to the big screen

Set on February 25 1964, Kemp Powers’s 2013 play One Night in Miami put newly-crowned World Heavyweight Champion Cassius Clay in a motel room with soul singer Sam Cooke, superstar NFL footballer Jim Brown and spokesman for the Nation of Islam,...

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LFF 2019: The Irishman review - masterful, unsentimental gangster epic

Time passes slowly and remorselessly in The Irishman. Though its much remarked de-ageing technology lets us glimpse Frank Sheeran (Robert De Niro) executing German POWs aged 24, none of the gangsters here ever seem young. Everyone is heavy with...

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LFF 2019: Marriage Story review – not a dry eye in the house

Marriage Story, shown at the London Film Festival, feels like an instant classic, that intimate, tangible, resonant kind of classic that touches a chord with almost anyone. It’s not just a film about a divorce, but that added nightmare of a divorce...

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LFF 2018: The Favourite review - Queen Anne's bizarre love triangle

Olivia Colman will in due course be appearing as Elizabeth II in The Crown, surely a role of a very different hue to her portrayal of Queen Anne in Yorgos Lanthimos’s The Favourite (shown at LFF). It’s the beginning of the 18th Century, and England...

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LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and Jackman

The “portmanteau” form of film-making is almost guaranteed to deliver patchy results, and The Ballad of Buster Scruggs, the Coen brothers’ six-pack of tall tales from the Old West (screened at London Film Festival), can’t quite avoid this age-old...

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LFF 2018: Colette review - zinging with zeitgeisty relevance

The story of French author and transgressor of social mores Colette has been told before on screen and in song, but this new film version (shown at London Film Festival) from director Wash Westmoreland not only zings with zeitgeisty relevance, but...

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DVD/Blu-ray: Shiraz

The subtitle of Franz Osten’s 1928 film, A Romance of India, says it all: this Indian silent film is a tremendous watch, a revelation of screen energy and visual delight. An epic love story-cum-weepie with lashings of action and intrigue thrown in,...

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Best of 2017: Film

It was the night Faye Dunaway and Warren Beatty, those old robbers on the run, will want to forget. Thanks to a clerical error, the Oscar for Best Picture briefly ended up in the clutch of the overwhelming favourite. Then the mistake was spotted and...

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LFF 2017: Film Stars Don't Die in Liverpool / Professor Marston and the Wonder Women reviews - stellar turns by Annette Bening and Rebecca Hall

Screen biographies are tricky things to pull off when the person portrayed has left behind an indelible screen presence. It was hard to love Michelle Williams dragging up for My Week with Marilyn; Grace of Monaco was far from Nicole Kidman...

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