thu 18/07/2019

Los Angeles

Gloria Bell review - dancing away the heartache

With Gloria (2013), A Fantastic Woman (2017) and Disobedience (2018), Chile’s Sebastián Lelio has earned a deserved reputation as a sympathetic director of women. It may seem a strange move for him to remake Gloria only a few years after the Spanish...

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Classical CDs Weekly: Christian Lindberg, John Williams, Alexandra Dariescu

 Christian Lindberg: Steppenwolf – Viola Concerto, Tales of Galamanta, Peking Twilight Rafael Altino (viola), Odense Symphony Orchestra/Christian Lindberg (BIS)“I do not write in any style whatsoever! I just listen to what my brain and my soul...

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Rocketman review - fabulous musically but a tad miserable too

Rocketman opens with its hero in flamboyant stage costume stomping into a drab group therapy session. Pulling the sparkling horns off his magnificent head-dress and shuffling his feathered wings into a seat, Elton John demands of his fellow addicts...

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CD: Morrissey - California Son

Unfortunately, it’s now reached the point where it’s impossible to mention Morrissey without politics overshadowing music. His recent wearing of a For Britain Party lapel pin on US TV is only the latest in a catalogue of public stances that seem to...

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Cannes 2019: Too Old to Die Young - nightmarish LA noir

This year, Cannes has been adamantly defending traditional cinema, with more than a few jibes at Netflix (who remain persona non grata at the festival), but that hasn’t stopped them screening two episodes of Nicolas Winding Refn’s new Amazon TV...

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CD: Flying Lotus - Flamagra

It's five years since Steven Ellison aka Flying Lotus released an album, and it's not entirely clear how far he's moved creatively. To be fair he's been busy branching out in other directions, producing for superstar rapper Kendrick Lamar, making...

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CD: Billie Eilish - When We All Go To Sleep Where Do We Go?

Billie Eilish is a vaudevillian. Crack that and everything else falls into place. Her impossible precociousness (at 17, she's a superstar and has been in the public eye for four years) and voraciousness (her and her brother Finneas's writing swerves...

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Under the Silver Lake review - fascinating LA noir folly

Disappointment is instant, anyway. David Robert Mitchell’s second film, It Follows, was a teenage horror tragedy of perfectly sustained emotion. His third, Under the Silver Lake, seems superficial and scattershot, a callow effort at a magnum opus,...

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Time Is Love/Tiempo es Amor, Finborough Theatre review - sultry yet static

Confessions first: I fell asleep mid-way through Time Is Love/Tiempo es Amor, from too much time on trains and planes over the New Year. I was kindly allowed back for a second visit to the Finborough Theatre show, for a Sunday matinee, dosed with...

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On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians...

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CD: Aloe Blacc - Christmas Funk

Egbert Nathaniel Dawkins III – Aloe Blacc – is one shrewd dude. He's extremely adept at reaching out beyond the confines of his natural beat of funk and soul, whether that's credible (covering The Velvet Underground's “Femme Fatale”) on his...

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka...

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