Los Angeles
Tom Birchenough
You don’t need to know that Bernard Rose’s Boxing Day is an adaptation of the Tolstoy story Master and Man, but it does help - somewhat. You may well know it anyway, given that it’s the third film in a loose series that Rose started just more than a decade ago with Ivansxtc, a dark satire on Hollywood’s agenting world and human burnout based on the writer’s lacerating The Death of Ivan Ilyich. The Kreutzer Sonata followed (less successfully, I thought) from Tolstoy’s story of the same name about the corrosion that jealousy brings to a relationship. All have Danny Huston in the lead role.They Read more ...
Tom Birchenough
“Cringed” is the adjective you want to invent to describe Kate, the dipso heroine of James Ponsoldt’s Smashed who's played by Mary Elizabeth Winstead. If there’s one thing that Ponsoldt's script, co-written with Susan Burke, captures - actually, there are many - it’s the excruciating embarrassment of waking up in the morning and dimly recalling what you’ve got up to the drunken night before.Energetic camerawork from Tobias Datum thrusts us right into Kate’s home as she necks a beer in the shower before work, while husband Charlie (Aaron Paul) lies in - he’s a music journo and gig-goer whose Read more ...
theartsdesk
The Blue Nile: A Walk Across The Rooftops, HatsGraeme ThomsonThe Blue Nile occupy a unique spot in the musical landscape. Formed in 1980 by Glasgow University graduates Paul Buchanan, Paul Joseph Moore and Robert Bell, four albums in 30 years suggests a certain neurotic creative sensibility which resulted in a pretty slim legacy but served the music well.From their first single – 1981’s “I Love This Life”, included on these expanded reissues – to their last album High, in 2004, a dedicated and deliberate artistic ethos has driven the music. Aesthetically, there is something immensely pleasing Read more ...
emma.simmonds
Often portrayed as corrupt or, at best, on the front line of a war zone, the officers of the LAPD are regulars on the big and small screen. On TV, Southland and The Shield have examined the LAPD in microscopic detail and earlier this year Rampart intermittently impressed with its focus on one cop in freefall. With police procedural End of Watch writer-director David Ayer is on home turf: he’s the man behind several LA-set police thrillers, including Training Day (for which he penned the screenplay).Jake Gyllenhaal and Michael Peña play patrol officers Brian Taylor and Mike Zavala. Despite Read more ...
Adam Sweeting
In time-honoured fashion, hope sprang eternal for the British contenders in the 64th Primetime Emmy Awards, held last night in Los Angeles. Downton Abbey had picked up seven major nominations (and 16 in all, including various behind-the-scenes categories), while there were also high hopes for the multi-nominated Sherlock and gongtastic possibilities for the BBC detective series Luther and its star Idris Elba. Clive Owen was in the running for his portrayal of Ernest Hemingway in the HBO mini-series Hemingway & Gellhorn, while Jared Harris had a shout for Best Supporting Actor in Mad Read more ...
Thomas H. Green
Gaslamp Killer is Californian DJ-producer William Bensussen, beardy Weird Al Yankovich lookalike and one of the key figures in LA’s Brainfeeder label collective. His reputation began to rise around five years ago with an LA club night called Low End Theory that would play music rooted in hip hop and electronica, far from four-to-the-floor house - tending, in fact, towards the bizarre. His debut album is much anticipated by those who like their beats broken and their synthesisers gnarly. Breakthrough, then, is a thoroughly enjoyable experience in that vein, albeit not as off-the-wall Read more ...
theartsdesk
Lee “Scratch” Perry and Friends: Disco Devil - The Jamaican DiscomixesThomas H GreenAs bass culture conquers the musical universe, with even Justin Bieber diving into dubstep waters and gnarly electro-goth Skrillex one of the biggest earning new artists of the year, the double CD Disco Devil is a timely release. It represents the roots of bass culture. Not the prehistory of Lee “Scratch” Perry’s early Seventies experiments, but a slightly later turning point that led us directly to where we are today. One of the notions that Jamaica’s sound system culture was built around was an emphasis of Read more ...
Thomas H. Green
Pet Shop Boys eleventh album leaps sideways into smooth, opulent US FM radio production in a way that will initially give long term fans palpitations. The duo sound… different. They recorded Elysium in Los Angeles with Grammy-winning Kanye West producer Andrew Dawson and it sounds that way too.Here’s the thing, though, whether you like the results or not, Dawson pushes them somewhere new, albeit sometimes in directions that jar. A case in point would be the way the snappy “Ego Music”, which ruthlessly satirizes the portentous self-importance of certain rock stars, is wilfully followed by “ Read more ...
theartsdesk
Welcome to another show, in which Joe guides us around some of the weirder, smokier corners of the broad church of hip hop, and discussion returns to how far genre can stretch and where originality can reside in a multi-channel, everything-available-at-once world. We also take a listen to more and less authentic sounds of South America courtesy of a Brit-in-Colombia, a Colombian Brit, and a legend of British underground sounds turning Colombian sounds into house music. There's some neo-psychedelia and neo-folk thrown into the mix for good measure.The Colombian Brit is one José Hernando Read more ...
Fiona Sturges
There are a few things wrong with Episodes, the comedy series in which Stephen Mangan and Tamsin Greig play a British scriptwriting couple who take their hit sitcom across the pond, but there’s a lot more that’s right with it. Look beyond the horrible title sequence, in which a television script literally takes flight and flaps all the way from London to Los Angeles, and the ghastly parping music which transports you not to a sunny Californian TV studio but a low-rent BBC panel game complete with plywood set, and you’ll find a show worth cherishing.The second series finale provided a Read more ...
Ismene Brown
Many people will be having their first taste of the late Pina Bausch’s dance-theatre in this copious London retrospective of 10 of her “World City” productions; others will have bought into several of the series, possibly by now wondering how many hours they can take of her barbed view of men and women. For all of us, reading programme notes is beside the point; the background you need is what’s inside you, your memories, your songs, your susceptibilities. Rome is a history as much as a city, which made Viktor (the first of the series, last week) dense with interest, a palimpsest of centuries Read more ...
theartsdesk
David Bowie: The Rise and Fall of Ziggy Stardust and the Spiders From Mars 40th Anniversary EditionHoward MaleLet’s start with the bombshell. Yes, Ziggy is a landmark Seventies album but it’s not the masterpiece it should or even could have been, and no amount of remastering or repackaging can change that. For one thing, it simply doesn’t hold together as a concept album or rock opera. For another, the apocalyptic theme set up by the opening number “Five Years” is never followed through (and anyway, Bowie covered this whole area so much better on Diamond Dogs). Then there’s the sore thumb of Read more ...