Los Angeles
Thomas H. Green
Brooklyn band TV on the Radio have been critical favourites since they first appeared almost a decade ago. Always an intriguing proposition, they also seemed from their inception to be shrewdly aware of their musical Catholicism, as if they'd followed Brian Eno's Oblique Strategies before they'd even had their first jam. Brilliant, then, but tinged with Wire-friendly cerebralism.Their last album, Dear Science, followed this pattern and was among the best, most intriguing releases of 2008. Nine Types of Light, however, is a whole new glorious ball game. Where previous outings were recorded in Read more ...
emma.simmonds
Matthew Bissonnette’s third feature Passenger Side is a mellow, honey-hued road movie which sees two discordant brothers combing the streets of Los Angeles with an initially mysterious purpose. A likeable diversion, for the most part it’s a nicely played two-hander depicting the rekindling of a sibling bond.The reluctant but ultimately obliging driver is Michael (Adam Scott), the older brother of Tobey (Joel Bissonnette), who takes his seat on the passenger side. Michael has agreed to chauffeur Tobey around for the best part of a beautiful sun-blushed day, without knowing why, and they make Read more ...
Adam Sweeting
Hailed by swarms of critics for its wit, warmth, compassion and daring challenge to conventional notions of gender and matrimony, Lisa Cholodenko's The Kids Are All Right strikes your correspondent as an exhaustingly solipsistic exercise in Californian smugness. The supposedly bold notion of casting two senior Hollywood dames - Annette Bening and Julianne Moore - as lesbian couple Nic and Jules does raise an eyebrow when Moore supposedly pleasures Bening under the bedclothes with a vibrator, while male gay porn plays on the TV.Yet otherwise, Nic'n'Jules's relationships with each other and Read more ...
Adam Sweeting
Former Los Angeles Times crime reporter Michael Connelly struck gold with his books about LAPD detective Harry Bosch, before pulling a deft gear-change with the creation of criminal defence attorney Mickey Haller in The Lincoln Lawyer. The movie version, directed by Brad Furman and scripted by film and TV veteran John Romano, sticks pretty close to Connelly's novel, even if Matthew McConaughey's lead character has mysteriously morphed from Mickey to Mick.Though rooted in a familiar low-life Los Angeles peopled by surly cops, hookers, petty criminals and irascible prosecutors, the film lifts Read more ...
Veronica Lee
There's nobody who plays Ashton Kutcher quite like Ashton Kutcher and, in this pleasant and undemanding romcom, he plays another cute guy whom all the girls (and boys of course) swoon over. This time he’s Adam, the sweet and rather vulnerable twentysomething son of Kevin Kline’s rascally-old-devil father, who's three-times divorced, still doing drugs, and chasing young women as his 60th birthday looms.In fact, it’s that paternal girl-chasing on which this initially episodic film turns after we have met Adam and Emma (Natalie Portman) at several points in their lives - first as teenagers Read more ...
igor.toronyilalic
There had been murmurings that his star had dimmed. That Gustavo Dudamel's partnership with the Los Angeles Philharmonic (greeted with such fanfare in 2009) had yet to set the West Coast on fire. Had this Icarus flown too high? Would their debut visit to the Barbican last night resemble Breughel's fall, Latino legs flailing in an orchestral sea? Not a bit of it.Admittedly, we had to wait until the second half for something truly special to happen. The first half didn't really give Dudamel much chance to show off any of his many talents. In the John Adams opener, Slonimsky's Earbox (1995), Read more ...
Kieron Tyler
Forty-five years ago today, Nancy Sinatra’s risqué “These Boots Are Made For Walking” entered the British charts, beginning its rise to Number One. This country-slanted ode to sex and domination, sung by Frank’s daughter, hasn’t had its impact blunted by repeated exposure on nostalgia radio. The man behind it was Lee Hazlewood, an auteur lauded and covered by hipsters such as Nick Cave, Jarvis Cocker, Sonic Youth, Richard Hawley and The Horrors’ Faris Badwan. Before he moved to Sweden at the end of the Sixties, Hazlewood navigated his way through the peaks of showbiz while seemingly doing as Read more ...
Tom Birchenough
Sofia Coppola proved, with Lost in Translation from seven years ago, that there’s hardly a better location for showing the nuances of emotional dysfunction than the anonymity of an international hotel. No surprise then that much of her new film Somewhere, winner of the Golden Lion award at the Venice Film Festival, is set in the characterless corridors and rooms of the celebrity hang-out Chateau Marmont in Los Angeles, though her investigation here of a central father-daughter relationship delivers a stronger emotional reflection than in the earlier film. Understatement remains the key in a Read more ...
Adam Sweeting
As Ozzy Osbourne puts it, “He’s just Lemmy. You just take him or you fucking don’t, and he doesn’t give a flying shit whether you do or not.” It’s this irreducible Lemmyness of Lemmy which lies at the core of the gnarled heavy metaller’s mystique. Beyond fashion, as ageless as a rock’n’roll Flying Dutchman and with a constitution seemingly forged from buffalo hide and wrought iron, Ian Fraser “Lemmy” Kilmister is surrounded by his own private myth-bubble wherever he goes.Greg Olliver and Wes Orshoski spent three years shooting this documentary. Though it sometimes meanders shaggily, it Read more ...
paul.mcgee
Given the somewhat viral nature of Odd Future's rapidly flourishing notoriety, it's both appropriate and a little ironic that their debut UK performance should take place in the basement of a pub in a part of north London where the underground doesn't run. Also known as OFWGKTA (or Odd Future Wolf Gang Kill Them All), this 10-strong self-contained teenage rap conglomerate from Los Angeles has united hip-hop über-nerds, jaded old-schoolers and regular rap fans alike – a remarkable achievement in itself – in praise of unique DIY aesthetic, both musical and visual, inspired by, amongst other Read more ...
Kieron Tyler
Bounding on stage in a purple version of the man dress pioneered by Mick Jagger at The Stones’s 1969 Hyde Park concert, Ariel Pink looks like a mistranslated version of what a late-Sixties rock star should be. His long hair is dyed blonde. The roots show. His make-up is already smudged, as if applied with mittens. It’s a wonky look, in keeping with his music; a music that sounds like a badly tuned radio playing the hits of the early Eighties, the smooth soul of the Seventies and Sixties bubblegum garage pop all at once. Los Angeles’s most peculiar art rocker doesn’t seem to be playing it Read more ...
Adam Sweeting
Over there is the gang who give the movie its title (though it was originally going to be called Bone Deep), because they take stuff, mostly money. They’re a suave and dude-ish bunch, headed by Idris Elba exuding his usual intimidating air of authority as Gordon Betts, and Paul Walker as John Rahway, a kind of Sundance Kid in a suit. The gang are a bit like the Ocean’s Eleven crew, all hip, smart and stylish, though with an extra lethal edge, since director John Luessenhop has crammed the narrative with explosions, cacophonous gun battles and piles of bullet-flayed corpses.The movie opens Read more ...