thu 19/12/2024

Los Angeles

On Drums... Stewart Copeland!, BBC Four review - no drummer, no rock'n'roll

On Drums was inhabited by a parade of fine-looking young and middle aged multi-ethnic anglophone drummers, all introduced by Stewart Copeland, the American drummer of the Police. In vintage film and contemporary interviews his chosen musicians...

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CD: Aloe Blacc - Christmas Funk

Egbert Nathaniel Dawkins III – Aloe Blacc – is one shrewd dude. He's extremely adept at reaching out beyond the confines of his natural beat of funk and soul, whether that's credible (covering The Velvet Underground's “Femme Fatale”) on his...

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Michael Connelly: Dark Sacred Night review - a pairing of loner detectives

The master of the Southern California police procedural is back. In Dark Sacred Night Michael Connelly puts centre stage his oldest creation, the Vietnam veteran turned original, ethical policeman who marches to his own moralities, Hieronymous – aka...

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Imagine... Becoming Cary Grant, BBC One review - contemplative portrait of a star

Mark Kidel has made a beautiful, ethereal film projecting his version of Cary Grant and as such it’s destined to be picked over by the actor’s legions of fans, each of whom will have a different version. But what would the man himself have thought...

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CD: Ex Mykah - 16, 17

Ex Mykah is a multi-instrumentalist and producer on the LA music scene who’s worked with the names such as Mark Ronson and Miike Snow. His own debut album sounds very far from either of those. Instead it comes from the warped, alt-hip hop end of the...

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CD: Rod Stewart - Blood Red Roses

Rod Stewart continues to hit the spot: he never fails to deliver well-crafted music that draws from the wide range of styles that he clearly loves. Apart from being a megastar and a lovable performer, he has always been a musician with a great deal...

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Tartuffe, Theatre Royal Haymarket review - dual-language production loses its way

The idea of producing a classic play in a mix of two languages is pretty odd. What kind of audience is a bilingual version of Molière’s best-known comedy aiming at, you wonder. Homesick émigrés? British francophiles with rusty A-level French?...

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Los Angeles Philharmonic, Dudamel, Barbican review - brilliant if overwhelming showcase

Insistence was the name of the LA Phil's first game in its short but ambitious three-day Barbican residency - insistence honed to a perfect sheen and focus, but wearing, for this listener at least, some way in to the Shostakovich Fifth Symphony...

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Martin Gayford: Modernists & Mavericks review - people, places and paint

Back in the early Sixties Lucian Freud was living in Clarendon Crescent, a condemned row of houses in Paddington which were gradually being demolished around him. The neighbourhood was uncompromisingly working class and to his glee his neighbours...

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DVD/Blu-ray: Blade Runner 2049

It’s not 1982 any more, but there’s still some disagreement between Ridley Scott and Harrison Ford about whether Rick Deckard was or was not a replicant. Thirty-five years on, Dennis Villeneuve’s belated sequel to Blade Runner may trigger another...

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Best of 2017: Film

It was the night Faye Dunaway and Warren Beatty, those old robbers on the run, will want to forget. Thanks to a clerical error, the Oscar for Best Picture briefly ended up in the clutch of the overwhelming favourite. Then the mistake was spotted and...

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Molly's Game review - Jessica Chastain gets her poker face on

After her brittle and unloveable turn in John Madden’s Washington-lobbyist drama Miss Sloane, Jessica Chastain gets the chance to do it again, properly. This is thanks to Aaron Sorkin, whose directing debut Molly’s Game is. More to the point, his...

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