sat 30/11/2024

Euphoria, Sky Atlantic review - teenage nervous breakdown | reviews, news & interviews

Euphoria, Sky Atlantic review - teenage nervous breakdown

Euphoria, Sky Atlantic review - teenage nervous breakdown

Gen-Z drama pushes the envelope of sex, drugs and emotional turmoil

Hunter Schafer as Jules (left), with Zendaya as Rue

Being a teenager used to be fun, allegedly, but for the young cast of HBO’s controversial new hit series Euphoria it looks more like a nightmare ride through a theme park of bad trips.

Filmed in various Los Angeles locations, Euphoria (showing on Sky Atlantic) follows the interconnected stories of a group of teens battling with issues including drugs, sex, gender and family breakdown.

Anyone expecting lightweight escapism should look away now. Euphoria pulls no punches in its depiction of drug abuse, and its graphic, brutal sex sequences (episode one even shows an erect penis) have already startled American audiences.

We see the action through the eyes of Rue Bennett (played with deadly cool by Zendaya, familiar as the trapeze artist in The Greatest Showman), daughter of a mixed-race marriage and badly affected by the death of her father. A smartly-cut flashback sequence took us through her life so far, from being born three days after the 9/11 Twin Towers catastrophe into “a middle-class childhood in an American suburb” to a drug overdose which landed her in rehab. You might say she was born under a bad sign.

Returning from the clinic in a dreamy, slow-motion sequence typical of the show’s aura of heightened reality, she matter-of-factly observes that “I had no intention of staying clean.” To fool her mandatory drug tests, she borrows a urine sample from a close friend. She buys drugs from a stroppy kid who looks about 12, and lists his inventory of arcane narcotics with scientific thoroughness.

Rue’s voice-over commentary is delivered with pitch-black humour, like her explanation of why she doesn’t “drink and bike”, accompanied by a montage of her drunkenly crashing her bike into walls, cars and trees. The way she laconically informs us that “everyone on the planet watches porn – fact” suggests we’ve arrived in an affectless world where any moral values have been reset to zero. Meanwhile the lives of her friends and acquaintances range from the bizarre to the criminal. Especially obnoxious is Nate (Jacob Elordi, pictured above), a muscled-up jock obsessed with internet porn who treats women like contemptible objects fit only to be abused. In due course we’ll learn more about his psychological problems and what helped to cause them. Much more to come, too, about Jules Vaughn, the enigmatic new girl in town played by transgender fashion model Hunter Schafer.

Let’s hope Euphoria is supposed to be a cautionary tale rather than a design for living. Either way, it’s going to become a TV landmark.

 

It suggests we’ve arrived in an affectless world where moral values have been reset to zero

rating

Editor Rating: 
4
Average: 4 (1 vote)

Share this article

Add comment

The future of Arts Journalism

 

You can stop theartsdesk.com closing!

We urgently need financing to survive. Our fundraising drive has thus far raised £33,000 but we need to reach £100,000 or we will be forced to close. Please contribute here: https://gofund.me/c3f6033d

And if you can forward this information to anyone who might assist, we’d be grateful.

Subscribe to theartsdesk.com

Thank you for continuing to read our work on theartsdesk.com. For unlimited access to every article in its entirety, including our archive of more than 15,000 pieces, we're asking for £5 per month or £40 per year. We feel it's a very good deal, and hope you do too.

To take a subscription now simply click here.

And if you're looking for that extra gift for a friend or family member, why not treat them to a theartsdesk.com gift subscription?

newsletter

Get a weekly digest of our critical highlights in your inbox each Thursday!

Simply enter your email address in the box below

View previous newsletters