Adam Sweeting
Bio

Former features editor of Melody Maker, Adam has written on rock, classical music and television for the Guardian, Daily Telegraph and Sunday Telegraph, Independent on Sunday, Uncut, Classic FM and Gramophone, and on motor-racing for Motorsport. He co-founded The Virtual Television Company, which made Mr Rock'n'Roll (Channel 4), Pavarotti: The Last Tenor (BBC2 Arena) and Imagine - Nigel Kennedy (BBC One). He is a regular obituarist for The Guardian.

articles by Adam Sweeting

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We are bowled over! We knew that theartsdesk.com had plenty of supporters out there – we’ve always had a loyal readership of arts…
Wonder is a word that is used too often in theatre, somewhat emptied of meaning by marketing’s emasculating of language. It’s used even…
Towards the end of Black Rebel Motorcycle Club's run-through of their old album Howl, bassist Robert Levon Been told the crowd the "pain…
Family crises and relationship breakdowns are familiar subjects for films to tackle. Both are central to Aribam Syam Sharma’s 1990 feature…
Chinese-American director Bing Liu’s first feature – his Minding the Gap, a wonderful documentary about himself and his skateboarding…
One of this year’s best music books, Songs in the Key of MP3 by Liam Inscoe-Jones, paints a picture of musicians of the “streaming era”…
Heard now, 50 years after its release, Tangerine Dream’s Rubycon sounds like what it became: part of the musical template for Jean-Michel…
This follow-up to 2022’s Man vs Bee finds Rowan Atkinson reprising the role of Trevor Bingley, a bumbling no-hoper who is somehow still at…
There is, of course, a long tradition in this country of Christmas Messiah performances – but it’s not one I’ve ever previously…
Ask many a boomer about their scariest childhood memory, and they may very well cite the extraordinary 1957 East German production, The…