thu 04/09/2025

sex

Blu-ray: The Graduate

Can a film’s classic status expire, or be rescinded? If it can, I’d say The Graduate is a potential candidate.Yes, it was formally groundbreaking (within the context of American cinema), and is often read as a metaphor for the clash of generations,...

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Oslo Stories Trilogy: Love review - freed love

Love was the Norwegian climax of Dag Johan Haugerud’s Oslo trilogy, the most lovestruck vision of his city and boldest prophesy of how to live there, beyond borders and bonds of sexual identity and shame. Released here between Dreams’ meta-memories...

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Album: Reneé Rapp - Bite Me

The stage musical update of Mean Girls, and the film adaptation, pushed Reneé Rapp into the public eye. She played queen bitch Regina George. She’s become well-known for her forthright public persona, especially since coming out as a lesbian last...

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Hamlet Hail to the Thief, RSC, Stratford review - Radiohead mark the Bard's card

The safe transfer of power in post-war Western democracies was once a given. The homely Pickfords Removals van outside Number Ten, a crestfallen now ex-PM and family mooching about, for once trying not to be on camera, it's a tabloid front page...

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Album: Marina - Princess of Power

Marina Diamandis is a proper pop star, brilliantly full-on, off on her own thing. The Welsh singer is primarily known for success 10-15 years ago as Marina and the Diamonds, but she’s retained global heft as an album artist, including in the US,...

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Album: Self Esteem - A Complicated Woman

Given that Prioritise Pleasure was Rebecca Lucy Taylor’s (RLT) Back to Black, and that there’s been a lengthy wait for this new release, it’s no wonder that there’s so much anticipation around A Complicated Woman. Add to the mix...

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Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you up

A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you...

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The Importance of Being Oscar, Jermyn Street Theatre review - Wilde, still burning bright

It’s a greater accolade than a Nobel Prize for Literature – one’s very own adjective. There’s a select few: Shakespearean; Dickensian and Pinteresque. Add to that list, Wildean. That’s all the more remarkable in the light of Oscar Wilde’s...

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Edward II, RSC, Swan Theatre, Stratford review - monarchs, murder and mayhem from Marlowe

“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. Tamara Harvey took no heed and Edward II sees her RSC compadre, Daniel Evans (pictured below, kneeling centre), back on stage after 14 years and...

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The White Lotus, Series 3, Sky Atlantic review - hit formula with few surprises but a new bewitching soundtrack

The return of Mike White’s hit series can be celebrated for one major reason: its extraordinary music. That may sound like a minor reason, but this third iteration of the show confirms that the show's sound world is key to its success.Composer...

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Unicorn, Garrick Theatre review - wordy and emotionless desire

Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn, is about radical sexuality and desire. It’s already made a big splash by being put straight on in the West End,...

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Album: Moonchild Sanelly - Full Moon

Rooted in South African electronic styles such as kwaito, amapiano and gqom, the music of Moonchild Sanelly also shows a rich in awareness of US and European hip hop and pop.Initially a product of Durban’s poetry scene, Sanelly, born Sanelisiwe...

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