sat 04/07/2020

sex

Back Roads review - nice cheekbones, not much else

Back Roads has languished largely unseen since its completion in 2017, and one can see why: lurid to the point of absurdity, this adaptation of a 1999 novel by co-screenwriter Tawni O’Dell is preposterously self-serious and doesn’t augur well...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.7500 ★★★★ Debut thriller will have you avoiding airports for goodA...

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Banana Split review - likable if essentially timid romcom

Is friendship mightier and more durable than sex? That's the proposition put forward by the engaging if ultimately cautious Banana Split, the Los Angeles-set romcom in which two teenagers become friends unbeknownst to the long-haired himbo boyfriend...

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Album: The Weeknd - After Hours

Let’s talk about “Blinding Lights”. What a sleek single, like an escapee from the acclaimed soundtrack to the film Drive, a polished riff on mid-Eighties synth-pop, ripe for 21st century dancefloors, one of the songs of the year so far, all topped...

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Feel Good, Channel 4 and Netflix review - a fresh, bingeable comedy that digs deep but feels mild

“I am not intense.” That declaration arrives early in Feel Good, the new Channel 4 and Netflix romantic comedy fronted by comedian Mae Martin, who plays a fictionalised version of herself. Over Mae’s shoulder, we see a literal trash fire. She’s lit...

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The Photograph review - star-powered romance mostly simmers, sometimes soars

The Photograph, from writer-director Stella Meghie, tells twin tales. The first is all flashback and follows Christine (Chanté Adams, pictured below with Y'lan Noel), a young photographer balancing love and ambition. The second follows...

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Portrait of a Lady on Fire review – love unshackled

Portrait of a Lady on Fire is windblown, spare, taut, and sensual – a haunted seaside romantic drama, set in the 18th century, that makes most recent films and series dressed in period costumes seem like party-line effusions of empty style and...

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Be More Chill, The Other Palace review - more exhausting than enlightening

This latest musical theatre exercise in “geek chic” has been an American phenomenon: a show propelled by social media that developed a rabid fan base taking it all the way to Broadway last year. And here Be More Chill now is in London at The Other...

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Sex Education, Series 2, Netflix review - the teen sex show we deserved

Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high...

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Asking For It, Birmingham Repertory Theatre review - victim-blaming and abuse in small town Ireland

In a world where the contentious report of a young English woman gang raped by teenage boys in Cyprus last year continues to make headlines, Asking For It is more than relevant. Such scenarios are by no means new but are once again making news...

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Shock of the Nude with Mary Beard, BBC Two review - when does art become erotica?

Are you a fan of oysters or Marmite? Mary Beard is not to everybody’s taste, but love her or loathe her she is not only a distinguished academic but a ubiquitous writer and presenter of classical histories, connected travels, and ruminations on...

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Goldilocks and the Three Bears, London Palladium review - joyously filthy fun

When Qdos brought back pantomime to the Palladium three years ago after an absence of nearly 30 years, it set the bar high with superb production values, a large ensemble, a live band – and a stage stuffed with stars. Now those stars – Julian...

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