sex
Gary Naylor
“Don’t put your co-artistic director on the stage, Mrs Harvey,” as Noel Coward once (almost) sang. Tamara Harvey took no heed and Edward II sees her RSC compadre, Daniel Evans (pictured below, kneeling centre), back on stage after 14 years and in the title role to boot. In Daniel Raggett’s stripped back, helter-skelter, 100 minutes version of Christopher Marlowe’s sex, power and violence fest, Evans has certainly jumped in at the deep end (literally so at one point, which you won’t miss!). The noblemen of England disapprove of the king’s flamboyant "friend", Gaveston (Eloka Ivo, blessed Read more ...
Helen Hawkins
The return of Mike White’s hit series can be celebrated for one major reason: its extraordinary music. That may sound like a minor reason, but this third iteration of the show confirms that the show's sound world is key to its success.Composer Cristobal Tapia de Veer has, in each season, created uniquely bewitching sounds that are variously sinister, playful and melodramatic. Inventively using pan pipes and flutes plus a menagerie of feral noises and vocals, fleshed out with synthesizers, this audio backdrop mirror the location, its fauna as well as its musical traditions. Over the opening Read more ...
aleks.sierz
Since when has new writing become so passionless? Mike Bartlett is one of the country’s premiere playwrights and his new play, Unicorn, is about radical sexuality and desire. It’s already made a big splash by being put straight on in the West End, yet the experience of watching it feels like a real turn off. It’s a masterclass of bad writing and unemotional acting.And this despite a star cast, led by Nicola Walker and Stephen Mangan, which means fans of Abi Morgan’s BBC series The Split are buying tickets in droves. They will be delighted by some of Bartlett’s spiky dialogues, although I Read more ...
Thomas H. Green
Rooted in South African electronic styles such as kwaito, amapiano and gqom, the music of Moonchild Sanelly also shows a rich in awareness of US and European hip hop and pop.Initially a product of Durban’s poetry scene, Sanelly, born Sanelisiwe Twisha, spent years building a reputation there and in Johannesburg, before coming to wider attention when Beyoncé featured her on her Lion King soundtrack. She signed to the forward-thinking Transgressive label in 2020, and her second album for them, her third in total, bounces with her trademark sex-positivity and booty-shaking beats’n’bass.There are Read more ...
Markie Robson-Scott
Iris (Laure Calamy) and her husband Stéphane (Vincent Elbaz) haven’t had sex for four years. Waiting at school for the parent-teacher conference (they have well-behaved daughters aged ten and 15), she bemoans this fact to a friend, though, she maintains, she has no intention of leaving him.“Have you considered taking a lover?” asks a mother (Olivia Côte) who’s overheard her. There are apps, she tells Iris, even ones specifically for married people. No sooner said than done. From then on, Iris’s phone doesn’t stop buzzing.It’s Raining Men, (Iris et les Hommes is its more elegant French title) Read more ...
Gary Naylor
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught in a white lie and bought them a bag of sweets to smooth things over. It’s a saying that betokens bad behaviour, a need to sweep things under the carpet, portending a fresh start. There’s an edge of power in it too, implying that the speaker can now define their interlocutor’s feelings. In short, it’s ugly.So too is the play of the same name, a soi disant "problem play", Shakespeare at his more mean-spirited, sometimes giving the impression of indulging in a bit Read more ...
Nick Hasted
Robert Crumb puts America’s racist, misogynist Id on paper with self-implicating obsession. Terry Zwigoff’s 1995 documentary on the underground cartoonist and his even further out family is reissued as the channels for such purging, pungent art have contracted further, zealously policed by Left and Right dreams of moral perfection.Filmed over eight years, Zwigoff shows the Philadelphia housing project where the Crumb family lived an outwardly respectable, privately maniacal post-war life, and Robert sketching the late 20th century streets of San Francisco, site of his early triumph with Read more ...
Adam Sweeting
Jenna Coleman seems to pick her roles with care, whether it’s Queen Victoria, the girlfriend of mass murderer Charles Sobhraj in The Serpent, or “occult detective” Johanna Constantine in The Sandman, but her antennae may have been a bit awry when she climbed aboard this one.The Jetty is long on atmosphere and scenery but short on plausibility, and hammers away at its themes of abused women and abusive men so relentlessly that there’s not much room for anything else.The plot is kick-started by an arson attack at a lakeside boathouse, but screenwriter Cat Jones’s plan was to use this to ignite Read more ...
Ismene Brown
Times change, people don't. Does a knighthood sit well on a man who shags anonymous strangers in the Blue Lion out of hours? Emlyn Williams played his own fruity lead when his play Accolade premiered in 1950 - Bill Trenting, a hugely successful writer of seamy bestsellers who (improbably) is about to be knighted and (still more improbably) won the Nobel Prize for Literature, but who will be publicly exposed for his double life enjoying promiscuous stranger-sex in Rotherhithe bars, if he doesn't pay his blackmailer. Sir William, as everyone must now get used to calling him, is on arguably Read more ...
Nick Hasted
Isabelle (Eva Green) leans over, her long hair catches fire from a candle, and Matthew (Michael Pitt) devotedly snuffs it out. She doesn’t miss a beat at this real-life accident, consumed already by The Dreamers’ closed world of a Left Bank apartment in May ’68, where sexual transgression stands for the barricades and baton charges outside.Bernardo Bertolucci’s adaptation of Gilbert Adair’s novel The Holy Innocents emphasises straight over gay sex, and further infuses it with cinephilia. Naïve American Matthew, bee-stung lips pursed and head tilted towards adventure, crosses the Seine to the Read more ...
Helen Hawkins
What would happen if a notorious misogynist actually fell in love? With a glacial Danish librarian? And decided his best means of getting this woman’s attention was to ask his worst enemy, a leading feminist academic, for help?These probably aren’t questions most people would prioritise, but the Australian playwright Van Badham did and then fashioned her answers into a satirical comedy, Banging Denmark. It fills the little Finborough space very adequately, though it recedes in the memory somewhat once its excellent cast have taken a bow.The piece opens with a young man at home in his Read more ...
Gary Naylor
In a too brightly tiled Gentlemen’s public convenience (Nitin Parmar’s beautifully realised set is as much a character as any of the men we meet), a lad is shaving his head. He’s halfway to the skinhead look of the early Seventies, but he hasn’t quite nailed it – he's too young to know the detail.Another walks in, older, confident to the point of arrogance, looking not just for another man, but for this particular man-child. Handing over a pair of oxblood DMs with the garish red laces, he doesn’t just complete the boy’s outfit, he inducts him into the two worlds that he will Read more ...