sat 07/12/2019

sex

Don Giovanni, Longborough Festival Opera review - Mozart in the urinal

One of the features of the converted barn that forms the theatre at Longborough is a trio of statues that tops the front pediment of the building: Wagner, flanked by Verdi on the right and Mozart on the left. No one could question Wagner:...

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Support the Girls review - working class dramedy misses edge

A rambling portrait of 24 hours in the life of Double Whammies, an American sports bar where the waitresses entertain their TV-watching patrons by dressing in skimpy tops and tiny shorts. Apparently this is categorised as a ‘breastaurant’ (my...

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Hiromi Kawakami: The Ten Loves of Mr Nishino review - Don Juan as a salaryman

My first, beguiling taste of Hiromi Kawakami’s fiction came when, in 2014, I and my fellow-judges shortlisted Strange Weather in Tokyo for the Independent Foreign Fiction Prize. That delicate, unsettling tale of a romance between a younger woman and...

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CD: Whitesnake - Flesh & Blood

Whitesnake were always the most absurdly priapic of the successful Eighties heavy rockers. It was therefore with some glee that this writer approached their 13th studio album. In the snowflake age, where offence is taken at the slightest politically...

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10 Questions for actress and playwright Nicôle Lecky

Nicôle Lecky’s one woman show Superhoe has added fire to the reputation of an already fast-rising actress and writer. Based around Sasha, a Plaistow girl who aspires to pop stardom, it’s a clear-eyed, very modern play, filled with its central...

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Betrayal, Harold Pinter Theatre review - Tom Hiddleston anchors a bold, brooding revival

The grand finale of Jamie Lloyd’s remarkable Pinter at the Pinter season is this starry production of one of the writer’s greatest – and certainly most personal – works, inspired by his extramarital affair with Joan Bakewell. The 1978 play is...

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Leaving Neverland: Michael Jackson and Me, Channel 4 review - sordid revelations from the court of the King of Pop

Not just the Peter Pan of Pop, but also its very own Houdini. With the aid of shed-loads of money, an illusion-spinning PR machine and the most aggressive lawyers that money could buy, Michael Jackson managed to make it to his premature exit in 2009...

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Lou Sanders, Soho Theatre review - shame put under the spotlight

Have you ever felt the hot shame of saying or doing the wrong thing? Not just embarrassment – that's for amateurs, says Lou Sanders in her wonderfully honest and revealing show Shame Pig, in which she essays some of her life's red-faced moments....

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CD: Royal Trux - White Stuff

It's 18 years since the last Royal Trux album, but it might just as well be 18 months, so easily have they slipped back into their sound. OK, Neil Hegarty and Jennifer Herera have been gigging together again on and off since 2015, but even so it's...

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Mektoub, My Love: Canto Uno review - cold carnal overdose from Kechiche

Abdellatif Kechiche, the Tunisian-French director, is perhaps best known for the lengthy and explicit sex scenes in La vie d’Adèle (Blue is the Warmest Colour). His latest film opens, slam in your face, with a sequence of passionate love-making:...

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Adam Riches Is The Guy Who..., Drink, Shop & Do review - super-suave Lothario on the prowl

The first line of this show is “I'm the guy who you meet right after you come out of a long-term relationship.” On the night I see The Guy Who..., Adam Riches has three tries with it before he meets his target, a woman who has been dumped by a...

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Burning review - an explosive psychological thriller

Burning, which is the first film directed by the Korean master Lee Chang-dong since 2010’s Poetry, begins as the desultory story of a hook-up between a pair of poor, unmotivated millennials – the girl already a lost soul, the boy a wannabe writer...

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