LSO
Classical CDs Weekly: Bartók, Brahms, Copland, Wien-Berlin Brass QuintetSaturday, 23 January 2016
Brahms: Violin Concerto, Bartók: Violin Concerto No 1 Janine Jansen (violin) Orchestra dell'Accademia Nazionale di Santa Cecilia, London Symphony Orchestra/Antonio Pappano (Decca)Coupling music by Brahms and Bartók makes enormous sense, given the... Read more... |
Kavakos, Bullock, LSO, Rattle, BarbicanThursday, 14 January 2016
If the London Symphony Orchestra sounded simply magnificent in this programme of 20th century French music, it was their restraint that caught the ear rather than the demonstration of an orchestral engine at full throttle for which they are justly... Read more... |
Pelléas et Mélisande, LSO, Rattle, BarbicanSunday, 10 January 2016
Debussy’s Pelléas et Mélisande is a drama played out in shadow. Shine too bright, too unyielding a directorial light on it, and the delicate dramatic fabric – all unspokens and unspeakables – frays into air. Just over a year ago, director David... Read more... |
Opinion: The new London hall - 10 Questions we need to askWednesday, 06 January 2016
So the feasibility study for the new concert hall – The Centre for Music – has finally surfaced, a little later than planned. It’s being greeted, generally speaking, as if it’s to be the next London Olympics. “A global beacon,” declares the Evening... Read more... |
Best of 2015: Classical ConcertsSaturday, 26 December 2015
The musical future looks bright indeed, at least from my perspective. There are more classical concerts than ever going on across the UK on most days of the year, so who can know with any authority what might have been missed? Yet each of... Read more... |
Pires, LSO, Harding, BarbicanThursday, 17 December 2015
Imagine knowing Hamlet as a four-act play, or The Ambassadors without its bottom third. Imagine Mozart’s Requiem as a torso that halts eight bars into the Lacrymosa, or Mahler’s Tenth as the lone Adagio (as, indeed it too often appears). We... Read more... |
Benedetti, LSO, Gaffigan, BarbicanSaturday, 07 November 2015
A full house for a premiere performance: Wynton Marsalis bucks the trend in contemporary music. He’s an established name, more for his jazz than his classical work. But in recent years he has produced a substantial body of orchestral music, so the... Read more... |
10 Questions for Nicola Benedetti and Wynton MarsalisTuesday, 03 November 2015
He’s an American jazz giant; she’s a Scottish doyenne of the classical violin. Anyone familiar with one more than the other – and that’s more or less everyone – would do a double take to see their names on the same bill. But this week at Barbican... Read more... |
Bronfman, LSO, Gergiev, BarbicanMonday, 12 October 2015
Stravinsky and Bartók both escaped Europe at the start of the second world war to live in the USA. For Stravinsky it was the start of 30 years of mostly happy exile, while Bartók was to survive for only five years. Works from their time in America... Read more... |
Perahia, Richter, LSO, Haitink, BarbicanMonday, 21 September 2015
Last night's perfectly-judged, superbly communicated performance of Mahler's Fourth Symphony served as a reminder that the passion, experience and astonishing musicality of 86-year-old conductor Bernard Haitink are things to be cherished and never... Read more... |
Prom 14: Prokofiev Piano ConcertosWednesday, 29 July 2015
Gergiev’s programme for this concert raised eyebrows when the Proms were announced: all five Prokofiev piano concertos, presented in chronological order, over the course of a long evening. As it turned out, he had some good reasons for his plan. The... Read more... |
Zimerman, LSO, Rattle, BarbicanFriday, 03 July 2015
Over the past decade Krystian Zimerman and Sir Simon Rattle have created and evolved a performing idea of Brahms’s D minor piano concerto which is still remarkable for its considered weight and grimly imposing grandeur, Michelangelo’s Mosè in... Read more... |
