thu 21/11/2019

Mahler

Orchestra dell'Accademia Nazionale di Santa Cecilia, Pappano, Barbican review – joy in despair

As one half of British politics convulsed into a deeper spasm of suicidal fury, it came almost as a relief to hear a great Anglo-Italian conductor lead an impassioned Roman orchestra in a massive, terrifying symphony once described by a (German)...

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Classical CDs Weekly: Mahler, Schumann, Tamara Stefanovich

 Mahler: Symphony No 7 Budapest Festival Orchestra/Ivan Fischer (Channel Classics)“It is my best work and it has a cheerful character.” So said Mahler about his Symphony No 7, and on the basis of this exuberant, feisty performance, Ivan Fischer...

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LSO, Rattle, Barbican review - inner magic eventually joins outward mastery

Nearly 17 years ago, Simon Rattle inaugurated his era at the helm of the Berlin Philharmonic with Mahler's Fifth Symphony. It couldn't hope to possess the thrill of discovery which had marked his Birmingham Mahler – after all, the Berliners had long...

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Soltani, LPO, Gardner, RFH review – disciplined and dynamic accounts

No successor has yet been named to Vladimir Jurowski as Principal Conductor of the London Philharmonic, so it is interesting to note that Edward Gardner is making several appearances with the orchestra this season. The two conductors are similar in...

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Classical CDs Weekly: Mahler, Sibelius, Simon Thacker's Svara-Kanti

 Mahler: Symphony No 3 Düsseldorfer Symphoniker/Adam Fischer, with Anna Larsson (alto) (Tonhalle Düsseldorf)Mahler's vast Symphony No 3 is his longest and most ungainly on paper, but on record it’s one of the easiest to get right. At least I...

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Faust, Matthews, LSO, Haitink, Barbican review - glimpses of heaven

Vibrant rustic dancing to conclude the first half, a heavenly barcarolle to cast a spell of silence at the end of the second: Bernard Haitink's 90th birthday celebrations of middle-European mastery wrought yet more magic in Dvořák and Mahler after...

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Kulman, Skelton, BBCSO, Oramo, Barbican review - romantic sign-offs

Time was when the BBC Symphony Orchestra played austerely wholesome programmes of modern and romantic classics to third-full houses. Now on a more varied diet – such as the collaboration with Neil Gaiman and Alwyn's Miss Julie in concert announced...

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Vienna Philharmonic Orchestra, Ádám Fischer, Barbican review - ferocious Mahler 9 without inscape

Give me some air! Stop screaming at me! Those are not exclamations I'd have anticipated from the prospect of a Vienna Philharmonic Mahler Ninth Symphony, least of all under the purposeful control of Ádám Fischer. Less well known here than his...

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Elīna Garanča, Malcolm Martineau, Wigmore Hall review - towards transcendence

It seems an almost indecent luxury to have heard two top mezzos in just over a week with so much to express, backed up by the perfect technique and instrument with which to do so. Georgian Anita Rachvelishvili with Pappano and the Royal Opera...

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Classical CDs Weekly: Mahler, Saint-Saëns, Danish National Vocal Ensemble

 Mahler: Symphony No 6 Berlin Philharmonic Orchestra/Sir Simon Rattle (Berliner Philharmoniker Recordings)This lavish box set documents Sir Simon Rattle’s final appearance as the Berlin Philharmonic’s principal conductor: his performance of...

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Kempf, Devin, St Petersburg Philharmonic, Sinaisky, Symphony Hall, Birmingham review - aglow but not alight

In the fourth performance of their UK tour, with Vassily Sinaisky replacing an indisposed Yuri Temirkanov, the St Petersburg Philharmonic gave a warm and rousing performance at Symphony Hall, Birmingham. Prokofiev’s First Symphony – written in "...

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Alice Coote, Christian Blackshaw, Wigmore Hall review – deep feeling and high drama

In the recital world, so it sometimes seems, no good deed ever goes unpunished. Like Ian Bostridge (another singer who tries to reinvigorate an often rigid format), Alice Coote often has to fend off brickbats whenever she inject the drama of new...

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