Mexico
Jasper Rees
Miss Bala, just to clear it up at the start, does not concern itself with beauty pageants. Or not like Miss Congeniality. Beauty is indeed involved in the form of Laura, a pretty young Mexican woman from a poor family who aspires to win the crown of Miss Baja California. Never has the advice to be careful what you wish for been more apposite. Confronting beauty there is a beast in the form of the organised drugs trade which corrodes and toxifies all who come near it: police, military, civilians, indeed the whole body politic in a country which, in the final credits, advises that 36,000 lives Read more ...
Sarah Kent
A single snare drum greets you on entry to the Serpentine Gallery; there’s no one playing it, yet in response to an inaudible cue, the drumsticks begin to vibrate autonomously. Meanwhile on a nearby wall, a pair of blue rubber gloves revolves slowly as if searching for something; every now and then they take on the shape of human hands, as though embodying the gestures of the absent drummer.The various parts of Anri Sala’s installation are in continual dialogue with each other, and the uniting factor is sound. The ghostly drumsticks are activated by low frequency vibrations emanating from the Read more ...
judith.flanders
Ex-voto paintings are a tradition in Mexico, an offering of gratitude to God and the saints for answered prayers, row after row of them lining the walls of Mexican churches, testifying to the congregations’ devotion, and to the enduring link between man and the spiritual. In artistic terms, however, these paintings, which have been created from the 16th century onwards, are one of the great national archives of folk art, extraordinary depictions of ordinary people: a moving, comic, tragic, epic narrative that is not to be missed.Ex-votos, or retablos, began to be painted in the 16th century, Read more ...
Nick Hasted
A Better Life is Bicycle Thieves remodelled for modern LA. Vittorio De Sica’s iconic 1948 film about an Italian father and son living over a precipice of poverty sadly requires adjustment only in its details, the theft of a bicycle the father needs to seek work here updated to a stolen truck. Director Chris Weitz has parlayed the success of his vampire franchise hit Twilight: New Moon into this virtual remake set in Latino LA, the often illegally present half of the city’s population its wealth depends on. Their status in Hollywood is shown by the endless movies dismissing them as Manuel- Read more ...
howard.male
The larger-than-life Camilo Lara of The Mexican Institute of Sound
The downside of this job is that because new CDs are dropping through the letterbox every day, a lot of stuff inevitably gets consigned to the archives and forgotten about, when it really shouldn’t be. So when I heard that The Mexican Institute of Sound (aka Mexico City’s Camilo Lara) was rather belatedly playing live in London for the first time (his last album was released two years ago), it was an excuse to reacquaint myself with his recorded works to see if they were as good as they seemed at the time. The good news is that they are, but the less good news is that this concert didn’t Read more ...
igor.toronyilalic
Being a composer of contemporary classical music is a treacherous business. It's about the only art form in which stylistic choices can still force a creator into permanent exile. Two composers who have fallen foul of the British house style in recent decades and have sought musical asylum in America and Europe, Brian Ferneyhough and James Clarke, were receiving an extremely rare London premiere of their new string quartets at the Wigmore Hall last night. And you could see why Britain had shown them the door.James Clarke's Second String Quartet (2009) was thrillingly, almost treasonably, un- Read more ...
judith.flanders
The show opens with his iconic 1991 piece, My Hands are My Heart, a double photograph of Orozco’s naked torso. In the first photograph his hands clutch a hidden object at chest-height; in the second the hands splay open to present to the viewer a piece of clay, now impressed with his fingermarks in the shape of a heart. In two simple images, Orozco encapsulates the artist’s act of creation, and then of offering the creation to the viewer. It is simple, and touching in its simplicity.Much of his work relies on this type of essentialism: he uses found materials, recycled objects, to make Read more ...
neil.smith
It is not uncommon for opportunistic film-makers to put together a flashy promo in the hope it will attract enough investors to turn it into a full-length feature. When Robert Rodriguez made the Machete trailer for 2007 double-bill Grindhouse, though – an all-action spoof featuring striking bit-part actor Danny Trejo as its titular knife-wielding protagonist – he had no intention of taking this parodic in-joke any further.Watch the original Machete trailer:Three years on and countless fan entreaties later, Rodriguez has expanded that earlier gambit into a 104-minute opus whose “strong bloody Read more ...
Adam Sweeting
Trumpeter, businessman and artist Herb Alpert in his easy-listening heyday
I used to have a childhood fascination with the music of Herb Alpert, because I liked the tunes and always felt there was a hint of melancholy behind Herb’s breezy, nonchalant exterior. Everybody else found Alpert laughably cheesy, but happily, this excellent documentary proved that I was right all along by building a watertight case for regarding him as something of a neglected legend.Not neglected by the record-buying public, of course, because Alpert’s string of Tijuana Brass albums in the 1960s made him the top-earning act in the USA for a three-year period. In 1966, four of Alpert’s Read more ...
sue.steward
Edward Weston's 'Golden Circle Mine, Death Valley', 1938
Edward Weston was once obsessed with photographing "toilets" (his word) and did it repeatedly in pursuit of the perfect image. "That gloss enamelled receptacle of extraordinary beauty" is how he described the scuzzy lav at the Gold Circle Mine in Death Valley, and seemingly near-orgasmic with excitement, said it was "an absolute, aesthetic response to form". That statement wasn’t about toilets alone, of course; this legend of American photography was, understandably, a perfectionist in every thing he photographed. But he was also, during the early years of this collection of 37 prints (1920s Read more ...
judith.flanders
In 1994, Francis Alÿs joined the regular hiring-line in the central square in Mexico City. Standing next to plumbers and carpenters with their hand-lettered signs touting their skills, his sign read "Turista", as he offered his ability to be an outsider looking in. Three years later, he returned to the square, the centre of city life, and the site of the annual Independence Day parade, and the "Grito de Dolores", the patriotic ringing of the bells at the National Palace which up to half a million people attend. For Alÿs's own Patriotic Tales, his parade is smaller, as he walks around the Read more ...
Ismene Brown
Since the passing of Luciano Pavarotti, there’s been a gigantic hole for a tenor of gold-plated opera chops and the gift of communication, and Rolando Villazón - young as he is, at only 38 - already appears to have sealed that gap up effortlessly. His stint as judge on the lamentable Popstar to Operastar on ITV recently left everyone tarnished but him. Villazón not only has a dazzling voice and uniquely electric hair, but sports about on the platform with a puppyish vivacity that brings dead places to life around him and endears him widely. Roger Federer meets Groucho Marx, said my companion Read more ...