thu 13/12/2018

mezzos

L'heure espagnole, Mid Wales Opera review - Ravel goes like clockwork

Mid Wales Opera makes small-scale touring look fun – even when you suspect that, behind the scenes, it really isn’t. Barely 24 hours before this performance of their current production of Ravel’s L’heure espagnole, and 11 dates into their current 16...

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Verdi's Requiem, Royal Opera, Pappano review - all that heaven allows

Here it comes - get a grip. The tears have started flowing in the trio "Quid sum miser" and 12 minutes later, as the tenor embarks on his "Ingemisco" solo, you have to stop the shakes turning into noisy sobbing. The composer then lets you off the...

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Uchida, Connolly, Skelton, LPO, Jurowski, RFH review – songs of farewell

Not all composers require the finger of mortality pointing at them to develop what becomes a late style. Charges of detachment and even indifference have been levelled at the B flat major Piano Concerto K595 which Mozart completed early in the year...

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Prom 71, DiDonato, Tamestit, ORR, Gardiner review - concert Berlioz as bracing theatre

How do you make your mark in a crucial last week after the Olympian spectaculars of Kirill Petrenko's Proms with the Berlin Philharmonic? Well, for a start, you stay true to recent principles by getting as many of your period-instrument Orchestre...

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Proms at...Cadogan Hall 7, Giunta, Sikich, review - dazzlement in Bernstein and beyond

“What drivel! What nonsense! What escapist Techicolor twaddle!” No, not a description of Wallis Giunta’s scintillating BBC Proms at Cadogan Hall recital, it’s a lyric from “What A Movie”, Leonard Bernstein’s outstanding stand-alone number from his...

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Proms at...Cadogan Hall 4, Connolly, Middleton review - perfect partnering in the unfamiliar

“It has a music of its own. It produces vibrations.” Oscar Wilde was being ironic when he had Gwendolen contemplate the sound of her beloved’s drab name in The Importance of Being Earnest, but he had a point when it comes to composers and poetry....

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Classical CDs Weekly: Martin, Martinů, Vivaldi, 4 Girls 4 Harps

 The Secret Mass: Choral works by Frank Martin and Bohuslav Martinů Danish National Vocal Ensemble/Marcus Creed (OUR Recordings)We're lucky to be able to hear Frank Martin’s Mass for two four-part choirs at all; this most fastidious and self-...

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La finta semplice, Classical Opera, QEH review - consummate musicianship stokes early Mozart

You can always be sure of impeccable casting and spirited playing as Ian Page takes his Classical Opera through Mozart year by year. Just don't expect more than the glimmer of genius to come in 1768, though. It doesn't matter in those admirable...

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Karen Cargill, Simon Lepper, Wigmore Hall review - opulence within bounds

Singing satirist Anna Russell placed the French chanson in her category of songs for singers "with no voice but tremendous artistry". Mezzo Karen Cargill has tremendous artistry but also a very great voice indeed, a mysterious gift which makes her...

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Coraline, Royal Opera, Barbican review - spooky story, underwhelming score

With the eyes of musical fashion turned relentlessly on the calculating stage works of chilly alchemist George Benjamin, hopes ran high for a brighter spark in a new opera by his contemporary Mark-Anthony Turnage. Would Coraline, a music-drama for...

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Hallenberg, LSO, Gardiner, Barbican review - palpitating Schumann and Berlioz

Violins, violas, wind and brass all standing for Schumann: gimmick or gain? As John Eliot Gardiner told the audience with his usual eloquence while chairs were being brought on for the Berlioz in the first half of last night's concert, Mendelssohn...

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Joyce DiDonato and Brentano Quartet, Wigmore Hall - not enough variety

Even for a singer as driven, communicative and self-reliant as Joyce DiDonato, the song recital with string quartet is a bold step. Whereas an endless repertoire of songs with piano exists, there is virtually nothing off-the-peg for singer and...

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