fri 21/02/2025

Minimalism

Album: Park Jiha - All Living Things

Park Jiha is a super-talented and gloriously inspired Korean multi-instrumentalist. Her new album follows Philos (2018) and The Gleam (2022) and continues to mine a rich vein of Korean tradition, which she filters through a contemporary aesthetic....

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Album: Fantastic Twins - Suite of Rooms

This album is SHORT. At 27 minutes and just five tracks, one might wonder why Julienne Dessagne (this is a solo act) didn’t call it an EP. But maybe this is a good way to go in the trenches of the modern attention wars. It set me to thinking about...

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Music Reissues Weekly: Arvo Pärt - Tabula Rasa

In 2022, Spritualized’s Jason Pierce described his musical goal as "trying to find somewhere between Arvo Pärt and The Stooges.” Amongst the most arresting and explicitly Pärt-styled results of this quest to link the minimalist composer with Iggy...

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Art, Theatre Royal Bath review - Yasmina Reza's smash hit back on tour 30 years after Paris premiere

For men, navigating through life whilst maintaining strong friendships is not easy (I’m sure the same can be said for women, but Yasmina Reza’s multi-award winning play, revived on its 30th anniversary, is most definitely about men). What brings...

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Album: Isabell Gustafsson-Ny - Rosenhagtorn

In a discussion recently a friend compared generative AI to self-driving cars back in 2017: the makers were convinced, perhaps rightly, that they had solved 99.9% of the problem, and therefore would have a viable product within the year. The problem...

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Album: Jeff Mills - The Eyewitness

Jeff Mills has always been a musical sophisticate. Even in the early 90s when he was best known for derangedly pummelling techno DJ sets in the most insalubrious of sweat-pits, and even though his minimalist production style back then was used as a...

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Album: Anoushka Shankar - Chapter II: How Dark It Is Before Dawn

We’ve come a long way since 1971, when the audience at Madison Square Garden for the Concert for Bangladesh applauded when Ravi Shankar tuned up. Western audiences were first exposed to the sitar in 1965 when George Harrison played one on Rubber...

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Uproar, Rafferty, Royal Welsh College, Cardiff review - a rare spring in the new music step

It’s not often one comes out of a concert of mainly new works with a spring in one’s step. A sigh of relief is rather more usual. But this concert on Thursday by the Welsh new music ensemble Uproar was an exception, partly but by no means...

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Album: Laetitia Sadier - Rooting for Love

It must be kind of unreal living in the Stereolab universe.A band of geeky introverts, beloved of the type of hairclip-and-satchel indie ultras a friend of mine used to call “the Scooby Gang” for their tendency to resemble Shaggy and Velma, over the...

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When Forms Come Alive, Hayward Gallery review - how to reduce good art to family fun

Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press...

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Paraorchestra, Hazlewood, Southbank Centre review - re-thinking the orchestral experience

The Clore Ballroom at the Southbank Centre is usually an open-plan space within the foyer, a little ambiguous in its extent and purpose. Last night, for the first time, I saw it enclosed and separated off, ambiently lit and full of smoke, for the...

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Scottish Chamber Orchestra, Currie, Queen’s Hall, Edinburgh review - maximum minimalism

Chameleon among orchestras, the Scottish Chamber Orchestra hung up its habitual classical cloak in favour of an evening of 20th and 21st century minimalism, curated, presented, and conducted by the star percussionist Colin Currie.That this was a...

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