thu 09/01/2025

modernism

Birmingham Contemporary Music Group, CBSO Centre, Birmingham

Oliver Knussen: A career devoted too selflessly to other people’s music

This latest BCMG concert had its pleasures; and it had its irritations. Among the pleasures was a pair of works, one of them newly commissioned, by the under-performed Japanese composer Jo Kondo. The irritations were of the BBC variety: long pauses...

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Mona Hatoum: Bunker, White Cube Mason's Yard

The latest exhibition from Beirut-born, sometime Turner Prize-nominee Mona Hatoum – best known for sending a camera through her inner tubes and projecting the results – explores themes of displacement and geographical and political tension. I know...

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Arditti Quartet, Wigmore Hall

Being a composer of contemporary classical music is a treacherous business. It's about the only art form in which stylistic choices can still force a creator into permanent exile. Two composers who have fallen foul of the British house style in...

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Modern British Sculpture, Royal Academy

Rebecca Warren's 'Helmut Crumb', 1999, conflates the names Helmut Newton and Robert Crumb and depicts female sexuality as imagined through both artist's eyes

Austere, elegant, impressive. Edwin Lutyens’s Whitehall Cenotaph is a thing of beauty, a monument that embodies permanence in the face of all that is impermanent, and solidity in the face of all that is ephemeral. It’s an inspired decision to bring...

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Birmingham Contemporary Music Group, CBSO Centre, Birmingham

Tansy Davies: Like an over-stimulated teenager who has learnt how far one can go too far

The Birmingham Contemporary Music Group does star concerts, which fill (or nearly) the CBSO Centre; and they do old-fashioned New Music concerts, which don’t quite empty it, but leave one wondering who exactly – if anyone - some of the works being...

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Kafka Fragments, Barbican Hall

Dog eat dog: 'David Michalek's images dominate the projected backdrop'

A 70-minute song cycle for soprano and violin, the Kafka Fragments is the magnum opus (the irony of its miniature forms seems entirely deliberate) of György Kurtág, a composer known for the inscrutability of his music. His lines arrive at the ears...

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theartsdesk Q&A: Composer James Dillon

Glaswegian James Dillon (b 1950) is one Britain's most critically acclaimed living composers. Early detours as a drunken and drug-taking wastrel gave way to what he calls "musical terrorism". By which he means his blistering career as one of the...

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Shadow Catchers: Camera-less Photography, Victoria & Albert Museum

Adam Fuss, with 'Invocation', above, is among the five photographers who have returned to the pioneering age of camera-less photography

Camera-less photography isn’t, as some might think, a 20th-century invention, discovered by experimental Modernists such as Moholy-Nagy and Man Ray. Thomas Wedgwood, before the invention of the camera and at the very beginning of the 19th century,...

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Håkan Hardenberger, Wigmore Hall

The first phrase of the first piece by Georges Enescu - silken, expressive, rounded, breathed to perfection - established a very good case for Håkan Hardenberger being the greatest living trumpeter. The rest of his Wigmore Hall recital established a...

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The Country, Arcola Theatre

Adultery has had a good press recently. Websites such as meet-to-cheat.com, illicitencounters.com and lovinglinks.co.uk have been in the news, and statistics suggest that more of us are being unfaithful than ever before. But although adultery is a...

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Diaghilev and the Golden Age of the Ballets Russes, 1909-1929, V&A

Museum shows don’t often evoke a sense of smell, but without even trying, this Ballets Russes exhibition has visitors’ nostrils flared. The show is – intentionally – a feast for the eye, and even for the ear, with ballet scores (sometimes rudely...

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Edward Weston, Chris Beetles Gallery

Edward Weston's 'Golden Circle Mine, Death Valley', 1938

Edward Weston was once obsessed with photographing "toilets" (his word) and did it repeatedly in pursuit of the perfect image. "That gloss enamelled receptacle of extraordinary beauty" is how he described the scuzzy lav at the Gold Circle Mine in...

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