music industry
London Film Festival 2024 - Angelina Jolie does Maria CallasThursday, 24 October 2024
MariaHow do you solve a problem like Maria? Pablo Larrain’s film picks up the daunting challenge of evoking the life but above all the myth of La Callas, one of a handful of opera legends who have broken the highbrow barrier to become truly... Read more... |
Since Yesterday review - championing a neglected female music sceneMonday, 21 October 2024
Since Yesterday: The Untold Story of Scotland's Girl Bands is one of those films that, perhaps embarrassingly, feels very necessary. An examination of the history of solely all female bands in Scotland since the 1960s, it is a great demonstration of... Read more... |
The Band Back Together, Arcola Theatre review - three is a dangerous numberMonday, 16 September 2024
We meet Joe first at the keys, singing a pretty good song, but we can hear the pain in the voice – but is that the person or the performance? When Ellie walks in, he leaps up like a cat on a hot tin roof, nervous as a kitten, and we know –... Read more... |
Frankie Goes To Bollywood, Southbank Centre review - lots of lights, but a dull showMonday, 05 August 2024
In the 1960s, Cilla Black was rescued from hat check duties at The Cavern and made a star. In the 1980s, Rick Astley was whisked away from tea-making at the Stock-Aitken-Waterman studios to launch, 30 years later. a billion RickRolls. In the 2020s,... Read more... |
DVD/Blu-Ray: Back to BlackTuesday, 02 July 2024
Sam Taylor-Johnson’s biopic Back to Black, written by Matt Greenhalgh and starring Marisa Abela (Industry) as Amy Winehouse, has been criticised for its soft-focused approach.And its sympathetic portrayals of Blake Fielder-Civil (a punchy Jack O’... Read more... |
The Hills of California, Harold Pinter Theatre - ladies' night for Jez ButterworthSaturday, 17 February 2024
Art makes for unexpected bedfellows, and so it proves in Jez Butterworth's moving if meandering The Hills of California. Butterworth's first play in seven years owes a lot more to as unexpected a source as the musical Gypsy than it does to such... Read more... |
Just For One Day, The Old Vic review - clunky scenes and self-conscious exposition between great songsThursday, 15 February 2024
So, a jukebox musical celebrating the apotheosis of the White Saviour, the ultimate carnival of rock stars’ self-aggrandisement and the Boomers’ biggest bonanza of feelgood posturing? One is tempted to stand opposite The Old Vic, point at the... Read more... |
Album: Matt Berry - SimplicitySaturday, 18 November 2023
I usually find it useful to listen to the music before I tackle the often bile-inducing press release that generally taints each launch. Admittedly, it's a hard job to sell music without veering into hyperbole and very few achieve it. Why am I... Read more... |
Manic Street Creature, Southwark Playhouse review - songs in the key of a traumatised lifeFriday, 27 October 2023
There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling,... Read more... |
Ain't Too Proud, Prince Edward Theatre review - Temptations musical is none too temptingSaturday, 22 April 2023
Ain’t Too Proud? Ain’t too good either, I’m afraid. Which is a shame as there’s plenty of the raw material here that powers juggernaut jukebox musicals around the world, but this production has the feel of a cruise ship show with a much tighter band... Read more... |
Hallyu! The Korean Wave, V&A review - frenetic but funTuesday, 27 September 2022
Remember Gangnam Style, the music video that went viral in 2012? PSY’s cheeky lyrics and daft moves attracted 1.6 billion hits on YouTube, sparked dozens of parodies and turned the world on to K-pop. And that was just the beginning; K-pop has since... Read more... |
First Person: Michael Volpe on the utopian thinking behind his new If Opera companySaturday, 20 August 2022
“But what’s in it for you?”. It was a simple enough question, asked by an accomplished opera singer. It stemmed from hearing that the new version of the Iford Arts opera company I was running was aiming for a different kind of guiding philosophy: it... Read more... |
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