National Theatre
Hamlet, National Theatre review - turning tragedy to comedy is no jokeSaturday, 04 October 2025
The National’s latest production of Hamlet opens with a bang: a sureness of style, atmosphere and refreshing comedic effect, accompanied by a performer, Hiran Abeyeskera (The Father and the Assassin, Life of Pi), whose presence promises a night... Read more... |
The Importance of Being Earnest, Noël Coward Theatre review - dazzling and delightful queer festThursday, 02 October 2025
Star casting has, since the pandemic, done much to restore the fortunes of commercial theatre. And, when they can pull off a similar deal, the same applies to subsidised venues. If the downside is that many smaller institutions get left behind, the... Read more... |
Bacchae, National Theatre review - cheeky, uneven version of Euripides' tragedyThursday, 25 September 2025
The word "after" can be elastic when a modern writer is inspired by a classic. Nima Taleghani here stretches it to breaking point, although, to be fair his piece is also described as a new play. It is not so much "after" Euripides as a celebration... Read more... |
Inter Alia, National Theatre review - dazzling performance, questionable writingMonday, 28 July 2025
Rosamund Pike is back. For her first stage appearance since 2010, when she played Hedda Gabler in Adrian Noble’s production for Bath Theatre Royal, the Hollywood superstar has chosen Inter-Alia, Suzie Miller’s follow up to her smash hit Prima Facie... Read more... |
The Estate, National Theatre review - hugely entertaining, but also unconvincingSunday, 20 July 2025
The first rule for brown people, says the main character – played by BAFTA-winner Adeel Akhtar – in this highly entertaining dramedy, is not to let white people know how badly non-whites treat each other. This provocative statement comes towards the... Read more... |
Till the Stars Come Down, Theatre Royal Haymarket review - a family hilariously and tragically at warMonday, 14 July 2025
The 2024 play at the National Theatre that put writer Beth Steel squarely centre-stage has now received a West End transfer. Its title taken from an Auden poem urging people to dance till they drop, it’s probably the most passionate show in that... Read more... |
Nye, National Theatre review - Michael Sheen's full-blooded Bevan returns to the OlivierFriday, 11 July 2025
The National Health Service was established 77 years ago this month. Resident doctors are about to strike for more pay, long waiting lists for hospital treatment and the scarcity of GP appointments continue to dog political conversation, while the... Read more... |
Dear England, National Theatre review - extra time for stirring soccer classicWednesday, 19 March 2025
With qualifying about to begin for the soccer World Cup, and England sporting a brand new manager, it’s fitting that James Graham’s Olivier-winning celebration of the previous boss returns to the National. Unusually for a play, Dear... Read more... |
Alterations, National Theatre review - high emotional costs of ambitionSunday, 02 March 2025
Plays about the Windrush Generation are no longer a rarity, but it’s still unusual for revivals of black British classics to get the full resources of the National Theatre. Guyana-born playwright Michael Abbensetts, who died in 2016, is often... Read more... |
Ballet Shoes, Olivier Theatre review - reimagined classic with a lively contemporary feelMonday, 09 December 2024
Those with treasured battered copies of Noel Streatfield’s 1936 story of three young adopted sisters in pre-war London may have thrilled to the idea of a version coming to the National Theatre. But be warned: jolly though it is, it’s not the story... Read more... |
The Importance of Being Earnest, National Theatre review - no shortage of acid-tipped delightSaturday, 30 November 2024
If Harold Pinter’s work represents, as he slyly joked, the weasel under the cocktail cabinet, then Oscar Wilde’s represents the stiletto in the Victorian sponge – at a time when the stiletto was a slim dagger used for assassination. Beneath the... Read more... |
The Other Place, National Theatre review - searing family tragedyWednesday, 09 October 2024
Contemporary reworkings of Greek tragedy run a very particular risk, that out of context the heightened actions of the original plays – the woefully poor judgement, the copious bloodletting, the rush to disproportionate vengeance and suicide – can... Read more... |
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