National Gallery
Visions of Paradise: Botticini's Palmieri Altarpiece, National GalleryTuesday, 24 November 2015
The strikingly architectural space that forms the upper portion of Botticini’s Palmieri altarpiece is well-suited to an entrance, forming as it does a sort of triumphal arch heralding great things beyond. And so it is that for years this painting... Read more... |
DVD: National GalleryThursday, 14 May 2015
A heretical thought. Films released on the big screen are designed to be devoured in one swallow. But if ever a three-hour epic was made for consumption in bite-sized chunks, it is National Gallery, Frederick Wiseman’s discreet profile of the much-... Read more... |
Inventing Impressionism, National GalleryWednesday, 04 March 2015
Here is an exhibition that tells us how something we now take totally for granted actually came about: how our love affair with the Impressionists was masterminded by an art dealer, Paul Durand-Ruel (1831-1922). He was a prime mover in inventing the... Read more... |
National GalleryMonday, 05 January 2015
The octogenarian Frederick Wiseman is a cult documentary film maker, with his own idiosyncratic and recognisable idiom. He has both vast experience and extraordinary independence. Characteristically, he makes long, prize-winning, fly-on-the-wall... Read more... |
Maggi Hambling, National GalleryFriday, 05 December 2014
I must admit to feeling, briefly, just a little disappointed on first sight of Maggi Hambling’s Walls of Water, nine new paintings on show at the National Gallery. Perhaps it was the evocative title, which promises high drama and instant... Read more... |
Rembrandt: The Late Works, National GalleryTuesday, 14 October 2014
All human life, as they say, is here: we witness displays of warmth and tenderness in virtuous matrimony; reflection and contemplation in quiet solitude. We respond to the soft seductions of the flesh in its yielding ripeness, and we feel the pathos... Read more... |
DVD: Goltzius and the Pelican CompanyMonday, 29 September 2014
In his director’s interview for Goltzius and the Pelican Company Peter Greenaway describes the public profiles that his films have achieved over the years, dividing them into an effective A and B list. He counts his 1982 The Draughtsman's Contract... Read more... |
Making Colour, National GalleryMonday, 30 June 2014
The National Gallery has a range of personas it adopts for its exhibitions, and for this one, about colour, it has deployed the po-faced, teachy one. The pompous tone is because it’s not just about art this time, there’s science in it, which makes... Read more... |
Building the Picture, National GalleryWednesday, 07 May 2014
Viewed through an arch designed to evoke a dimly lit chapel, Lorenzo Costa and Gianfrancesco Maineri’s The Virgin and Child with Saints, 1498-1500, is strikingly legible (pictured below right). The Virgin sits on a marble throne beneath a richly... Read more... |
Veronese: Magnificence in Renaissance Venice, National GalleryThursday, 20 March 2014
The National Gallery has produced a revelatory and unprecedented exhibition which shows us an array of paintings from cabinet size to mammoth by a long acknowledged star: Veronese, probably the most flamboyantly exciting artist at the heart of... Read more... |
Strange Beauty: Masters of the German Renaissance, National GalleryWednesday, 26 February 2014
Strange Beauty: Masters of the German Renaissance finds the National Gallery in curiously reflective mood. Taking as its subject the gallery’s own mixed bag of German Renaissance paintings, the exhibition sets about explaining – and excusing – the... Read more... |
The Brits Who Built the Modern World, BBC Four / The Man Who Fought the Planners, BBC FourFriday, 21 February 2014
There really was astonishing talent on display in The Brits Who Built the Modern World (*****), as full a television panorama of the work of the five architects whose careers were under examination – Richard Rogers, Norman Foster, Nicholas Grimshaw... Read more... |
