Netflix
Drive to Survive, Season 3, Netflix review - the agony and the ecstasy of the 2020 F1 campaignSaturday, 20 March 2021
The 2020 Formula One season was all set to start in Australia last March when it was derailed by the Covid emergency. The F1 organisers insisted that they’d get the racing back on track somehow, and what sounded like foolhardy bravado was justified... Read more... |
The One, Netflix review - the downside of scientific matchmakingThursday, 18 March 2021
Readers of John Marrs’s 2017 novel The One should probably look away now, since Netflix’s dramatisation of the story bears scant resemblance to the book. The basic premise – that a corporation has invented a method of DNA testing which can match... Read more... |
Malcolm & Marie review - actorly grandstanding in beautiful black and whiteFriday, 05 February 2021
Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the... Read more... |
theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period dramaMonday, 25 January 2021
Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how... Read more... |
Call My Agent!, Series 4, Netflix review - the final bow for the Parisian showbiz saga?Friday, 22 January 2021
Sad to report, this fourth series of Call My Agent! (Netflix) will be the final outing for this caustically addictive saga of actors and their agents. The show’s unique trademark has been its success in attracting an impressive roster of A-list... Read more... |
Pieces of a Woman review - a home birth ends in tragedyFriday, 08 January 2021
This is not a film to watch if you’re pregnant. One of the first scenes, a 24-minute continuous take of a home birth that ends in tragedy, is extraordinarily powerful and painful to watch – almost unbearable sometimes – and Vanessa Kirby as... Read more... |
Best of 2020: TVTuesday, 29 December 2020
Okay, so some people taught themselves the violin or wrote a novel, but under this year’s circumstances, it was inevitable that television (terrestrial, cable, online or otherwise) was going to clean up. With large chunks of the population forced to... Read more... |
Bridgerton, Netflix review - bodice-ripper cliches recycled in Regency rompFriday, 25 December 2020
At first glance you might mistake Bridgerton (Netflix) for the latest effusion from the pen of Lord Fellowes, since it conforms so closely to the Fellowesian pattern of manners, money and mores among the English aristocracy. Even the title sounds... Read more... |
Natalie Palamides: Nate: A One Man Show, Netflix review - deep dive into toxic masculinity still has powerThursday, 03 December 2020
Edgy comedy runs the risk of discomfiting the audience so much that they can't relax and enjoy the show. But Natalie Palamides, appearing as Nate, her alter ego, in Nate: A One Man Show on Netflix, pulls it off, and then some.The show, which has a... Read more... |
Hillbilly Elegy review - misery in the heartlandWednesday, 25 November 2020
Published in June 2016, J.D. Vance’s memoir Hillbilly Elegy became a best-seller around the time of that November’s presidential election as people sought to understand why working class whites in the American heartland supported Donald Trump en... Read more... |
Sarah Cooper: Everything's Fine, Netflix review - star-studded special for Trump lip-syncerTuesday, 17 November 2020
When the world was in lockdown and performers turned to TikTok to keep in touch with their fans, Sarah Cooper started using the online platform for short videos where she lip-synced Donald Trump's speeches, and they quickly went global. Not many... Read more... |
The Crown, Season 4, Netflix review - royalty rocked by personal and political turbulenceSunday, 15 November 2020
Pre-release excitement about the fourth coming of The Crown (Netflix) has centred on Emma Corrin’s portrayal of Princess Diana, still big box-office 23 years after her death. There’s no denying that Corrin has risen heroically to the challenge of... Read more... |
