wed 28/05/2025

new writing

Collective Rage, Southwark Playhouse review - a rollicking riot

“Pussy is pussy” and “bitches are bitches” but Jen Silverman’s Collective Rage at Southwark Playhouse smashes tautologies with roguish comedy in a tight five-hander smartly directed by Charlie Parham.The play is set in New York and follows the ad...

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Paines Plough Roundabout, Orange Tree Theatre review - too brief to really rock

Hype is a dangerous thing. It often raises expectations beyond the reasonable, and disappointment inevitably follows. It also prioritises PR over artistic activity, putting the publicity cart before the creative horse, sucking energy away from plays...

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Booby's Bay, Finborough Theatre review - a bit fishy

Carry on out of London past the Finborough Theatre and you hit the A4. Follow it east as it becomes the M4, take a southern turn at Bristol for the M5 and you’re in the West Country. Bude and Bodmin, Liskeard, St Austell, Padstow, Mousehole, Newquay...

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The Open House, The Print Room review - razor wit, theatrical brio

The American family has seldom looked more desperate. Will Eno’s The Open House depicts a gathering of such dismal awfulness that it surely sets precedents for this staple element of American drama. Yet for viewers who relish humour in its most...

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Belleville, Donmar Warehouse review - prickly and unnerving

The city of love provides a backdrop for marital discord and worse in Belleville, Amy Herzog's celebrated Off Broadway play now receiving a riveting British premiere at the Donmar. The director, Michael Longhurst, is rivaling Dominic Cooke (of...

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Parliament Square, Bush Theatre, review – uncomfortable blaze of anger

The political story of our time is the upsurge in support for Jeremy Corbyn, leftwing leader of the Labour Party, mainly by young activists who are both idealistic and energetic. But what would happen if one of them decided to go freelance, and...

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Poison, Orange Tree Theatre review - study of grief is both courageous and subtle

Should Brexit ministers need help understanding the cultural mindset of their continental counterparts, they might consider a subscription to the Orange Tree, the compact Richmond producing house that is defiantly opening its arms to Europe. This...

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Soldier On: a theatrical treatment of PTSD

I was invalided out of the army in 1986. I’d been an army scholar through school and had a bursary at university. I went on to drama school then became an actor, and subsequently a writer and director. But I’ve always been passionately interested in...

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The Retreat, Park Theatre, review - funny but a bit flat

Is Buddhism a path to finding spiritual enlightenment – or just an excuse for not facing your personal problems? Given that this question is implicit in the debut play by Sam Bain, script co-writer of nine series of Channel 4’s Peep Show, as well as...

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Heather, Bush Theatre review - Harry Potter satire burns bright

Harry Potter has a lot to answer for. The phenomenal success of JK Rowling’s books, and of their film versions, and of the stage play (now set to remain in the West End for all eternity), has created a template of extravagant cultural impact that...

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Young Marx, Bridge Theatre review - fast-moving but over-complicated

Given the rather uneven record of the National Theatre at the moment, there’s already a certain nostalgia for the days, which came to an end two years ago, when it was run by the two Nicks: Nick Hytner and Nick Starr. Together, they transformed this...

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Of Kith and Kin, Bush Theatre, review - comic but confused gay surrogacy drama

A new baby is like an alien invasion: it blows your mind and it colonises your world. For any couple, parenthood can be both exalting and devastating, with the stress hugging the relationship so tightly that eventually all its lies pop out. In his...

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