new writing
The Strange Undoing of Prudencia Hart, Royal Court Theatre LocalTuesday, 16 July 2013
There’s a united nations of Great Britain feel about this site-specific Royal Court show: it is a National Theatre of Scotland piece played at the London Welsh Centre as a co-production with the top English new writing company. It’s an entertaining... Read more... |
Circle Mirror Transformation, Royal Court Theatre LocalSaturday, 13 July 2013
With site-specific shows it’s a natural urge to start by reviewing the location. And I’m not strong enough to resist this temptation. So here goes. This new piece by American playwright Annie Baker takes place at the Rose Lipman building in... Read more... |
Mint, Royal Court TheatreFriday, 05 July 2013
When any arts institution gets a new head, the media scrutiny of their first work is usually intense. The Royal Court theatre’s new artistic director, Vicky Featherstone, has defused this tension by staging not one signature play, but a season of... Read more... |
Narrative, Royal Court TheatreThursday, 11 April 2013
Anthony Neilson is the wild man of new writing. However, this reputation, which has been provoked by shock-fests such as Penetrator (1993) and Stitching (2002), belies the fact that some of his best work, such as The Wonderful World of Dissocia (... Read more... |
The Low Road, Royal Court TheatreThursday, 28 March 2013
“My honest instinct,” says Jim, the hero of Bruce Norris’s The Low Road, “is one of resentment.” And while this contemporary fable of industrious bees, aka capitalist speculators, is set in the past, and is full of good jokes, it is also laced with... Read more... |
God's Property, Soho TheatreThursday, 28 February 2013
"Half-caste" and "mixed race" are terms that excite strong emotions. Are you black, are you white? Where do you belong? To whom do you owe your loyalties when the chips are down?Arinze Kene’s God’s Property will hardly be welcomed with open arms by... Read more... |
No Quarter, Royal Court TheatreThursday, 17 January 2013
Most of us would love to live in a happy family, but it’s the unhappy ones that make the most compelling drama. And few playwrights do familial tensions as instinctively as Polly Stenham, whose highly successful 2007 debut That Face and 2009 follow-... Read more... |
In the Republic of Happiness, Royal Court TheatreThursday, 13 December 2012
Christmas plays are a seasonal curse of British theatre. But there are alternatives to pantos and Dickens monologues. At the Royal Court Theatre, there is a tradition of more edgy Christmas fare, with plays by outstanding writers such as Joe Penhall... Read more... |
Hero, Royal Court TheatreFriday, 30 November 2012
Is discretion really the better part of valour? This question arises in a particularly acute form in this new play, which looks at Danny, a gay primary school teacher who decides to come out — despite the risk of being seen as a paedo. But although... Read more... |
Imagine: Ian Rankin and the Case of the Disappearing Detective, BBC OneWednesday, 07 November 2012
Over the past couple of years, since my husband’s first book was accepted for publication, I have had the dubious privilege of becoming intimately acquainted with the behind the scenes day-to-day workings of the crime novelist. For that reason... Read more... |
NSFW, Royal Court TheatreFriday, 02 November 2012
London theatre loves plays about the media. Is this because we spend so much time flicking through magazines, visiting websites or watching television? Or is it because this venue’s trendy metropolitan audience is as cynical and world-weary as a... Read more... |
Choir Boy, Royal Court TheatreTuesday, 11 September 2012
With the American presidential election campaign now in full swing, the search is surely on for cultural expressions of the two nations that the candidates represent: white rich people versus the rest. Okay, maybe an exaggeration, but who says I’m... Read more... |
