tue 24/12/2024

New York

42nd Street, Sadler's Wells review - musical extravaganza will knock your socks off

There are better musicals in town, but can you find me a more spectacular show in a more comfortable theatre? I doubt it. Not that Jonathan Church's new production at Sadler's Wells is flawless. It's a 90-year-old blockbuster so, for all its...

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Succession Season Four finale, Sky Atlantic review - a glorious bonfire of the vanities

Hey-hey! Alright! The standard greeting of Kendall Roy will be much missed, along with all the other regular joys of Succession. It wasn’t always 100% perfect, thank goodness, it was all too human: changeable, moody, ultimately self-serving, just...

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A Brief List of Everyone Who Died, Finborough Theatre review - 86 years, punctuated by fun and funerals

The family pet dies. It’s a problem many parents face, and when Gracie learns from her evasive father that her dog isn’t just gone, but gone forever, her five-year-old brain cannot process it and so begins a lifelong relationship with deaths,...

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Album: Paul Simon - Seven Psalms

Paul Simon is an ornery bugger. Full of awkwardness and perversity as a person, seemingly hugely detached, but as an artist capable of as much tenderness and directness as just about anyone out there. Capable of making world-changing artistic...

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The Motive and the Cue, National Theatre review - theatrical titans face off

Plays about the theatre are many and varied, from Gypsy and Noises Off to the numerous Shakespeare works that absorb theatrical performance into their very fabric.Jack Thorne's The Motive the Cue immediately takes pole position amongst recent...

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Blue, English National Opera review - the company’s boldest vindication yet?

Two recent operas by women have opened in London’s two main houses within a week. Both have superbly crafted librettos dealing with gun violence without a shot being fired, giddyingly fine production values and true ensembles guided by perfect...

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A Thousand and One review - fighting the system in 1990s New York

AV Rockwell well deserved the Grand Jury award at Sundance in January for her debut feature film, A Thousand and One.It’s hard to believe that this subtle portrait of a troubled young woman trying to raise a child is the work of a first time...

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Album: Easy Star All Stars - Ziggy Stardub

You’ve got to hand it to New Yorkers Easy Star All Stars: their records do what they say on the tin. This starts with a simple reggae drum rhythm fading in, couple of echo effects, a nifty fill, then in comes David Hinds of Steel Pulse singing,...

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Loving Highsmith review - documentary focused on the writer's lighter side

Since her death in 1995, Patricia Highsmith has prompted three biographies, screeds of often conflicting psychological analysis and now this documentary from the Swiss-born Eva Vitija. We hear the director say at the outset that by reading her then-...

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A Little Life, Harold Pinter Theatre review - unrelenting trauma

Wow! James Norton naked! Wow! New play by Ivo van Hove. Wow! It’s four hours long. Wow! Wow! Wow! The much anticipated play of the year, an adaptation of Hanya Yanagihara’s 700-page bestselling novel of 2015, comes to the West End in a huge blaze of...

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Rabbit Hole, Paramount+ review - sabotage, subterfuge and corporate skulduggery

Kiefer Sutherland has proved to be a hardy perennial over the decades, from movies like Young Guns and Flatliners to TV shows including Designated Survivor and especially the much-lauded 24. And he seems to have picked another winner with Rabbit...

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Guys and Dolls, Bridge Theatre review - exuberant new production of the 1950 masterpiece

It now seems an inevitability that Marisha Wallace will be a frontrunner at next year's theatre awards, not just this year’s. Having barnstormed her way to a 2023 Olivier nomination for playing Ado Annie in the Young Vic’s Oklahoma!, her Miss...

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