sun 16/06/2019

Norway

theartsdesk in Bergen: Gothic shocks and Romantic treats

Ole Bull sounds like some legendary gun-slinging hero of the Wild West. A legend he definitely was, and he spent long enough in the US to found a migrant community in Pennsylvania. But the Norwegian virtuoso (1810-1880) made his name not with a...

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Classical CDs Weekly: Ståle Kleiberg, Lise Davidsen, Park Avenue Chamber Symphony

 Do You Believe in Heather? Chamber music by Ståle Kleiberg (2L)Ståle Kleiberg's String Quartet No 3 is a masterpiece, I think. Small but perfectly formed, it's unassumingly brilliant. Kleiberg’s use of “extended tonality” is fascinating:...

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Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force

The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now receiving a major West End revival in welcome defiance of the commercial odds. The protean Sonia Friedman, this venture...

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Karl Ove Knausgaard: So Much Longing in So Little Space review – smiles more than screams

Around the works canteen, a dozen huge wall-paintings depict, in bright cheerful colours spread across radically stylised forms, happy scenes of women and men at work and play beside a sunlit sea. They till, pick, dance, chat, dream, wander or water...

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CD: Sigrid - Sucker Punch

You’d be forgiven for thinking, in the age of streaming, that the promotional single was a dying art. And yet there’s already something familiar about Sigrid’s long-awaited debut album. It’s almost two years since “Don’t Kill My Vibe” was the song...

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CD: Susanna & The Brotherhood of Our Lady - Garden of Earthly Delights

Lyrics such as “are we hunting for life among misery, Satan have pity on my long distress” and “we’re on a ship of fools, sails laughing and singing to hell” telegraph that, as a commentary on the present, Garden of Earthly Delights isn’t painting a...

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The Lady from the Sea, Print Room at the Coronet review - freedom to choose?

Ellida (Pia Tjelta) has a choice to make, the outcome of which will bind her future to her past or her present, each represented by a man. On the one hand, there is the tempestuous seafaring Stranger (Øystein Røger) to whom, long ago and in a fit of...

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theartsdesk Q&A: Hedvig Mollestad, Norway's bridge between heavy metal and jazz

Norway’s Hedvig Mollestad Trio reset the dial to what jazz fusion sought to do when it emerged, and do so in such a way that it’s initially unclear whether they are a jazz-influenced heavy metal outfit or jazzers plunging feet-first into metal....

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CD: Kim Myhr - Pressing Clouds Passing Crowds

If a new soundtrack for L'Année dernière à Marienbad was needed, Pressing Clouds Passing Crowds is it. Thematically, the collaboration between Norwegian guitarist Kim Myhr, French-Norwegian poet Caroline Bergvall, the Québécois string quartet...

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Erik Poppe and Andrea Berntzen: 'When white young men do stuff like this, we just shake our heads'

On 22nd July 2011, on a tiny island off the Norwegian coast, 69 young people were killed, with another 109 injured in a terrorist attack. It was the darkest day in Norway since World War Two, and one that is still evident in its news, politics and...

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The Wild Duck, Almeida Theatre review - meta, merciless and altogether brilliant

Beware the smile that Edward Hogg wears like a shield in the opening scenes of The Wild Duck, the Ibsen play refashioned into the most scalding production in many a year by Robert Icke, here in career-surpassing form. Playing James Ekdal, the...

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CD: Jessica Sligter - Polycrisis: yes!

The voice of Jean-Claude Juncker does not habitually turn up on albums. Jessica Sligter's Polycrisis: yes! though features extracts from a 2010 speech by he, the President of the European Commission on “The Dream has Died” and “The State of the...

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