Norway
Wild Men review - Danish-Norwegian black comedyFriday, 06 May 2022
There are films that, after seeing the trailer, I very much expect to love. But when the actual movie is disappointing, I find writing the review makes me just a little bit sad. Unfortunately, Wild Men is one of those movies. Billed as a... Read more... |
The Worst Person in the World review - confusion becomes herSaturday, 26 March 2022
Some British TV viewers who were in junior school in the mid-1960s will recall the imported Australian kids’ show The Magic Boomerang. When the adolescent hero, a sheep farm kid, threw the eponymous piece of wood, he stopped time and was able to... Read more... |
Album: Maridalen - BortenforThursday, 24 March 2022
At first, Bortenfor comes across as an all-instrumental extended mood piece. A breathy saxophone and trumpet mesh over a gently see-sawing double bass. Clusters of piano notes occasionally intersperse themselves into the undulating textures. A pedal... Read more... |
When We Dead Awaken, The Norwegian Ibsen Company, Coronet Theatre review - living death, dying lifeWednesday, 02 March 2022
In Ibsen's last and shortest play, further cut here, four people nominally climb a mountain, but actually seem to be crossing waste land towards the land of Samuel Beckett. It’s an amazing play in which reality is symbolic and symbols are real,... Read more... |
Rachlin, Oslo PO, Mäkelä, Oslo Konserthus/Perianes, LPO, Berman, RFH review - the best-laid plans…Thursday, 24 February 2022
The headline was never going to be snappy, but “Klaus Mäkelä conducts…” as a start would have pulled it all together. A trip to Oslo last week was not wasted: he did indeed take charge of one of his two main orchestras, in a typically offbeat... Read more... |
Lise Davidsen, Leif Ove Andsnes, Barbican review - perfect Grieg, impressive Strauss and WagnerFriday, 14 January 2022
After a too-much-too-soon debut disc, Lisa Davidsen has just rolled out the gold on CD with her great fellow Norwegian Leif Ove Andsnes in songs by their compatriot Grieg. The visuals last night, in the first concert of a Barbican mini-residency,... Read more... |
Albums of the Year 2021: Frida Hyvönen - Dream Of IndependenceFriday, 24 December 2021
Frida Hyvönen’s UK profile isn’t as high as it is in her home country Sweden. Over here, what she gets up to is less apparent than the activities of some of her more heavily marketed fellow Swedes. Hence Dream Of Independence coming as a surprise,... Read more... |
Hedvig Mollestad, National Jazz Scene, Oslo review - watch out, there’s a storm aboutThursday, 02 December 2021
The opening moments don’t suggest what’s coming. A solo flute is followed by a few spoken phrases from a treated voice. What’s being said? It’s impossible to work it out. Is it a warning? An electric guitar’s strings are stroked with a cello bow.... Read more... |
Album: Electric Eye - HorizonsWednesday, 03 November 2021
Bergen’s Electric Eye’s pithy description of themselves is “psych-space-drone-rock from Norway.” They also say they “play droned out psych-rock inspired by the blues, India and the ever-more expanding universe.” Horizons is their fourth studio album... Read more... |
Album: The Eivind Aarset 4-Tet - Phantasmagoria, or A Different Kind of JourneyThursday, 16 September 2021
Phantasmagoria, or A Different Kind of Journey instantly sets its controls for an excursion into the interstellar void between gaseous and solid objects. Opening cut “Intoxication” begins with lightly pulsing bass and a keyboard texture. Shimmering... Read more... |
The North Water, BBC Two review - a terrible voyage into the great beyondSaturday, 11 September 2021
It’s perhaps unfortunate that The North Water arrives on BBC Two only a few months after The Terror, since it’s impossible to avoid the parallels between them. They’re set only a few years apart (1859 for The North Water, 1845 for The Terror), both... Read more... |
theartsdesk Q&A: conductor Klaus MäkeläThursday, 25 March 2021
Let the facts – and the music-making you can see and hear online – speak for themselves first. Finnish conductor Klaus Mäkelä became the Oslo Philharmonic’s chief conductor last September, at the age of 24; he takes up the same post with the... Read more... |
