fri 11/10/2024

OAE

Prom 74: Verdi Requiem, OAE, Alsop

Tradition – a choral spectacular for the penultimate night of the Proms – but with a twist – a youth choir and period instruments. Marin Alsop this evening led a spectacular Verdi Requiem, not least for the sheer scale of the chorus, the BBC Proms...

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Prom 68: Semiramide, OAE, Elder

Between the Berlin Philharmonic, Leipzig Gewandhaus Orchestra and Simón Bolivar Symphony Orchestra it has been a big week at the Proms, in every sense. Scope and scale have been the watchwords for the orchestral tectonics that have taken place, the...

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Prom 3: Crowe, OAE, Cleobury

It is interesting to note how, in the space of a few short decades, so-called “period instrument” performances of classical music have moved from edgy experimentation to the mainstream of the tradition. In last night’s Prom, the Orchestra of the Age...

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Der Freischütz, OAE, Elder, RFH

The Orchestra of the Age of Enlightenment is 30 years old, and last night it celebrated in style. The orchestra has a long association with the music of Weber, who became iconic of their pioneering work in presenting 19th-century repertoire on...

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Period Portraits: Snapping the OAE

When I was first commissioned by the Orchestra of the Age of Enlightenment I never dreamed that it would turn into a marriage of such long duration. The length and breadth of the collaboration has lasted over 20 years now, and long may it continue....

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Bruckner 6, OAE, Rattle, RFH

It’s always fun to watch the Orchestra of the Age of Enlightenment. As members of a self-governing orchestra, and often soloists in their own right, the players like to do things their way. Come the ripe second theme of the Bruckner Adagio and the...

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Prom 62: Barton, OAE, Alsop

A concert of Brahms chamber music I could understand, especially given a balance between early and late. An evening of orchestral Brahms, with or without voices, needs much more special pleading. It didn’t get nearly enough last night. An expanded...

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Die Entführung aus dem Serail, Glyndebourne

What a difference seven years can make to a budding genius. Mozart’s La finta giardiniera (1775) has only patches of brilliance, and last year’s Glyndebourne production, despite musical excellence, failed them all. This time an experienced director...

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Classical CDs Weekly: CPE Bach, Busoni, Vivaldi

 CPE Bach: Symphonies Orchestra of the Age of Enlightenment/Rebecca Miller (Signum)Think of musical perfection and you think of JS Bach. Every note perfectly placed, every harmonic sequence pleasing in its logic, every extended structure...

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OAE, Tognetti, Queen Elizabeth Hall

As I sat, engaged and occasionally charmed but not always as impressed as I’d been told I would be, through violinist-animateur Richard Tognetti’s lightish seven-course taster menu of string music with the Orchestra of the Age of Enlightenment, it...

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La finta giardiniera, Glyndebourne

There are two avenues down which to approach the well-kept flower beds of Mozart’s early operas. One is to be surprised how rarely the muse of fire which rages through Idomeneo, his first undisputed masterpiece, descends on a work composed just a...

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Gilchrist, Bevan, OAE, Devine, QEH

Of all the epithets you could pin on that roast beef of Old England, William Boyce, “gamechanger” is one of the more unlikely. Like any good 18th-century Englishman, this composer followed the widespread Italianate model of the late Baroque, infused...

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