pop music
Album: Trevor Horn - Echoes: Ancient & ModernThursday, 30 November 2023
A deathless trend in pop is taking great songs, slowing them down, doing orchestral versions, or rendering them raw acoustic. This, ostensibly, reveals their genius and/or brings them a new audience. Rarely, it can work, as on Johnny Cash’s final... Read more... |
Music Reissues Weekly: Soft Cell - Non-Stop Erotic CabaretSunday, 26 November 2023
"Both of us have always enjoyed listening to dance music, and we wanted to interpret disco in our own way. We wanted to make good quality soulful electronic dance music, more biting than the usual bland disco stuff. We wanted to make records that... Read more... |
Album: Take That - This LifeFriday, 24 November 2023
Listening to the best of what they’ve created since their post-2005 reformation, it would take a staunch anti-Take That churl to hold fast to the punk-rockin’ claim the “man band” are, musically, just talentless piffle. “Shine”, “Patience”, “Hey Boy... Read more... |
Album: Madness - Theatre of the Absurd presents C'Est la VieWednesday, 15 November 2023
Madness are an English institution due to deathless, jolly hits such as “House of Fun”, “Baggy Trousers” and “One Step Beyond”, but there’s always been another side to them.The London band are often at their best when bittersweet. Lesser-known songs... Read more... |
theartsdesk on Vinyl 80: Nanci Griffith, Scuba, Dope Lemon, Aerosmith, Bob Marley, Pharoah Sanders and moreTuesday, 14 November 2023
VINYL OF THE MONTH Being Dead When Horses Would Run (Bayonet)Being Dead are ostensibly an indie trio from Austin, Texas, but that description doesn’t really do justice to their smörgåsbord sound. Their default setting seems to be Trashmen “Surfin’... Read more... |
DVD/Blu-ray: 23 Seconds to EternityTuesday, 14 November 2023
The KLF are endlessly fascinating. There’s never been a “pop group” like them. From the late Eighties into the early Nineties, they treated music, especially electronic dance music, as a laboratory for lunatic experiment. Unlike most avant-garde... Read more... |
Robbie Williams, Netflix review - tormented superstar bares his soulWednesday, 08 November 2023
If you thought being a pop star might be fun, this four-part voyage around the tortured soul of Robbie Williams may convince you otherwise. He has sold 75 million records and historic numbers of concert tickets, scored 13 Number One albums and seven... Read more... |
Justin Lewis: Don't Stop the Music - A History of Pop Music, One Day at a Time review - deft and delightful pop almanacTuesday, 07 November 2023
This splendid book proves that trivia need not be trivial, and that a miscellany of apparently disconnected facts can cohere, if done well. It is in the proud lineage of the “toilet book”, a form sadly in decline in these days of the smartphone.... Read more... |
Music Reissues Weekly: When the Alarm Clock Rings - A Compendium of British Psychedelia 1966-1969Sunday, 05 November 2023
“How psychedelic is your pop? This is the demanding question posed to many groups today, struggling for acceptance. It's no longer any good to say: ‘Well, mate, we can play Wilson Pickett, James Brown and all that gear,’ to anybody contemplating... Read more... |
10 Questions for the avant-pop icons StereolabThursday, 02 November 2023
Just over 30 years ago, avant-pop icons Stereolab released their debut album Peng! establishing the early hallmarks of the English-French band’s sound; 1960s pop harmonies, chorus-laden guitar riffs and a borderless world of analog electrics. Helmed... Read more... |
Album: OMD - Bauhaus StaircaseSaturday, 21 October 2023
The three previous albums that Orchestral Manoeuvres in the Dark have released since reforming in 2010 have all, to varying degrees, adhered to their early sound. The band were part of the post-punk, post-Kraftwerk, 1979-82 synth-pop boom, alongside... Read more... |
Maisie Peters, O2 Academy, Glasgow review - conjuring up an enjoyable pop spellThursday, 19 October 2023
When Maisie Peters first appeared onstage she loudly asked if the crowd were ready for “the best night of their lives”, and given the youthful nature of the audience the ensuing 80 minutes might have lived up to the hype. There were screams,... Read more... |
