Puccini
Edinburgh International Festival 2019: Bach's Multiple Concertos/ Manon Lescaut reviews - dancing harpsichords, perfect PucciniFriday, 23 August 2019Puccini's and Abbé Prévost's glitter-seduced Manon Lescaut might have been inclined to linger longer in the salon of dirty old man Geronte if he'd served her up not his own madrigals but Bach's music for various harpsichords and ensemble. Five such... Read more... |
Manon Lescaut, Opera Holland Park review - attempt to empower commodified woman falls flatWednesday, 05 June 2019"Waiting is always wearisome," declare the socialites as glitter-and-be-gay Manon Lescaut receives in the home of her nasty old "protector" Geronte. Despite the numerous sugar-plums Puccini weaves into his first fluent operatic masterpiece, waiting... Read more... |
Bernheim, Finley, LSO, Pappano, Barbican review - top Italians in second gearTuesday, 05 March 2019Would Verdi and Puccini have composed more non-operatic music, had they thrived in a musical culture different to Italy's? Hard to say. What we do know is that they both became absolute masters of orchestration – Puccini rather quicker than Verdi,... Read more... |
The Rite of Spring/Gianni Schicchi, Opera North review - unlikely but musically satisfying pairingSunday, 17 February 2019Stravinsky acknowledged that his orchestra for The Rite of Spring was a large one because Diaghilev had promised him extra musicians (“I am not sure that my orchestra would have been as huge otherwise.”) It isn’t huge in Opera North’s production... Read more... |
Gianni Schicchi/Suor Angelica, RNCM, Manchester review – music does the magicWednesday, 12 December 2018The Royal Northern College of Music’s December opera production was the useful double bill of Suor Angelica and Gianni Schicchi from Puccini’s Trittico. I say useful, because the former employs a women’s chorus (and, briefly, a full one) plus 16... Read more... |
Montserrat Caballé (1933-2018): from Bellini to 'Barcelona'Sunday, 07 October 2018Her special claim to fame was the most luminous pianissimo in the business, but that often went hand in velvet glove with fabulous breath control and a peerless sense of bel canto line. To know Maria de Montserrat Viviana Concepción Caballé i Folch... Read more... |
Tosca, Opera North review - exciting update, strong on sonic thrillsMonday, 17 September 2018Puccini’s Tosca isn’t a subtle work, and this, Opera North’s fourth production since the company’s founding in 1978, is occasionally too loud and crude. But it’s undeniably powerful. Edward Dick’s 2017 Hansel and Gretel left me a little... Read more... |
Madama Butterfly, Glyndebourne review - perverse staging, outstanding castSunday, 20 May 2018Puccini’s heroines and the rough treatment he hands out to them have come in for plenty of opprobrium over the years. But just occasionally they fight back on his behalf in the person of an outstanding singing actress; and this is exactly the case... Read more... |
Tosca, Welsh National Opera review - ticking the traditionalist boxesSaturday, 10 February 2018Opera-lovers: if you’ve finally had enough of the wheelchairs and syringes, the fifties skirts and heels, the mobile phones and the white box sets, and the rest of the symbolic paraphernalia of the right-on modern opera production, pop along to the... Read more... |
Classical CDs Weekly Special: Callas LiveSaturday, 23 December 2017Remastered they may be, but the 20 live operas recorded here between 1949 and 1964 vary soundwise from clean at best to atrocious, with all the caprices of stage noise and audience participation seemingly acceptable at the time (so often there's the... Read more... |
theartsdesk in Stockholm - HK Gruber and sacred monstersWednesday, 29 November 2017It was excellent, flesh-creepy fun back in 1978, when a young Simon Rattle conducted the Liverpool world premiere with the composer declaiming, but how well has Austrian maverick H(einz) K(arl) "Nali" Gruber's "pandemonium" for chansonnier and... Read more... |
Grenfell Tower Benefit Concert, Cadogan Hall - stellar line-up for a vital causeMonday, 18 September 2017“Keep here your watch, and never part.” There was a strong symbolism of standing and singing together in the last moments of the Grenfell Tower Benefit Concert. After singing the Lament of Purcell's Dido, Christine Rice made her way back slowly... Read more... |