punk
bruce.dessau
The Meltdown Festival's tribute to Tony Wilson was a lot like the charismatic post-punk legend himself: funny, eccentric, obscure, populist; all over the place but never dull. Wilson died in August 2007 and this event was a reminder of his reputation as one of music's most fascinating post-punk provocateurs, giving the world Joy Division, Happy Mondays and more. It was also a reminder of his reputation, as poet Mike Garry put it, as a "knobhead". As someone who appeared on regional news programmes quoting Wordsworth while hang-gliding, Wilson could be spectacularly uncool.Proceedings, hosted Read more ...
Kieron Tyler
Although record producer Martin Rushent was firmly identified with the punk and post-punk eras, the biggest records he had worked on before then were those of Shirley Bassey. His production of The Human League’s epoch-defining Dare changed that.Rushent was a freelance producer and studio engineer – mainly working with artists signed to the United Artists label. It was his enthusiasm that got The Stranglers signed to UA. Before that, he had worked with anyone from prog-rockers Curved Air to pop fodder like David Essex. He’d engineered the T-Rex album Electric Warrior as well.But it was the Read more ...
joe.muggs
They started as a band of hyper-accomplished musicians aiming to play fiddly electronica in a guitar-band format and thereby creating a rather witty new kind of progressive rock. Now, minus key member Tyondai Braxton but plus a few leftfield star guests, Battles are playing a neat line in chugging heavy metal calypso techno dub punk pop. No, the notion of genre in the 21st century doesn't get any easier, does it? But preposterous definitions aside, a lot of this record boogies along with a surprising amount of fun given its makers' conspicuous virtuosity and the hodge-podge of influences Read more ...
howard.male
What do you get when you cross a Swiss Cajun punk band with a London garage rockabilly band? Well, if it’s not a contrived record company manoeuvre, but instead came about because the two bands just happened to bump into each other at a festival and got along like a house on fire, you get a wonderfully organic, rough-edged party of an album which makes you suspect that the genre of Cajun punk garage rockabilly has always been with us.Perhaps part of this record’s success lies in the fact that both bands are only trios, so Hipbone Slim brought a double bass to the table, and Mama Rosin a Read more ...
joe.muggs
The last time I saw Atari Teenage Riot play was in a gig venue above a pub some time around 1999 and it was one of the most intense gigs I've ever experienced. Then-member Carl Crack – who would take his own life not long after – was clearly a man on the edge, and the entire group were acting wired, scared and weird. They made the most stupendous racket, and the well-over-capacity audience reacted by leaping about so violently that the building needed structural repairs afterwards. To be part of that seething crowd required commitment, passion and complete obliteration of ego – it was easy to Read more ...
bruce.dessau
One can safely say that there is never a dull moment with Peter Doherty. His life is such a soap opera it is often easy to overlook the fact that, even if you don’t buy the tortured-poet schtick, he is clearly a gifted songwriter. It is such a shame he cannot knuckle down and stick to his day job and bash out some more classics. This week he set out on a solo UK tour, not coinciding with a new album, but nicely coinciding with the promotion of his beloved Queens Park Rangers to the Premier League, which probably explained his cheerful if occasionally subdued mood in Shepherds Bush last night. Read more ...
Thomas H. Green
It's been a while since I've spent time with Asian Dub Foundation. In the mid-Nineties, when they first appeared, they were one of the most exciting acts around and I enthused about them in print at every opportunity. They were born of an east-London community music project, mashing up the then-new sounds of drum and bass with agitprop showmanship and anti-racist politics. The result was a visceral live act that fitted as well beside the rising Brit-Asian wave (Talvin Singh, Nitin Sawhney, Badmarsh & Shri, etc) as with punky post-Levellers roots rock.However, I never felt ADF captured Read more ...
Kieron Tyler
The death of Poly Styrene (Marianne Elliot-Said) is more than another reminder that the ever-influential punk era is further and further away. It is also genuinely sad as she was always helpful, always approachable and – simply put – a nice person. Her vision was a singular counterpoint to the period’s often simplistic political stance and macho outlook. Her death comes soon after the release of Generation Indigo, her latest album. It has become her final word.Concerned with the issues in society that formed personalities and affected outlook, songs like X-Ray Spex’s “Identity” - Read more ...
bruce.dessau
One of my most enjoyable gig-going experiences last year was seeing Mick Jones guesting with Gorillaz at the Roundhouse. The former Clash guitarist was clearly loving every minute of it. So much, in fact, that shortly afterwards he decided to reform his second-best band, Big Audio Dynamite, for a short UK tour, including the first of two London dates last night. But after two decades since this original line-up played together, the burning question was would this be a cynical, pension-funding slog, an arthritis-fuelled embarrassment, or something special?Within the first few beats and Read more ...
joe.muggs
Often at gigs by bands of a certain vintage, the fans can look like they're on a special awayday: like they've dug their T-shirts out of the back of the drawer and geared themselves up for one last canter round the paddock. Not so for Killing Joke. At the Royal Festival Hall last night, a very large section of the crowd had the look of still actively living very rock'n'roll lives, and of having done so for at least the last 30 years. “How many times have you seen them?” asked a shaven-headed gent in the seat next to me. “This'll be my 46th Joke gig,” he continued with obvious pride. This is Read more ...
Kieron Tyler
Anyone expecting the 1977-style foghorn-voiced Poly Styrene from Generation Indigo is going to be disappointed. Instead, this album is sweetly delivered, melodic and driving modern pop with a Euro electro-dance sheen. She’s not bellowing “Oh Bondage! Up Yours!” over bee-in-a-jar guitar and caterwauling sax, but embracing something much more friendly.Of course, this review is tempered by the recent news that Poly has been diagnosed with cancer. Produced by Youth, Generation Indigo isn’t for those sporting punk blinkers, although she’ll always be defined by having fronted X-Ray Spex between Read more ...
bruce.dessau
Follow that. It's the inevitable two-word mantra after a band has released a defining debut. The Strokes delivered their seminal statement of intent with Is This It in 2001, proving that a decent leather jacket, attitude and a rock riff will never let you down. Well, a decade on and with their fourth album out on Monday, there is much muttering of rock letting you down. Can Angles do anything to stop the rock rot?The simple answer is no. The more complex answer is maybe, if only the New York quintet would pull their fingers out and deliver something more cohesive. The opening track, “Machu Read more ...