tue 16/04/2024

reggae

Music Reissues Weekly: In A Rocking Mood - Beverley’s Rock Steady 1966-1968

Beverley’s was an ice-cream shop and restaurant on Orange Street in Kingston, Jamaica. Records were on sale too. In 1961, an aspiring singer-songwriter named James Chambers turned up there with a song he’d written called “Dearest Beverley.” If it...

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Rebel Dread review - generous documentary portrait of punk-reggae legend Don Letts

Don Letts, the film director, musician and DJ responsible for so many of the iconic images of punk and reggae artists, executive produced this documentary portrait. The result is a warm and generous chronicle that occasionally veers on the...

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Music Reissues Weekly: U-Roy - Version Galore

The death of U-Roy was announced on 17 February 2021. A year on, the reappearance of his oft-reissued 1971 debut album Version Galore brings the opportunity to celebrate the music which brought him his earliest success; the music which propelled him...

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Music Reissues Weekly: Jon Savage's 1977-1979 - Symbols Clashing Everywhere

The title borrows from the lyrics of Siouxsie and the Banshees’s August 1978 debut single “Hong Kong Garden”: “Harmful elements in the air, Symbols clashing everywhere.” It also refers to Marcus Garvey’s prediction that on 7 July 1977 two sevens...

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Album: Nightmares On Wax - Shout Out! To Freedom...

George Evelyn is one of British music’s more interesting characters. With equal parts Yorkshire bluntness, hip hop swagger and cosmic dreams, he has filled Nightmares On Wax’s beat collages and soul grooves with soundsystem heft and endless...

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Get Up, Stand Up!, Lyric Theatre review - knockout performance, undercooked book

Can we turn off the script and simply leave the music to do its soul-stirring bit?  That's likely to be a not uncommon response to Get Up Stand Up!, which gives Bob Marley much the same biomusical treatment currently on view in Tina across...

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Album: Greentea Peng - Man Made

Greentea Peng is a south Londoner, heavily tattooed, heavily spiritual, heavily anti-establishment, and very, very heavily into basslines. She cuts a singular figure in many ways, but her rebel dub soul style also makes her a particularly British...

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Live is Alive!, Brighton Festival 2021 review - local talent makes for snappy return to gig-land

The idea live music is back is worth shouting about. Indeed, the BBC News has been doing just that about this gig. In reality, though, while it’s a joy to be out (this is my first major venue concert for a year-and-a-half), Live is Alive is a...

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Disc of the Day 10th Anniversary: the level playing field

Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But...

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Album: Mathieu Boogaerts - En Anglais

Mathieu Boogaerts has been recording since the mid 1990s, emerging from the nouvelle chanson scene in Paris, a chansonnier who’s performed at the likes of Cafe Oto over here, while establishing himself as a star turn on the Tôt ou Tard label in...

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Disc of the Day Celebrates 10 Years of Album Reviews

Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into...

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Album: Alicia Keys - Alicia

Alicia Keys is a puzzling mixture. On the one hand she’s the hyper-achieving, multi-platinum, 752-Grammy-winning America’s sweetheart, all dimply smiles, positive-thinking ultra sincerity and the kind of showbiz over-emoting and singing-technique-as...

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