tue 28/01/2025

religion

Shappi Khorsandi, touring

It’s not a good thing to be at a comedy gig fit to punch the wall, but I must confess I entered the auditorium for Shappi Khorsandi’s show last night in a less than Zen state. Not that I had arrived up for it, mind; I may be a sarf London girl but...

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Behud (Beyond Belief), Soho Theatre

In December 2004, Gurpreet Kaur Bhatti’s play Behzti (Dishonour) caused riots when it was staged at Birmingham Rep. It concerned the (fictional) story of a child rape in a gurdwara (a Sikh temple) and the theatre, in a well-intentioned but misguided...

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The Infidel

On the face of it, The Infidel should be a hoot. The screenwriting debut of comic David Baddiel, one half of two of the cleverest comedy duos of the past 20 years (Newman and Baddiel, Baddiel and Skinner), and starring stand-up comedian Omid Djalili...

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Concerto/The Judas Tree/Elite Syncopations, Royal Ballet

Another night, another cast, another Judas Tree (see first-night review below this) - and yet more proof of what a tough, durable, shape-shifting piece Kenneth MacMillan created in his last year of life. Recently theartsdesk interviewee Thiago...

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Lourdes

Is there a God, and if so is He malevolent, and what's on the menu for dessert? Like one of her characters, Jessica Hausner, the relatively unknown, but startlingly talented director of Lourdes, doesn't shy away from asking the really important...

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MacMillan's St John Passion, Barbican Hall

A fervent believer, James MacMillan has no time for what he's called the "instant spiritual highs" of composer-gurus like Glass, Gorecki or John Tavener. His own attempts to grapple with the depth and breadth of his convictions have given us several...

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The Bible: A History: The Bash

It could so easily have been just another bit of God-slot box-ticking. But The Bible: A History, in which Channel 4 has invited guest presenters to mull over some aspect of the Good Book, has been exciting a lot of comment from viewers. Summoning...

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Ghosts, Duchess Theatre

It is difficult for modern audiences to appreciate just how shocking Henrik Ibsen’s Ghosts was when it was first published in 1881. Its sexual and syphilitic storyline - how the sins of the fathers are visited upon their sons - was considered...

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The Bible: A History, Channel 4

For six years from 1988, when Sinn Fein was banned from direct broadcasting, Gerry Adams could be seen on television, but not heard. Instead, actors would read his words while his lips soundlessly moved. What would the architects of that ban have...

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Interview: Director Peter Brook

Theatre director Peter Brook is back in London. Brightly, eloquently, he's promoting his new show, in English (most of his work since the 1970s has been in French), currently running at the Barbican: entitled Eleven and Twelve, it's a dense chamber...

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Marcus Brigstocke, Vaudeville Theatre

Marcus Brigstocke: religionists and smug atheists get a kicking in his show

Marcus Brigstocke, like God, is everywhere. No, strike that - the star of (and I may be missing a few here) Argumental, The Now Show, I’ve Never Seen Star Wars, Giles Wemmbley-Hogg Goes Off and The Late Edition is currently performing God Collar, a...

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Messiah, ENO

Communion and community: Warner's Messiah mixes the sacred and the everyday

There are so many ways a dramatic production of Messiah can go wrong it is almost unbearable to think about it. Certainly, there was a palpable buzz of nervousness in the Coliseum about last night’s audience as they took their seats. Did English...

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